Name: Shards by George Bandoek Apostolakis
Duration: 3 min 26 s
Description: Electric guitar live improvisation, treated on the spot.

A new track and the title track from my new EP out now on Zenopalae. I hope you dig it.
Free download of the EP from here:

https://www.zenapolae.com/zen228

The Empty Infinite

Electric guitar live improvisation, treated on the spot.

Shards

"
Εστία δεσμών φωτός
αρχή.

Μεταφορά
ύλη.

Απόκλιση κατεύθυνσης στον χωροχρόνο
εξαναγκασμός διαφοράς θέσης

Κβαντικός εναγκαλισμός, ίσως
χρόνου.
"

Αποκλίνουσα Δέσμη Φωτός

Naviarhaiku-424: 

sunset in snow
is like a letter read
many times

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku
Deadline: 23rd February 2022

haiku by Ryuta Iida https://en.wikipedia.org/wiki/Ryuta_Iida
picture by Cezary Kukowka https://unsplash.com/@czarotg

Music played and made by Ingvar Tautra for the NaviarHaiku society.
Equipment: 
Sequence with Korg SQ-1 driving the CRAVE, 
Background/Lead is Roland D70/Roland Gaia through Midi, selfmade pads. Gaia set to faster attach than D70 so the lead voice are rising faster. Slow release on both.

Like A Letter [naviarhaiku424]

This is my second single "ALTITUDE"
℗ 3877653 Records DK
Special thanks to Myrto Stylou (Kalte Nacht) for the participation in this track .
Music/mix/mastering: Antonis Vlavo
Vocals: Myrto Stylou
Lyrics: Antonis Vlavo
"The air is thin, almost escapes
Perspective lines convert to curves
Light is direct, ignores refraction
Gravity fades. The call to action."
Artwork/photo: Antonis Vlavo

My Greek voice overs page: https://greek-voiceovers.gr/

Altitude - Antonis Vlavo Ft Myrto Stylou

A short ambient soundscape using recordings of a hailstorm yesterday.

Forrest Fang - Fragments Of January (011123)

My latest track. A dark number keeping to the brief of the compilation of "dark energy". I structured the track around the moody chord progression of the bass line. I wanted to keep the other layers discreet and subtle. There are 3 sections to the track, building to the intense drone like ending which uses an insidiously increasing delay to create a large Soundstage. Free download from https://section27.bandcamp.com/album/human-is-humans-master-vol-2

Pneuma

Modular Noise - Hardware Modular Explorations
https://www.uvi.net/modular-noise

A charactered collection of sounds designed from the results of complex noise exploration in hardware eurorack.

Modular Noise | We All Know Where This Goes by Dimitris Tasoudis

Η παρούσα μουσική αποτελεί παραγγελία του Κ.Θ.Β.Ε. και παρουσιάστηκε σε πρώτη εκτέλεση στη θεατρική παραγωγή «ΤΟ ΑΓΟΡΙ ΜΕ ΤΗ ΒΑΛΙΤΣΑ» τη θεατρική περίοδο 2015-2016. Σκηνοθεσία: Μιχάλης Σιώνας. Μίξη: Γιάννης Μαυρίδης, Cue Production Studios, http://cue.gr.

LONDON

Ambient and slightly nervous for unidentifiable reasons. A teaser from the forthcoming [mute] performance, to be staged from November 2017 in Oulu, Finland.

[muteism012]

George Bandoek Apostolakis was born in Thessaloniki, Greece, long enough ago to have first-hand knowledge and be comfortable in numerous vintage styles. Also long enough ago to have enough time to experiment in improvisation and electronics, indulge in his urge to explore different sounds and develop a knack for unexpected sounds, structures and themes. A strong, idiosyncratic stage persona didn’t do any harm either. 


A mainstay of the Greek eighties indie scene, he made his recording debut with the indie-rock outfit Noise Promotion Company in 1986. Between 1988 and 1995 he was living and working in London. 


From 1996 to 2004 he was a member of Blues Wire, the leading Greek blues band. In addition he took part in numerous jazz and improvisation projects, from the fast-paced jazz collages of Mihalis Siganidis to the live improvised soundtracks of Sakis Papadimitriou. In 2002 he joined the band of the legendary Greek singer-songwriter Thanasis Papakonstantinou, helping to create what was to be hailed as a unique and ultimately successful fusion of modern rock and Greek roots.  At that time he also started releasing solo 3”cds in an idm-ambient style. He collaborated with theatre director Simos Kakalas and the Horos Theatre Company, writing the music for three versions of the modern Greek classic Golfo between 2004 and 2007 and also appearing as an actor in the Golfo 2.3 beta version. Since 2004 he has also collaborated with the SineQuaNon dance company, the leading Greek exponent of contemporary dance, both as a musician and sound designer (Secret Supper) and a composer and musician (Homo Hameno Hamini). The musical and literary escapades of Tabako, an unorthodox accordion, cello, electric guitar and electronics trio, must be always mentioned.


From 2007 he has been living in Finnish Lapland, working in music education and composing music for plays, performances and documentaries (Kaamosvalkeat, Sota - absurdi tragedia, Koettelemusten Kaupunki / A Town Called Trouble, 30+ Sisarta, Itä-Lapin Talvisota, Leipätehtaan Naiset, Itä-Lapin Jatkosota, Johtajan Kaappi) . A member of Pekka Kumpulainen ja Ystävät, his guitar and harmonica playing features on the band’s recordings as well as the soundtrack for the film Kultajoki/Goldfluss. A solo live guitar cd entitled Fugitive was released in 2011. He can be seen playing solo ambient sets, either north or well north of the Arctic Circle. 



He has performed live in many countries between Scotland and China.


Using power, feeling, humour and a disciplined indiscipline George is always searching for the sounds that make us feel things we were not even aware of.

Shards

George Bandoek Apostolakis

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