Featured at http://www.findasongblog.com/post/121900625892/audio-of-the-day-banff-all-again-from-the-debut

Hey man.. wonderful song. I met your mate Adam McMahon in Rishikesh and we had a little go at filming some visuals for this in the Beatles Ashram, did they ever end up your way?

From the album CHANGING LIGHT out May 13, 2014 on Absolute Magnitude Recordings

Pre-Order the album here:  http://www.mirahmusic.com/changing-light
Visit www.mirahmusic.com for tour dates and more!

On her fifth solo album, Mirah breaks it down and builds it back up again with the street smarts that only years behind the wheel of love can inspire.  Ready with the maps and driven to the rhythms on the radio dial, Changing Light’s ten songs carry us from heartbreak to wholeness and all the places in between.

Uprooted from her home after a scorching break-up, Mirah spent four years rambling and recording.  Tracks were laid down in almost two dozen houses and apartments — from the Northwest to Southern California to the East Coast. Sparse demos were recorded with co-producer Christopher Doulgeris in Portland and Los Angeles.  Embellishments were then added by a slew of friends and collaborators, including Greg Saunier (Deerhoof), Mary Timony, Emily Wells, and Heather McEntire (Mount Moriah).  In Philadelphia, Mirah and her sister Emily Zeitlyn (Divers) penned “LC,” an homage to childhood inspiration Leonard Cohen.  Seattle-based composer Jherek Bischoff drew up intricate string arrangements which were recorded in the living rooms of each individual player.  And Tune-Yards producer Eli Crews co-produced several tracks with Mirah in her new hometown of Brooklyn, New York.

Changing Light’s reassuring compass is found in Mirah’s shimmering vocals and incisive descriptions.  There is yearning (“Gold Rush” and “Fleetfoot Ghost”) and hot anger (“Goat Shepherd”), but no shortage of lyrical and musical playfulness. Whether it be the T. Rex-inspired rough edges of “Radiomind,” the rollicking lo-fi bang-and-pop of “Goat Shepherd,” or the lush pop balladry of “Turned the Heat Off,” the album corrals string sections and vintage synths with horns, a multitude of guitar tones and overdriven drums.  With calm and clamor, Mirah brings us all closer together through her universal honesty and occasional use of the vocoder.

“It’s a break-up record.  It has some moments of darkness, some twists and turns, but ultimately, there’s a resolution,” says Mirah.  "So much can happen in four years, even forgiveness.”

While Mirah has been making independent pop records for well over a decade, Changing Light is the debut release on her new imprint, Absolute Magnitude Recordings.

Mirah’s Changing Light is out May 13th on Absolute Magnitude Recordings with support from K Records.

2014 TOUR DATES:
March 06 - San Francisco, CA @ Brick & Mortar Music Hall
March 07 - Oakland, CA @ The New Parish
March 08 - Los Angeles, CA @ The Satellite
March 10 - Scottsdale, AZ @ The Western
March 12 - SXSW
More tour dates to be announced soon!

Oxen Hope

Blud EP Out now on Goodbye Records: smarturl.it/BludiTunes
Vinyl: goodbyerecords.bandcamp.com/album/blud-ep

Join the mailing list - hyperurl.co/signuptosoak

SOAK - THE MOTHER WE SHARE (CHVRCHES COVER)

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01 Ballroom

'Misantropé' available to buy and stream: https://lnk.to/Misantrope

Facebook: www.facebook.com/westermanmusicuk
Soundcloud: @westermanmusicuk
Twitter: twitter.com/westermanmusic
Instagram: www.instagram.com/westermanmusic
YouTube: https://youtu.be/2pwE6evQblw

Misantropé

Floating Harmonies

Buy on iTunes

Júníus Meyvant - Signals

Slow Pop, Influenced by swung hip-hop beats, classic soul rhythms and 70s funk/disco bass lines, as well as the genre- experimentation of artists like Beck or Glass Animals, DAUNT crafts unique pop that feels mature and refined.

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Australian songwriter and singer, Jess Chalker delivers an ethereal, cinematic cover of Massive Attack’s 1998 hit, Teardrop. 

Jess will release her album on November 5.

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