16.6

01. Right Place, Wrong Time* - Ray J 
02. Check Me Out - Little Denise 03:03
03. Cramp Your Style - All The People Feat. Robert Moore 05:09
04. Ghet-To Funk - Duracha 07:24
05. You're Losing Me - Ann Sexton 10:30
06. Gimme Some Skin - Frank Penn 12:50
07. Hot Pants Road - The J.B's Fresh Funk 15:26
08. Gossip - Cyril Neville 18:10
09. Soul And Sunshine - Harvey & The Phenomenals 20:44
10. I Don't Need Help - Johnny K. Killens & The Dynamites 24:41
11. Hand Clapping Song - The Meters 26:51
12. Egg Roll - The M & S Band 29:46
13. Ain't No Other Way - Herman Hitson 31:48
14. I'm In A Loving Groove - Mary Jane Hooper 34:26
15. The Kick - Rhythm Machine 37:59

https://soundcloud.com/radiolenvie   
https://soundcloud.com/maisondufrene
https://open.spotify.com/playlist/3TnbWfV3hhzMhjRrrrlE6F

#52 1967-1974

No.52 1967-1974 for Radio L'envie / Maison Dufrene

We are very happy to premiere the meditative sounds of  “Spaceland”, by pedal steel player, visual artist and composer Joe Harvey-Whyte. Forthcoming on None More Records, London. 

Like everyone else anywhere that’s been opening up, we on the MIMS team occasionally feel overwhelmed by the new pace of life, work, events, new releases, social engagements and more besides, so it’s a real pleasure to take a step back sometimes and listen attentively to such soothing music as this. 

“Spaceland” is taken from a track EP, ‘Flatland/Spaceland’, Harvey-Whyte’s debut solo release. ‘Flatland/Spaceland’ blurs the borderlines between ambient and neoclassical to create an engaging and meditative listening experience.

The first side of the 2 track EP, titled “Flatland” is a glacial ambient creation made using pedal steel guitar processed through multiple effects together with field recordings and occasional revelatory sounds from Himalayan singing bowls. “Spaceland”, on side B, takes the composition and refracts it through an orchestral lens. A 26-piece ensemble delicately creeps into the calming world echoed by side A. As the piece develops the result is something more akin to a film soundtrack. Inspired by Edwin A. Abbott’s 1884 novel Flatland, in which a two-dimensional protagonist encounters a three-dimensional world for the first time, and struggles to explain it to his fellow natives of the 2D Flatland, Joe Harvey-Whyte attempts conceptually to give depth to what that which appears flat. 

On “Spaceland”, Joe Harvey-Whyte worked closely with Ell Kendal, a sound artist and orchestrator from London. Kendal is known for his use of experimental scoring techniques to create notated works for classical ensemble. His influences range from avant-garde composers and performance artists, to early religious music, and ritual, and you can hear that in his interpretation of the original piece here. The process of orchestrating and recording all the instruments for “Spaceland” took around a year, with additional challenges to the process caused by working through COVID. Everything was recorded at Joe’s studio in North London, with the exception of a few remote recordings. 

Joe says of the process of orchestrating the piece “Ell’s scores are quite idiosyncratic and were more of a gentle guide than a definitive representation of the piece as it should be played. Flatland was an improv creation and I wanted this orchestral refraction to embody that level of randomness and chance. Many of the beautiful blossoming moments in Spaceland came about by ‘accident’”.

Joe elaborates on his process: “With my music I often like to create a sonic landscape and just sit there. Breathing slowly and contemplating. When composing, my pieces allow me to take some time out from the fast paced nature of much of life here in London. The pedal steel is manipulated through effects beyond recognition. I didn’t really set out to make a “pedal steel” ambient EP. More that the pedal steel is my expressive tool and the means by which I can access a whole range of different tonalities which perhaps others might get with synths, voice or classical instruments like strings.”

'Flatland/Spaceland' is due for release in full on October 15th via None More Records. A limited 300 run of 10" vinyl with embossed sleeves are available to pre order now via bandcamp - https://joeharveywhyte.bandcamp.com/album/flatland-spaceland

Pre-Order

Exclusive Premiere: Joe Harvey-Whyte "Spaceland" (Forthcoming on None More Records)

Just got word that they've finally managed to clear the smell from the Balamii studio after I've stunk up the place with some truly awful mixes yesterday. One of those nights but it's all in the game baby. Music from Arthur Adams, Moodymann, Prince, Paul Johnson, Pepe Braddock, Steve Silk Hurley & plenty more.

WOLF Music Balamii Radio Oct 21 - Holsten FM

All the leaves are gone and the thief is called autumn. 

Most of the birds have left as well but some are still brushing through the skies, searching for a warm place to stay. But year after year after year they realise, the warmth won’t magically appear someplace, it comes from within others and themselves and only together they will defy the frost.

Lisbird seems to have found her nest in the sometimes rough, sometimes gentle north of Germany’s capital, otherwise known as Wedding. From there she is spreading warm waves to heat up your kettle, ignite your fireplace, mend your warm socks and fluff up the blanket on your couch. 

If you didn’t leave with all the other birds, you may as well stay and sit out the cold dark winter with us. Just like Toto we will hold the line and unlike Toto we will keep on delivering hits until the downfall of the internet. 

Also we’re not always on time but who around here has got time pressure, right?

@Lisbird 
(@DiscoBizarre)

Tracklist:

Intro... Satellite Socialite feat. Lisbird
1........... Einstürzende Neubauten — Wedding
2.......... Skinshape — Metanoia
3.......... Massive Attack — Splitting The Atom
4.......... Boogie Belgique — Every Time
5.......... Theo Teardo — In Case We Become Necessary
6.......... Crystal Castles — Tell Me What To Swallow
7.......... Warpaint — Billie Holiday
8.......... Electralane — The Valleys
9.......... Clara Luzia  — The Drugs Do Work
10......... Portico Quartet — Ruins
11.......... Marbert Rowel — Always On My Mind
12......... Jonathan Bree — Say You Love Me Too (feat. Clara Vinals)
13......... Camouflage — Count In Me (feat. Peter Heppner) (Die Wilde Jagd Remix)
14......... Robi — On Ne Meurt Plus D’Amour
15......... The Kills — Black Balloon
16......... Museum — The Law 
17......... Moderator — Sweet Curse

Photo credits: @deinBollek

Lisbird's cloud

Flight Club №41 — Lisbird

TASCAM DR-40

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🙏 BLINDSPOTS – Spendenaufruf Kältefalle Bosnien 🙏
https://blindspots.support/spenden/#jetztspenden

🙏 MenschMeier Berlin – Solispende 🙏
Mensch Meier GmbH
IBAN DE53 1005 0000 0190 2980 65
BIC BELADEBEXXX
Betreff: Spende + Grußbotschaft Deiner Wahl

So heute kommt der Corona-Swimmer aus dem schönen Dresden. Nil Son überlegte schon länger mal ein Ambient Set aufzunehmen … nun hat er sich getraut und uns für die Raunächte eine wunderbar entschleunigtes Ding zusammengestrickt. Also ab aufs Sofa und Entspannung total. 

NIL SON (mellow - dresden)
SC - https://soundcloud.com/nil-son
FB - https://www.facebook.com/nil.son.page
Insta - https://www.instagram.com/nil_son/
mellow - https://soundcloud.com/mellowcast

Free Download

We Are At Home (CORONA Swimmers Edition) #71 by NIL SON (Ambient Special)

Here is my favorites of 2021 ✨
Incredible year, many releases, not always easy to follow the albums on the long term... but what a year rich in creativity. Genres are mixed to create new ones or to free themselves from them.

Artwork : Adrien Guessaïmi • https://www.instagram.com/aguessaimi/

•••••                                                                                                 •••••
01. Jamire Williams - Hands Up (International Anthem)
02. El Michels Affair & Liam Bailey - Faded (Big Crown Records)
03. Nala Sinephro - Space 4 (Warp Records)
04. Space Afrika - Honest Labour feat. HforSpirit (Dais Records)
05. Léonie Pernet - Dandelion (Infiné)
06. Rosie Lowe & Duval Timothy - Play Along (Carrying Colour)
07. Ben Lamar-Gay - Oh Great Be the Lake (International Anthem)
08. Mach-Hommy - Rami (feat. Westside Gunn)(Griselda Records)
09. Brainstory - Long Day (Reprise)(Big Crown Records)
10. Turnstile - Fly again (Roadrunner Records)
•••••                                                                                                •••••

Guessaï** 2021

Name: _____Ple:xy
Wohnort: _____HH
Stammclub: _____Südpol
Gerne spiele ich: _____düster/groovy
Meine Superkraft: _____80s Poptracks nach 3 sek identifizieren
Als Gemüse wäre ich: _____Cornichons
Meine erste Platte / CD: _____Pink - Missundaztood

https://soundcloud.com/ple_xy

🔥 Ple:xy

Ple:xy - ABYSS Freundebuch #033

Andy Votel - Randomonium Radio Show NTS

Back in 1968 a pair of Germanic behind-the-scenes sound librarians called Horst Ackermann and Heribert Thusek left a tiny, but indelible, pinprick on the history of German pop in the misshaped form of a sexy horror cash-in concept album called Dracula’s Music Cabinet. Shelved at a micro-cosmic axis where Krautrock meets lesbian vampire Horrortica and easy listening meets psychedelia the delayed reaction of this mutant concoction eventually exploded in the mid-1990s in the hands of a generation of ‘record diggers’ sending currency- crushing tremors through the wallets of mods, rockers, hip hoppers, psych nuts and kraut kompletists around the plastic-pillaging planet. The vinyl junkies had resurrected a monster, but, like addicts do, they ravenously sucked it dry and moved on looking for the next fix to feed their habit.

Luckily for some, Ackermann and Thusek were also creatures of habit. And it wouldn’t take a genius to figure out that they were holding the next dose, but by the turn of the millennium the mad scientists had been given a thirty-five-year head start on the pop archeologists and their mythical sequel was literally light-years ahead of their previous draconian installment… Encouragingly the unclosed cabinet left a shiny white clue in the form of it’s closing track Frankenstein Meets Alpha 7… Perhaps space was the place.

Always read the label. The Ackermann and Thusek duo were far from dynamic. They were undercover agents hiding behind user-friendly mock-rock monikers and, like most B-Musicians, the only way to sniff them out would be to read the small print. But when an unidentified record on an unknown label with a title like Science Fiction Dance Partycrops up in the Eins Deutschmark crates it’s not exactly rocket science – although the track titles might suggest otherwise. The End Of A Robot, Monster On Saturn 1, Galactic Adventures Of The Outer Space Fleet , The Whistling Astronauts, Death Rays Out Of The Universe… The telltale signs are all there and if that vintage psycoplasmodic coloured vinyl didn’t clench the deal then what will. When rumours about a space age follow-up to Dracula’s Music Cabinet hit the straße Deutsche-o-phile diggers fingers started twitching nervously.

www.finderskeepersrecords.com

Science Fiction Dance Party

Science Fiction Corporation - Man Out Of A Test Tube

Essential folk funk favourite ‘Watch the Ocean Roll’
recorded in 1980, reissued & remastered for the first time on WONDERFULSOUND records. A spiritual ode to the Virginia waves and the circle of the seasons. Rolling jazz piano, breezy AOR saxophone, & sun soaked harmonies.

Watch The Ocean Roll

Los Porcos - 07.05.22

Demi-Monde started off in 2016 as a party series… from cross-périphérique basements to *Ambient Sessions* in abandoned rehearsal spaces, and massive club nights at La Machine du Moulin Rouge, La Rotonde Stalingrad and Concrete (Paris).

"Aurèle & Friends Vol. 1" is a tribute to the friendships I have built over the years within the electronic music scene. The result is a polychromatic bouquet of club tracks, oscillating between electro, breaks, rave and trance.

All tracks produced between Paris, Copenhague, Berlin & Montreal. Curated through friendship.

https://aurele-demi-monde.bandcamp.com/album/aur-le-friends-vol-1

Rinse France Podcast

L'envie #128 :: E of EELS

For the latest episode of Niche Market Andy Votel has donned his shopkeepers apron and chose to cast his eyeglass over a maligned strain of French pop culture that has hidden-in-plain-sight under the noses of European crate-diggers and record dealers for far too long. Approximately 400 miles from the continents fertile home of free-jazz and Yé-yé ,namely Paris, exists a different region with its face to Balearic vistas and a progressive music scene that is almost as intoxicating and mystifying as the Languedoc wine for which the area is globally renowned. With a blend of political radicalism, French savoir faire, spiritual jazz and strong Mediterranean and South American undertones, The Occitan Jazz scene was established as a means to rehabilitate and protect the endangered provincial dialect of Occitan while galvanising a vibrant and sprawling community of lesser-celebrated musicians, poets and singers from areas like Sète, Carcassonne and other sun-kissed villages stretched around and in-between Toulouse and Toulon, via studios and engineers from Marseille and Nice. With tenuous links to the likes of JP Massiera, Bernard Lubat, Steve Hillage and Leo Ferrer this lesser furrowed field of Folk Funk, Balearic Bossa and and French Spiritual jazz will lead you to a cast of unknown characters, with fervent independent creativity and mononymous monikers that will hopefully, one day, become firm fixtures in your record collections. Not unlike the first ever Niche Market that Andy prepared at the request of Gilles Peterson, which focussed on Breton Jazz, this exploration of another lesser known French underground will neatly bookend the series as Worldwide.Fm goes into its own mystical hibernation and the sign on Votel’s bespoke brocante reads "closed until further notice".

Andy Votel - Niche Market 8 - Occitan Jazz

Pre-order Avant Gardening now → https://newagesteppers.ffm.to/steppingintoanewage

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1. New Age Steppers - Send For Me
2. Singers & Players - A Matter Of Time
3. Dub Syndicate - Substyle

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