TOWARDS_NONE_for_ensemble (Snippet)

five minutes before (r.s.stropharia) 26.06.2023

Johnny's Boat

Marco Lucchi : harmonium, electric tanpura, electric tablas and synthesizer
Paul Mimlitsch : bass clarinet

Sakura 桜 [alt version] w/r369improv

Original Version:::
https://soundcloud.com/stalverk/stroemkarlen-tiger

Photo By Ivons

Strömkarlen - Tiger (Senglar Cuervo Rmx)

May 28, 2025
IMAGE - Thomas Sander - Room installation

INSZENIERTER RAUM

Inspired by the following haiku written by Konishi Raizan, a famous haiku poet of the Genroku period (1688-1704).
spring dream…
not becoming unhinged
is what’s unbearable

Haiku by Konishi Raizan (https://www.poemofquotes.com/famoushaiku/raizan.php)
Picture by USGS (https://unsplash.com/it/foto/a-red-blue-and-green-fluid-painting-on-a-black-background-hoS3dzgpHzw)
@naviar-records

My Naviar Haiku

Sound notes from an anomalous spring

Sound notes from an anomalous spring (Naviar haiku 596)

‘solus, altius’
Personal.
Live performance.

Pyrénées.

Tools :
Marbles (with jitter).
- Telharmonic (H & P outs) > Zagrzeb (hp out) > Desmodus Versio.
- Pluck > Fold 6 > FX Aid.
Zadar, Batumi, Ochd, Diode Chaos.
Sinc Defero.
Quad Vca, A-138s, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Mirapeis [personal]

ANSOUND + ClaudeLeBelge (collaboration)
soundcloud.com/claudelebelge
June 21, 2025

FEAR (collaboration with ClaudeLeBelge)

No. 4 6

it wasn't a binding agreement

Konstantinos Baras, a Greek composer with a passion for complex and saturated sound, embarked on his musical journey following a diagnosis of HanDL syndrome at the age of 18. Baras is recognized for creating works that convey intense emotions and delve into the complexities of trauma, employing visceral, chaotic sounds marked by a continuous energy flow and aggressive gestures. 

Utilizing digital signal processing, noise, distortion and live interactivity, Baras extends the timbral profile of traditional instruments and seamlessly blends disjunct materials into unified structures. With interest in site-specificity and interdisciplinary collaboration, he works often with dancers and movement artists and engages creatively with space, lights, and visual effects. 

His continued entanglement with black metal and techno contributes to an arrestingly distinctive sound palette, exploring the potential of repetition and bodily mechanics to intensify a sound’s impact on the listener. Toward that aim, Baras organizes his compositions through various processes of iteration and fragmented circularity, manipulating duration and density, often utilizing repetitive material but subtly altering it with every reappearance. The end result is driving, gripping, and grave.

His music has been performed and commissioned by Ensemble Modern, Ensemble Intercontemporain Moscow Contemporary Ensemble (MCME), Vertixe Sonora Ensemble,Ensemble Multilaterale, among other, with performances in festivals and conferences such as, IRCAM ManiFeste, MIXTUR, Darmstadt, reMusik, ilSuono, Ticino Musica, among others.

Currently pursuing a PhD in Composition at Northwestern University, Baras holds Masters degree from Boston University, and Bachelors degree Aristotle University of Thessaloniki.

TOWARDS_NONE_for_ensemble (Snippet)

BARAS

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