Binaural mix. Field recordings by Eloisa Matheu, custom audio software by Josep Aymi

Pausa:Noche (2021)

This is a fragment of the performance piece for flute and live video called "The Time in Tokyo", composed with video by Francesca Llopis https://barbaraheld.com/portfolio/the-time-in-tokyo/ 

Time in Tokyo (2010)

An improvised performance for a certain space that is gradually transformed into a generative sound installation. 
Una performance improvvisata che "collabora' con lo spazio acustico, transformandosi in un'installazione sonora in evoluzione continua. 
Signal Festival, Cagliari, Sardenia 2015
https://barbaraheld.com/portfolio/from-0/

From 0... (2015)

Sound installation and performance at Coldcreation Gallery, Barcelona, 2004. Published with text by Luis Lopez "On the Metareality of Things" in FO A RM magazine 5, Autonomy foarm.artdocuments.org

INMERSION SONORA (2004)

Studies for an A/V collaboration with Benton C Bainbridge

Study for Pausa 2, 2017

Study for Pausa 3, 2017

Study for a collaborative A/V project with Benton C Bainbridge

Study for Pausa 1, 2017

fragment of a 2004 performance at Wesleyan University

Electric Wind, Ron Kuivila

Barbara Held: flute, Benton C Bainbridge: live analog video
Short edit, stereo mix of 4 channel performance, April, 2018
“Pausa” is an A/V synthesis system that generates variations in the timbre of live flute and layers abstract forms, building a multi-channel installation work in live performance. Part of my series of pieces shaping subtle variations in the intensity of harmonics of the  flute, the generative sound composition pauses or holds flute sounds as a static image, using simple studio effects that make slight variations in the stereo image of the sound and an “overdrive” that awakens or enhances high partials, creating a fluid and shimmering sound texture that is further modified by control voltages and other data being received from the video instruments.

barbaraheld

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