An amazing song !! Thank you...and thanks to Suits for discovering this gem! <3

love love love

Bloodline (BBC 6music Marc Riley Session)

Preview track from the new album "Falling Bough Wisdom Teeth".
Release in Fall 2013.

Pulsing: Tired Lungs

From Hannah Georgas' "iTunes Session EP"
buy here: http://smarturl.it/hg-itunes

Also available, Hannah Georgas' "Self Titled" album
listen: http://bit.ly/17k7ggP
buy here: http://georiot.co/HGitunes

www.hannahgeorgas.com
www.dinealonerecords.com

Hannah Georgas - Stay (Rihanna Cover)

Carmen Villain (Actress Remix)

Blooming

🎤If you enjoy my music don't hesitate to subscribe to my soundcloud and my social networks for more🔥contents from extracts to lives🎬Discovering music and re-discovering my passion and my life with new horizons, new tools and new ideas🌆trying to push the fader the further possible for the moment🎚️

🎵Link of this beat on my BeatStars at beatstars.com/slownirik (untagged & very high audio quality purchase🔥🎧) : https://www.beatstars.com/beat/justin-bieber-x-slownirik-x-ariana-grande-type-beat-2024-18599962 (🚨FREE Download)

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💿I am sound technician (graduated) & music producer since 11 years. Subscribe to my facebook [facebook.com/slownirik] (16 500 followers), youtube with my instrumentals and +1,39k followers (youtube.com/@slownirik_beats) and twitch (twitch.tv/slownirik) if you wanna see me producing/record/mix/master/editing... exclusives tracks live🎬

🎸Guitariste surtout mais je joue aussi du clavier et de la basse. Je suis diplômé technicien du son (BTS audiovisuel option son) et compositeur de musique en tous genres depuis 11 ans🎼Abonnes-toi à mon YouTube, Facebook, Twitch pour me voir et surtout m'écouter composer, mixer, masteriser et réfléchir en direct.

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Justin Bieber x Slownirik x Ariana Grande Type Beat 2024 (R&B Instrumental 2024) - "The highlights"

The highlights

🚨FREE Download

Justin Bieber x Slownirik x Ariana Grande Type Beat 2024 (R&B Instrumental 2024) - "The highlights"

 Arts & Crafts has just released a double A-side Gold & Youth single featuring their first single "Time To Kill" and a new track "City Of Quartz" 

Time To Kill

Silver Firs - s/t (2012)

http://instagram.com/silverfirs
https://www.facebook.com/silverfirsmusic

Silver Firs - Away We Go

Light And The Dark

"Line of Fire", from upcoming self-titled Junip album, out this Spring on City Slang in Europe and Mute Records in North America.

Buy the track on Amazon: http://glnk.it/1v4
or on iTunes: http://glnk.it/1v5

http://www.junip.net
http://www.mute.com
http://www.cityslang.com

Lyrics:

What would you do
If it all came back to you
Each crest of each wave
Bright as lightning
What would you say
If you had to leave today
Leave everything behind
Even though for once you're shining

Standing on higher ground
But when you hear the sounds
You realise it's just a whim (/the wind)
And you notice it matters
Who and what you let under your skin

If put to the test
Would you step back from the line of fire
Hold everything back
All emotions and desires

Convince yourself to be someone else
And hold back from the world
Your lack of confidence
What you choose to believe in
Dictates your rise or your fall

With no one else around you
No one to understand you
No one to hear your calls
Look through all your dark corners
When you're backed up against the wall
Step back from the line of fire

I'd do the same as you would
Would do the same as you
Step back from the line of fire

Buy on iTunes

Junip - Line Of Fire

Ghost Boy is Sanders Bohlke's new full-length solo record, out February 19, 2013 on Communicating Vessels. 

An Unkindness Of Ravens

Where's The Time

Time Go - Caught a Ghost

Purchase: bit.ly/3oh8DpK
Catalog #: GN59
January 22, 2021
CASS+DIGI

Ever the aural adventurer, Carmen Villain has long traversed a boundless array of sounds, deftly moving from art nouveau pop to fog-laden avant-dub. Yet at every artistic turn, the Norwegian-Mexican’s chameleon-like charm seldom loses its alluring, organic beauty. Fresh off her contribution to 2020’s A Little Night Music… compilation, Carmen joins Geographic North’s Sketch for Winter series for its 9th installment. Perlita, named after Carmen’s grandmother living in Puebla, Mexico, is a sweetly somber reflection on the ever-present cycle of and hibernation and reemergence.

The A side begins with “Everything Without a Shadow”, a wide-angled and windswept vista of expansive permafrost and still-glowing embers of a recently extinguished fire. A sign of life in an otherwise desolate place. “Two Halves Touching” continues to drift through the frigid scene, lightly pulsing underneath a muted but vibrant tundra until coming upon echoes of voices chanted into the snowdrift. “Light in Phases” follows the cue with hurried hesitance, uncovering a sonic slush of radiant zither, blurred voices, and calm resolution.

“Things That Are Solid” begins to thaw the B side, strolling through newly uncovered verdancy, welcoming murmurs peeking out of the snow. With “Molina”, any last remnants of Winter have disappeared, leaving only a solemn suite of piano motifs breaking ground like seedlings bursting to life. With help from Johanna Scheie Orellana on flute and alt-flute, the album’s closer “Aqua Azul'' floats along with unencumbered motion like a happy stone skating across a tranquil pond.

Carmen Villain - "Light In Phases"

There were plenty of reasons for Londoner James Mathé to simply keep course after the release of his well received debut album, Chemical Campfires in 2008 on Fence Records: a flourishing reputation as one of Britain's most exciting acoustic troubadours, a prominent spot in Johnny Flynn and Jose Gonzales' backing bands, the roar of applause from the audience at a sold-out show at New York's Bowery Ballroom still ringing in his ears. But Mathé had other ideas. “I loved the acoustic scene, but knew it was not all I was about,” he remembers. “So I dug out all my old Casiotone keyboards, drum machines and analogue synths and just started writing.”

Bloodlines, then, is a compelling reinvention and sees Mathé’s emotive missives from young adulthood rewired into elegiac electronic anthems, dusted with huge spectral gasps of reverb and soul-wrenching organ melodies. Unusually for such an electronic album, it was recorded on vintage analogue gear and straight to tape.  “I really fancied getting back to basics,” says Mathé “I was tired of trying to iron out all the mistakes in modern production. I wanted to record live to tape, keeping all the mistakes in, warts and all.”   

From the sultry ache of opener Bloodline – a nod to Massive Attack's Unfinished Sympathy “about not picking up the bad habits of the generation before you”, says Mathé – to the Pharrell Williams-inspired urban crunch of ‘Turbine’, all the way to ‘The Load’, written when Mathé was indulging in his love of Jurassic 5 era 90s hip hop, Bloodlines is a brilliantly varied listen that pulls and paws at your heartstrings.    If there's a gloriously loose, tenebrous feel to songs like the blue-eyed electro-soul ‘Pagliacco’, it might have something to do with the Londoner's organic approach to song writing. “I just sit down with my dictaphone and make sense of what comes out afterwards. The best stuff usually comes when I’m hungover or not really thinking. The minute I try to be clever with words, it just sounds shit,” Mathé laughs.  Instead, the album's lyrics burn with a simple, poignant immediacy and Mathé sings them with touching, soulful grace. 

Recently signed to iconic London label Memphis Industries (Field Music, POLIÇA, The Go! Team, Dutch Uncles), Mathé is influenced by everything from soul men Stevie Wonder, D'Angelo and Levon Helm to Dirty Projectors and Sufjan Stevens but points to one inspiration in particular for the overall mood of Bloodlines – Vincent Gallo’s cult '90s film Buffalo 66, a twisted romance about a tap dancer who falls for her convict kidnapper – “the end scene which features Yes's Heart of the Sunrise and the scene with Cristina Ricci dancing to King Crimson’s Moonshine at a bowling hall especially,” he notes. 

Tender yet triumphant, Bloodlines marks Mathé as one of Britain's most versatile and adventurous artists.


Bloodline (BBC 6music Marc Riley Session)

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