Live Recording of the Lecture Performance at Atoma, Brussels, on 29/4/22 during Oscillation Festival ::: Public Address.
 
If listening could play a role in rethinking the public sphere, its mediations, complicities, and normalizing mechanisms would first need to be better articulated. To that end, the legal, infrastructural, and conceptual limits of listening, both those local to Brussels and to the zombie remnants of 'modern listening' as such, are amplified into audibility.

Bill Dietz is a composer, writer, and co-chair of Music/Sound in Bard College’s MFA program. His work is often presented in festivals, museums, apartment buildings, magazines, and on public streets. Recent publications include: Maryanne Amacher: Selected Writings and Interviews (co-edited with Amy Cimini, 2020), and Universal Receptivity (co-written with Kerstin Stakemeier, 2021).

https://www.youtube.com/watch?v=96KzBaBuu7A
https://www.tutorialdiversions.org/

More Informations on the Festival's program:
http://www.oscillation-festival.be/2022/

Bill Dietz ::: My Ears, The Police (Talk)

Recorded live in Fridman Gallery and on Zoom on November 18th, 2023.
Featuring Kabir Carter, Bill Dietz, Jamie Krasner, Andrew Yong Hoon Lee, Zeljko Mcmullen, and Lauren Tosswill.
4'33'' mix by Bill Dietz.

Fridman Gallery presents Bard MFA presents Bard Choir (4'33'' mix)

bardchoir

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