Remixed old school with today's technology. Now 110 Bpm.

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Slave To The Rhythm (Barry Harris 2021 Remix)

I kept it at the original 124 BPM. New beefed up kick, all original tracks (keyboards, guitars, bass etc.) remixed from scratch. Everything is now sliced, diced & quantized from top to bottom, yet maintaining a performed live feel. I just tightened up the band - severely! Easy to mix intro & outro. 
Once again, "remixed old school with today's technology".

"Can You Feel It" (Barry Harris 2021 Remix)

Yet again, I remixed this using the original multi-tracks. I kept it at the original 117 bpm. Sliced and diced everything which is now quantized to a grid yet maintaining the original live band feel.
I bounced this down NOT slamming it loud nor over compressed to maintain as much of the original dynamics as possible.
There's a lot going on in this mix with all these original live musicians.
Again, "Remixed Old School with Today's technology"
A LOT of work, but i loved every minute! I love this song so much.

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"Doctor Love" (Barry Harris 2022 Club Remix)

As i've been doing lately. I took all the original multi-tracks, pumped 'em up from 111 bpm then sliced, diced and quantized EVERYthing to a steady 118 bpm grid. This is my full 'directors cut' mix. I also did an edit that clocks in around 7 mins.
Love working with horn sections and real musician performances. Once again tons of work and it's kinda remixed old school (very few overdubs) with today's technology. Still wanted to keep the original feel of the live band yet make it 'simple stupid' easy to now mix in and out of in today's world.

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I Got My Mind Made Up (Barry Harris 2022 Full Mix)

Another "labour of love". I so LOVE this song. Spent a few months on this taking my time slicing n' dicing all the original multitracks & quantizing them all pretty much note by note, therefore "tightening up the band". It's now an even 114 BPM with a new intro and outro and a lot of 'me' type of programming and embellishments. Now updated to a 2022 version using 99% of all the original multi-tracks (except the kick).

DL 320 .mp3

"Ain't No Stoppin' Us Now" (Barry Harris Directors Cut 2022 Remix)

"Back In Love Again" (T.G.I.D. & Barry Harris Club Mix)

"Shame, Shame, Shame" (T.G.I.D.  & Barry Harris Club Mix)

"Groove Me" (T.G.I.D. & Barry Harris Club Mix)

"Tell Me Something Good" (T.G.I.D. & Barry Harris Club Mix)

"Clean Up Woman" (T.G.I.D. & Barry Harris Club Mix)

Rapture (Barry Harris 2021 Remix)

Barry Harris was the first club DJ in the world to write, produce and perform a Worldwide Top 5 hit; “I Beg Your Pardon” by an act he named Kon Kan.

“I Beg Your Pardon”, became an international Top 5 hit around the world, garnering a Juno Award (Canadian Grammy) for Best Dance Recording in 1990.

In 1998 Barry relocated to Los Angeles to mastermind the remix team Thunderpuss producing more than 40 #1 Billboard Dance remixes including hits for major label recording artists Madonna, Britney Spears, Whitney Houston, Jennifer Lopez, Cher, Mary J. Blige, Celine Dion & Donna Summer to name a few.

Barry is best known for Whitney Houston’s Top 5 global hit, “It’s Not Right But It’s Okay” which remains in steady rotation today as well as "Dive In The Pool (Let's Get Soakin' Wet). 
Also winner of 2 IDMA Awards best remixer of the year at WMC and another IDMA Award for Best Underground Dance Record of the Year.

"Doctor Love" (Barry Harris 2022 Club Remix)

Barry Harris (Official)

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