Walmart
Produced by @ivavek & @jxxyy
Thank you

𝐖almart [𝒫𝓇♡𝒹. 𝐼𝓋𝒶𝓋𝑒𝓀 & 1ᴍᴀɴ]

Stay

✮ "A journey about the change of the seasons, things becoming slower, more delicate, more inwardly focused. A story about time and love"

✰ Magical mix Initially aired on @internetpublicradio, on november 22th 2022
made by @user-valeda  .҉@arianekiks & @evida_0

✰𝙩𝙧𝙖𝙘𝙠𝙡𝙞𝙨𝙩 *ੈ
ᴠᴀʟᴇᴅᴀ - ᴘᴀᴛɪᴇɴᴛ ᴛʜᴀᴡ, ᴘᴀᴄɪғɪᴇʀ (ᴅᴇᴍᴏ)
ᴋᴀᴠᴀʀɪ - ʏᴇᴀʀɴ
ʟᴀʟᴀ &ᴄᴇ, ʟᴏᴡ ᴊᴀᴄᴋ ғᴛ. ʟᴇ ᴅɪᴏᴜᴄᴋ, ʀᴀᴅ ᴄᴀʀᴛɪᴇʀ - ɢᴇʟᴀᴛɪ
sᴋʏ ʜ1 - ʙʟᴀᴅᴇ  (ᴠᴀʟᴇᴅᴀ ʀᴇᴡᴏʀᴋ x ᴢᴀʀᴀ ʟᴀʀssᴏɴ)
ᴇʟᴜsɪɴ - ᴇʟsᴋʟɪɴɢ
ʙʟᴜᴇʀᴏᴊᴏ23x - sᴏ ʟᴏ ᴅ´ ᴍɪ (ʙᴀᴅ ʙᴜɴɴʏ ᴋᴏᴠᴇʀ) ᴘʀᴏᴅ. ᴀʟᴇɴᴅʀᴏ
ᴍʟ ʙᴜᴄʜ - ɪ’ᴍ ᴀ ɢɪʀʟ ʏᴏᴜ ᴄᴀɴ ʜᴏʟᴅ ɪʀʟ
ᴅᴇɪᴅʀᴇ - ᴅʏsʀʜʏᴛʜᴍɪᴀ sɴɪᴘᴘᴇᴛ (ᴜɴʀᴇʟᴇᴀsᴇᴅ)
ᴊᴇʟᴇᴇʟ! - sᴛᴏɴᴇ ᴄᴏʟᴅ!
ᴅᴀɴᴇ ʟᴀᴡ - sᴛᴇɴʜᴏᴜsᴇ
ʙᴏᴅ -包家巷- - ʀᴇᴄᴏᴠᴇʀᴇᴅ ғɪʟᴇ 004
ǫᴜɪᴛ ʟɪғᴇ - sᴜᴘᴇʀɪᴍᴘᴏsᴇ
ᴠᴀʟᴇᴅᴀ - ᴡᴀʀᴍ 2.2 ᴄᴄᴇʟʟᴏ ғᴛ. ᴀᴜᴅʀéᴀɴɴᴇ ғɪʟɪᴏɴ (ᴅᴇᴍᴏ)
sᴘᴇᴇᴅᴡᴀʏ - ʏᴀᴡɴɪɴɢ ᴘᴏʀᴛᴀʟ - ᴍɪɴᴜᴛᴇ sᴜɴ
ᴀɴᴀ ᴄᴀᴘʀɪx - ғᴜʟʟ ʙᴏᴅʏ
ʜᴜᴅsᴏɴ ᴍᴏʜᴀᴡᴋᴇ - sᴛᴜᴍᴘ
ʙᴀʙʏxsᴏsᴀ - ᴀɴɢᴇʟ
ᴠᴀʀɢ - ʟᴏᴠᴇ ʟᴇᴛᴛᴇʀ (sᴋʏ ᴄɪᴛʏ, ɪɴᴛʀᴏᴅᴜᴄᴛɪᴏɴ)
ʟᴀɢʀɪᴍᴀ - sᴏᴍᴇᴅᴀʏ
ᴏᴋʟᴏᴜ - ᴜɴᴇᴀʀᴛʜ ᴍᴇ (ᴀɴɢᴇ ʜᴀʟʟɪᴡᴇʟʟ ʜᴀʀᴘ ᴇᴅɪᴛ)
ᴄʀʏsᴛᴀʟ ᴄᴀsᴛʟᴇs - ᴛᴇʟʟ ᴍᴇ ᴡʜᴀᴛ ᴛᴏ sᴡᴀʟʟᴏᴡ
ᴇғғᴇᴄᴛɪᴠᴇ.ᴘᴏᴡᴇʀ - ᴀɴᴛɪᴘɪʀᴀᴄʏ
@ ᴘᴀᴛ_16120 - ᴄᴏᴍᴇ & ᴘʟᴀʏ
ɪɴ ᴍʏ ᴛᴀʟᴏɴs - ᴛᴇ ǫᴜɪᴇʀᴏ 
ʟᴀʟɪ ᴘᴜɴᴀ - ᴄᴏɴᴛʀᴀᴛᴇᴍᴘᴏᴛᴡᴇᴀᴋs - ᴏʟᴅᴇʀ ɴᴏᴡ

✿ Valeda https://www.instagram.com/valeda___etern1ty/
✿ Ariane Kiks www.instagram.com/arianekiks/
✿ Evida www.instagram.com/evida___/
✿ Veil01 www.instagram.com/veil01.archives/

Veil01 seeks to mesh contemporary R&B, trance, and experimental releases, with classical ethereal compositions. This show represents the wider multidisciplinary project formed by @evida_ and @arianekiks.

VEIL01 W/ VALEDA,ARIANEKIKS & EVIDA — 22.11.22 ✰

𝙁𝙍𝘼𝙉𝙕𝙅 𝙄𝙎 𝘼𝙉 𝘼𝙎𝘾𝙄𝙄𝘾𝘼𝙏?᷈!᷈?᷈

Art by Nick Castonguay
Graphic Design by Kristian Spears
Mastered by Cristobal Urbina at See You Mastering
Curated by Thom Speakman
We acknowledge the support of the Canada Council for the Arts

Valeda - Promise

can't keep a good girl down

traxxx:
inna the dance / janaway
blush / jssl
gemini feed (crsswrds edit)
trojan horse schacke remix / first hate
beez in the trap (instrumental)
sensi lover / janaway
funke / pan-pot
bbhmm (kelman duran edit)
ballast / objekt
jealous / stones taro
body / main frame
random utterances / local group
forever more (francois k & eric kupper mix) / moloko
trimmers (instinct uk remix) / frankel & harper
sabry 'aalil / sherine

THE RETURN OF CISWOMAN

thx 4 1 milli on all the mixes combined 🤞 
UNIFIED CHINA EDITION feat songs from @tisakorean8j @bbygoyard @nezzalito @yungcochise @swagtastic666 @takatashawty @robbgikma @michhalera @808escobar @perc40 @hushinsilence @whysosilent @dthd @alsoeris 

TRACKLIST - 
[0:00] https://soundcloud.com/tisakorean8j/swagblast-bassblasted
[0:45] https://soundcloud.com/bbygoyard/smokin-freestyle
[1:42] https://soundcloud.com/bbygoyard/x-marks-the-spot-prod-kudzu
[2:21] https://soundcloud.com/nezzalito/munchalito
[3:07] https://soundcloud.com/yungcochise/cochise-hehe but like an early leaked version 😭😭
[3:47] https://soundcloud.com/swagtastic666/rollin-girlll-3
[4:42] @takatashawty - BIA BIA (2:36 on https://soundcloud.com/takatashawty/old-trap-memory-w-yonker-dilla)
[6:00] https://soundcloud.com/robbgikma/alright-w-mich-halera-from-riding-on-wheels-vol4
[6:59] https://soundcloud.com/808escobar/ntwdrwc4afi3
[7:41] https://soundcloud.com/whysosilent/half-evil-w-dthd-nez-1
[9:19] https://soundcloud.com/alsoeris/coldnigga

nightcorehidden minimix vol. 8

SERALP01: Satellite Era presents “Escapism” - a collection of archival tracks written in 2021-2023 by Evan Magoni, best known as gonima.

Over three years since the conception of our record label, we are proud to finally unveil our first full-length album - one that is truly held close to our hearts. It is only right that we welcome one of our biggest inspirations and dearest friends over the years for his inaugural solo release on the imprint.

Since our discovery of Montreal-based producer gonima a half-decade ago, we were certain that we wanted him to be part of what would eventually become Satellite Era. His sound felt incredibly familiar to us as connoisseurs of ambient and electronica, yet distinct enough to be easily identifiable. Fans of Telefon Tel Aviv, Lusine, Mr. Projectile, and other landmarks in this rustic realm will feel right at home. He effortlessly combines warm and emotive sounds from the early-2000s golden-age of in-home listening music with stuttering percussion frequently heard in glitch-centric subgenres. The byproduct of this, along with a splash of clever song arrangement and chord progression, is what gonima’s renowned formula consists of.

With a clear nod to yesteryear’s wave of ambient and electronica, “Escapism” captures the essence of what made that era so pivotal, while enhancing its sound with modern elements and an effort to portray a storytelling experience. The album taps into duality with a contrast between clean, high-fidelity sounds and gritty low-end that is meant to elevate the listening experience through physicality. It is unafraid to recycle some of gonima’s signature production characteristics: uplifting songs drenched in lush, nostalgic tones that are occasionally met with the chaos of digitized drums. Avid fans of his discography will surely recognize his sonic presence in tracks like “Monostable” and “Imminence,” where saturated pads add a fuzzy coating of sound upon his typically pristine production. Each song feels multilayered, with hidden artifacts existing in between; it revives the curiosity of dusty electronics met with precision. 

Although most of “Escapism” seems cohesive and builds off its centralized theme, there are a few instances that allow the listener to step away and appreciate a diverse sense of improvisation: the live guitar in “Turning,” the spaced-out vocals in “Sculpt3-spaces,” and the use of real drum breaks in “Inevitable State” all contribute to this feeling. These small moments are important in building lore, while also showcasing gonima’s newfound curiosity for stepping out of his established processes. As the album begins to decompress, we are met with a slower pace, more repetition, and the inevitable conclusion to a once expanding world. “Doors Of The Mind” utilizes an odd time signature to deliver moody melodic sequences met with shuffling drums. “Places, Things” sprinkles wholesome piano keys over a glitchy, low-tempo hip-hop beat. The outro of the album is a wind tunnel of ambiance that leaves it entirely open for interpretation.

“Escapism” can be best described as the love story between two foundational aspects of a human’s life: imagination and reality. It expresses the necessity of both sides to coincide peacefully, without relying on each other to function properly. It is unmeant to replace the challenges and ruggedness of reality; the beauty lies within its imperfections. Its immersion is amplified by a vessel of imagination only existing in this outlandish space. It leaves behind a meaningful relic of gonima’s best and most confident work to date.

What entices you to close your eyes? What healing sounds surround you in your dreams?

BUY / STREAM

gonima - Monostable

SERALP01: Satellite Era presents “Escapism” - a collection of archival tracks written in 2021-2023 by Evan Magoni, best known as gonima.

Out now on all major platforms: https://ffm.to/seralp01

"Inevitable State" - premiered by Inverted Audio: https://inverted-audio.com/premiere-gonima-inevitable-state

"Escapism" premiered by Rendah Mag: https://rendahmag.com/article/gonima-satellite-era

Over three years since the conception of our record label, we are proud to finally unveil our first full-length album - one that is truly held close to our hearts. It is only right that we welcome one of our biggest inspirations and dearest friends over the years for his inaugural solo release on the imprint.

Since our discovery of Montreal-based producer gonima a half-decade ago, we were certain that we wanted him to be part of what would eventually become Satellite Era. His sound felt incredibly familiar to us as connoisseurs of ambient and electronica, yet distinct enough to be easily identifiable. Fans of Telefon Tel Aviv, Lusine, Mr. Projectile, and other landmarks in this rustic realm will feel right at home. He effortlessly combines warm and emotive sounds from the early-2000s golden-age of in-home listening music with stuttering percussion frequently heard in glitch-centric subgenres. The byproduct of this, along with a splash of clever song arrangement and chord progression, is what gonima’s renowned formula consists of.

With a clear nod to yesteryear’s wave of ambient and electronica, “Escapism” captures the essence of what made that era so pivotal, while enhancing its sound with modern elements and an effort to portray a storytelling experience. The album taps into duality with a contrast between clean, high-fidelity sounds and gritty low-end that is meant to elevate the listening experience through physicality. It is unafraid to recycle some of gonima’s signature production characteristics: uplifting songs drenched in lush, nostalgic tones that are occasionally met with the chaos of digitized drums. Avid fans of his discography will surely recognize his sonic presence in tracks like “Monostable” and “Imminence,” where saturated pads add a fuzzy coating of sound upon his typically pristine production. Each song feels multilayered, with hidden artifacts existing in between; it revives the curiosity of dusty electronics met with precision. 

Although most of “Escapism” seems cohesive and builds off its centralized theme, there are a few instances that allow the listener to step away and appreciate a diverse sense of improvisation: the live guitar in “Turning,” the spaced-out vocals in “Sculpt3-spaces,” and the use of real drum breaks in “Inevitable State” all contribute to this feeling. These small moments are important in building lore, while also showcasing gonima’s newfound curiosity for stepping out of his established processes. As the album begins to decompress, we are met with a slower pace, more repetition, and the inevitable conclusion to a once expanding world. “Doors Of The Mind” utilizes an odd time signature to deliver moody melodic sequences met with shuffling drums. “Places, Things” sprinkles wholesome piano keys over a glitchy, low-tempo hip-hop beat. The outro of the album is a wind tunnel of ambiance that leaves it entirely open for interpretation.

“Escapism” can be best described as the love story between two foundational aspects of a human’s life: imagination and reality. It expresses the necessity of both sides to coincide peacefully, without relying on each other to function properly. It is unmeant to replace the challenges and ruggedness of reality; the beauty lies within its imperfections. Its immersion is amplified by a vessel of imagination only existing in this outlandish space. It leaves behind a meaningful relic of gonima’s best and most confident work to date.

What entices you to close your eyes? What healing sounds surround you in your dreams?

Third

Barry

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