First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

Yo New Massage Raps! This 19th episode is dedicated to sick tracks with raps across the entire spectrum..  from hilariously cringy italo-raps, to fresh multilingual ones, and straight up sick tracks with just a different vibe on the mic. One hour bringing you from laughter and tears, through various moments of straight up confusion before settling in on some proper sideway-headnodding off the beaten track.. from italo, hip-house and disco, to kwaito and street soul.

Telephones' New Massage 019 [Refuge Worldwide]

Recording of Tako & Relmer's set at Dekmantel Selectors 2022.

Tako & Relmer at Dekmantel Selectors 22

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

Tracklist here.. https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-24th-october-2022 :)

NTS Radio Show - Episode 32

SWAYMIX 003 - Alias Error

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-10th-january-2023

Pender Street Steppers 100123

Telephones is a renowned DJ for his free-spirited curve ball-mix of ranging from Balearic tutti-frutti, proto-house and percussion workouts to cosmic techno, discokraut-gymnastics and outer worldly explorations.

A firm believer in quality over quantity, Telephones has released a sparse but highly sought-after discography on acclaimed underground labels like Running Back, Sex Tags UFO, Acido, Love On The Rocks, Klasse Wrecks and Full Pupp. As well as production work and remixes for legends like José Padilla, Joan Bibiloni and Vangelis Katsoulis, to mention some. Starting with primitive PC software and DJing in the late 90s, he has since equally focused on production and DJing, now with more than 20 years of experience behind decks and knobs. In 2016 releasing his debut album, "Vibe Telemetry" on Running Back, taking his eclecticism and sound one step further, expanding the palette with influences from early Norwegian club-roots, Ambient House, NY House and Disco, 90s UK Balearic, Italo House, Underground Resistance and Detroit Techno.

The recent years has taken Telephones across the globe with frequent tours in Asia, Australia and the Americas, playing in over 35 different countries and as diverse locations as Sao Paulo, Taipei, New York, Mexico City, Hanoi, Tokyo and Melbourne, as well as frequently laying it down on his Berlin/EU home-turf at some of the best underground clubs, such as Berghain/Panorama Bar, Bassiani, Corsica Studios, Griessmuehle, Jaeger and festivals like Love International, Dimensions, Pitch Music and Arts, The Garden and Bahidora.

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WORK REDUX MIX is a collection of mixes made to be listened to while working. We work closely with local and international DJs to assemble thoughtful music that will carry members throughout their day and introduce them to new sounds. They are created to lift our members up when they need it, or calm them down when concentrating.

WORK REDUX MIX 016 - Telephones

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

"A light-hearted balearic mix with songs from the late 80s and early 90s - as always taken from many different countries like Italy, Brazil, Sweden, Germany, France, Japan, Portugal… I recorded it a few weeks ago when I wanted the sun to come out so badly! So here it is, welcoming the warm summer months and looking forward to breezy days at the beach." - @frinda_di_lanco

SWAYMIX 003 - Alias Error

Bar Sway

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