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Few samples of Mooer Pure Octave. First: simple riff on different registers with and without drive (SFT Catalinbread); after that - few notes without "clean" signal - with and without drive.
About riffs - then you'll look at the main controller (big white knob) on the pedal you'll see bunch of strange digits; they describe things which pedal does to the sound of bass. I've move in from left to right with all signals on full (three black knobs on the top).
Bass - old, japanese-made Frankenbass (Ibanez Blazer's ash body with Fender P-Bass Oryginal Pickup and Squier p-bass maple neck). 
Drive: SVT Catalinbread, powered with 18V (copy with great and easy to gain "sweet spot", imho better than the oryginal).
Cables - Kloth/Neutrik and Samson/Neutrik. 
Interface: M-Track Plus II. 

Pure Octave Mooer - bass test

Short presentation of Chaos BassDrive (influenced by Fulltone BassDrive). All samples recorded with blend, volume, tone and boost knobs at noon, switches: vintage, boost, diode. In order: gain at noon, gain at zero, full gain, little show-off of effect's articulation sensitivity, then again gain at noon + boost. 
Recorded with old Japanese-made jazz bass (mahogany body, one piece maple neck, SJB-1 pickups, heavy bridge), through M-Audio M-Track II Plus.

Chaos BassDrive w. blend

Happy, little sloppy, but happy. For sure - furry.

Bold Wombats - Bold Dance

Blue Colander is a pedal manufacturer from Poznan (Poland). 
The company takes the best circuits from the past and gives them new life. The Tremond pedal is the best example of that approach. It's a ProCo Rat-based drive pedal with many (MANY) tweaks and possibilities. 
If you do not like Rat without blend? Tremond provides flexible possibilities to blend the effected and clean tone of your instrument. You'd like to hear Rat without diodes in the circuitry? Switch it out and get almost instant punchy and aggressive sound. 
And these options are only the tip of the iceberg. You can dive-in into almost unlimited drive sounds for your bass. 

For any more information about Blue Colander effects - please contact https://www.facebook.com/bluecolander/. 
That sample is not endorsed or related to Blue Colander. I just know guy who makes these pedals ;). 

Few informations about the recording process for that sample:
- each loop contains three elements: normal plunking, harder plunking, lighter plunking (I'm a finger-player, so sorry - no pick, no slap);
- during recording I've changed one setting per loop;
- on the loops with clipping diodes engaged I've adjusted output level to keep it consistent (without diode engaged output was at 12 o'clock; with the diodes, it was on about 1:30 setting). 
- bass - handmade body (maple), one double-jazz pickup in the P-Bass position with Korean-made Squier neck ('84); 
- strings - let's say these not so old Ernie Balls Coated 115 set (tuned to C standard);
- Mooer Looper to provide consistent sound;
- Neutrik / Samson hand-made cables; 
- M-Audio M-Track II Plus interface; 
- Reaper;
- Amp sim added (Fender Bassman from the Reaper stock plug-in);
- amp simulation on the left channel, raw bass sample on right.

Blue Colander - Tremond (ProCo Rat-based drive pedal)

Blue Colander Doppler is a Foxx Tone Machine-based octafuzz pedal. 
To be honest - it works great with guitar, it works great with bass. For few weeks I've been using that pedal on my guitar chain for the Bold Wombats. 
So: it is a powerhouse. If you want some great octafuzz goodness - it's a perfect pedal for you. Switch on the octave button and you can play acid-blues stuff.

For any more information about Blue Colander effects - please contact www.facebook.com/bluecolander/.
That sample is not endorsed or related to Blue Colander. I just know guy who makes these pedals ;).

Few informations about the recording process for that sample:
- each loop contains three elements: normal plunking, harder plunking, lighter plunking (I'm a finger-player, so sorry - no pick, no slap);
- during recording I've changed one setting per loop;
- on the loops with clipping diodes engaged I've adjusted output level to keep it consistent (without diode engaged output was at 12 o'clock; with the diodes, it was on about 1:30 setting).
- bass - handmade body (maple), one double-jazz pickup in the P-Bass position with Korean-made Squier neck ('84);
- strings - let's say these not so old Ernie Balls Coated 115 set (tuned to C standard);
- Mooer Looper to provide consistent sound;
- Neutrik / Samson hand-made cables;
- M-Audio M-Track II Plus interface;
- Reaper;
- Amp sim added (Fender Bassman from the Reaper stock plug-in);
- amp simulation on the left channel, raw bass sample on right.

Bartosz Raducha

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