“As the Japanese composer Nas-Kaz once said, sound is like wind — it becomes boring when humans try to control it too much. I feel the same when performing live ambient music. We have reached a time where music cannot be created by thought alone; it has to be allowed to unfold, to breathe on its own terms.”

ambient live set at Halle am Berghain - December 2024

♥‿♥
Recorded at @noname_community • June 2025

thank you @aspetuck

e25.orbit07 • aspetuck

The third week of August 2025.
Oslated Special Mix 079 - Maharam

Final Passage
New York
US

Maharam is an American DJ and co-organizer of Final Passage, a Brooklyn-based event series emphasizing leftfield curation across both club and deep listening environments. Maharam's affinity for deeper sound is rooted in the melancholic landscapes of his Pacific Northwest upbringing, as well as his background as a guitarist and jazz vocalist. After moving to New York seven years ago, Brooklyn's rich DIY scene has been central to his life, acting as a constant source of inspiration and connection. In his mix for Oslated, Maharam shares a carefully crafted meditation through emotive ambient, dub techno, and textural electronics.

https://soundcloud.com/maharam-sound
https://www.instagram.com/___maharam
https://www.instagram.com/finalpassage

- Artwork by Clément Davout

Oslated.
http://www.oslated.com

Oslated Special Mix

Oslated Special Mix 079

Oslated Special Mix 079 - Maharam

Monochrome presents, 𝖊́𝖙𝖊́ 𝓥 : basic chanel, Untitled 909.

This summer, Monochrome is offering each month to one or several artists to discover their influences and inspirations through a forty-five minute to two hour recording. These three recordings will focus on percussive rhythms between Ambient, Deep Techno and Drum & Bass.

Artist biography :
In the twilight hours where basslines bloom like roots beneath the soil, basic chanel weaves her worlds. Guided by low-end frequencies that shimmer like constellations underwater, she builds sets that feel less like parties and more like spells - otherworldly journeys through mist, shadow, and sudden bursts of colour. Her sound drifts between hypnotic techno, psychedelic dub, and dream-heavy bass, stitched together with the care of a storyteller threading myth and memory. 

A London-based DJ, writer, and founder of the acclaimed platform Untitled 909, Chanel’s curatorial voice is as distinctive as her mixes: textured, emotional, and gently radical. Whether on the radio or playing at international clubs and festivals, she conjures spaces where the overlooked and the infinite collide - where the floor itself hums like an ancient drum and every note flickers like candlelight against stone. Some of her key gigs so far include Open Ground, Corsica Studios, Sublimation Festival in Uzbekistan, Bait takeover at Le Sample Paris, The Pickle Factory, and Floorless Festival to name a few. She’s contributed mixes to renowned series’ such as Sure Thing, Pure Space, Origins Tapes, Theory Therapy alongside radio shows across Rinse FM, LYL Radio, Refuge World and Netil Radio - the latter two are the home of her radio residencies, Untitled 909 and spirialling, naturally. 

With roots in music journalism and PR, Chanel has long worked as a bridge between artists and audiences. As basic chanel, she carries this ethos into her sound - championing the subterranean, the psychedelic, and the subtle. 

basic chanel
Sounlcoud : https://soundcloud.com/basicchanel
Instagram : https://www.instagram.com/basicchanel.mp3

Tracklist :
01. Sindh - Interstate
02. Forest On Stasys - Ofrenda (Alfred Czital Midnight Edit)
03. Anthony Linell - Just to Feel Anything
04. Terminal Sync - Korima
05. Adam Feingold - ten yr loop
06. Na Nich - Crust
07. Second Hand Satellites - Orbit 1.4
08. Kamoun - La Panthère (Sepehr's Pantheress Remix)
09. Save Your Atoll - The Dub SIde
10. A. Brehme - Tone-e
11. Space Biology - Midas (Sunju Hargun Remix)
12. Midnight Traffic - Ripple In The Sea
13. Andy Martin - Teoria Sintergica
14. Sub Basics - Falling
15. Đ.K. - Inertia
16. V.I.V.E.K - Meditation Rock
17. Erik Luebs - Irradiated Body
18. Soop - Cryptic Echoes 
19. Midimiliz - Baxandall
20. Shoal - Backflash
21. Sarah Wreath - Haven (Pianeti Sintetici Remix)
22. Biocym - Zephyr Veil


Monochrome presents, 𝖊́𝖙𝖊́ 𝓥 : basic chanel.

Reaching our 100th edition feels special, and we couldn’t be more honored to celebrate it with Anthony Child. Many know him as Surgeon or as part of the British Murder Boys alongside Regis whose work has left a lasting mark on techno. Yet there’s another side to his work - one that steps away from the club and into more spacious terrain. You can hear it in his electronic recordings from the Maui project in 2015, in his collaborations with Daniel Bean as The Transcendence Orchestra, or through OLD Technology, the label they run together as a playground for questioning reality.

For Unrush, Anthony offers a mix that only he could create. A journey that wanders through krautrock, psychedelic twists, ambient spaces and moments of lighthearted play. It has the same curious energy that makes his monthly Noods mixes so inspiring, and yet it feels made to be taken in slowly, with time and openness.

We’re grateful to share this milestone with someone who has shaped so much of the music we love, and who reminds us that listening can be both grounding and transporting. Press play and enjoy it - on a walk, with friends, or in your own quiet time...

Thanks a lot to https://soundcloud.com/dynamic-tension

ANTHONY CHILD on the web:
Bandcamp: https://old-technology.bandcamp.com/
Noods Radio: https://noodsradio.com/residents/nog-zone-w-anthony-child
Instagram: https://www.instagram.com/tony_surgeon/

UNRUSH on the web:
Bandcamp: www.unrush.bandcamp.com/
Hardwax: www.hardwax.com/label/unrush/
Instagram: www.instagram.com/_unrush

Cover artwork by Irakli Kiziria

Tracklist:

Cindy Lee - Baby Blue
Chris Weisman & Greg Davis - The Nine Times
Mac-Talla Nan Creag - Five Sisters
Sean Booth - Twitch AMA (excerpt)
Bob Lind - Fennario
Panda Bear - Take Pills
Neil - Cosmic Jam
The Transcendence Orchestra - The golden jaws of the celestial vice
Bernard Parmegiani - de natura sonorum: premiere serie: accidents / harmoniques
Anna von Hausswolff - The Truth, The Glow, The Fall
David Sylvian & Stephan Mathieu - Saffron Laudanum
Chris Watson - Crucero La Joya
Open University - Parents talking to teenagers cassette (excerpt)
Dionne Warwick - Don't make me over
Imaginary Softwoods - Diagram Of The Universe
Jo Johnson - Alterations 1: Unbroken
Jim O’Rourke - A Man's Mind Will Play Tricks on Him
Zyggurat - Crepuscule / Druids Heath
Rotary Connection - I am the Black Gold of the Sun

100 - Unrushed by Anthony Child

Madrid's F-on is a much beloved figure within the Spanish scene, known for his elegant all-vinyl sets and curation behind the brilliant Alpenglühen label among so much more. We stayed in touch after his particularly beautiful set at 2017’s Paral·lel Festival, and I've been looking forward to one day sharing this episode of the series since. Alfonso’s mix is uncanny in its precision and demonstrates a prowess behind the decks that few can match, a soft palette built through veteran and timeless selection. Two hours in and out of focus like rippling dust through which the flow of time slows, a stasis in the stream. Thanks Alfonso!

@f-ondj

Artwork by Camille Ferdinandus.

Sure Thing Mix 145: F-on

FUR:THER SESSIONS : PREMIERE 321

Artist: Adam Pits
Track: Neural Nectar
Album: Taurus EP
Label: murmurs
Cat. No.: MRMR003
Mastering: Vipul Angirish at Audiosol
Artwork: Lillian Rose, Celestial Artillery
Format: Digital
Genre: Deep Techno
Release date: 24/09/2025
Released by murmurs, UK

Buy it here: 
https://murmursrecordings.bandcamp.com/album/taurus-ep

Adam Pits:
https://soundcloud.com/adampits
https://instagram.com/adam__pits
https://facebook.com/adampitsmusic

murmurs:
https://soundcloud.com/murmurs-recordings
https://instagram.com/murmurs.recordings
https://murmursrecordings.bandcamp.com

Fur:ther Sessions:
https://soundcloud.com/furthersessions 
https://furthersessions.bandcamp.com
https://instagram.com/further_sessions 
https://formaviva.com/furthersessions 
https://facebook.com/furthersessions
YouTube: https://bit.ly/3irNAR4  

Contact and Premiere Requests:
furthersessions[at]gmail[dot]com

PREMIERE: Adam Pits - Neural Nectar [murmurs]

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Read

Delayed x Mostra: Robert Henke presents Dust

Once a year back to the core with a like-minded group. Enjoy the recording from a special gathering last June, somewhere in the woods of Spain. Big hug from Bas de Noche. 

@espacio-perpendicular 2025 -  Saturday 23:00 - 01:00

Bas Dobbelaer - Perpendicular 2025

A live, single-take track on a Eurorack/Dawless setup at 145 BPM, combining tape-style recordings from the OP-1 Field with live sequenced and played elements. The chords and melody are created with a granular effect from a Mutable Instruments Beads, while the bassline comes from a Make Noise XPO routed through a low-pass gate. Titled "Home," this song is an expression of gratitude for life.

Home

Kind Freaks, Take 2

Kind Freaks, take 2

some atmospheric sounds.	

@trulerecords / @sohaso / @appiansounds / @ad93rec / @lowless-music / @on-board-music

c: music@basdobbelaer.nl
b: michiel@impresariaat.com

Bas Dobbelaer - Perpendicular 2025

Bas Dobbelaer

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