Min Baiti La Baitak سمونا ضو ـ من بيتي لبيتك

ترنيمة بصوت عبير نعمة
لك قلبي وفؤادي ايها القلب الحبيب
انت نوري ورشادي انت لي اوفى نصيب

ايها القلب المفدى انت ينبوع النعم
ومنار بك يهدى في الدياجي والظلم

يا شعاعا من ثناه يشرق الحق السطيع
ضمن قلبي لأراه جامعا خير الصنيع

يا إلهاً قد تباهى حبه للتائبين
كم نفوس تتواهى حين تدعوا الخاطئين

Abeer Nehmé - Aioha El Qalb El Mofdi

وحدك ... محمود درويش

Cd project of Palastinian children songs
composer : Habib Hanna

يا نجمه الصبح | Nejmit elsobh

When I recorded “St. James Infirmary”, I wanted it to sound like it was coming out of an old, dusty record — the kind you find spinning slow on a Sunday afternoon. I sang it with my acoustic guitar, harmonica, upright bass, and a light drum set, letting that vintage hiss fill the silence between the notes.

This song has something eternal. It’s not just about death — it’s about pride, love, and the bittersweet acceptance that life keeps moving, even when we don’t. I tried to sing it with the same calm defiance the lyrics carry: “She’ll never find another sweet man like me.”

Each take felt like a small ritual — part farewell, part celebration. There’s sadness, yes, but also a strange beauty in it, a sense of dignity in facing the end with style. That’s the magic of St. James Infirmary: it mourns, but it never begs.

Basadas y Covers II

St. James Infirmary Blues

كلمات الشاعر اللبناني: طلال حيدر
غناء: مارسيل خليفة

قومي اطلعي عالبال

بِغيبتِك نزِل الشتي

قومي طلعي ع البال

في فوق سجادة صلا

والعم بيصّلوا قلال

صوتن متل مصر المرا

وبعلبك الرّجال

ع كتر ما طلع العشب بيناتنا

بيرعى الغزال

وَدّيت مع راعي حماه

يشفلي الطقس شمال

قللي السني جايي هوا

بيوَقّع الخَيّال

ياريت

ما سرجت الفرس

ولا بْعَتْ هـ المرسال



قومي اطلعي ع البال - مارسيل خليفة

Bakkeer

الوضع الإقليمي | زياد سحاب

لارا عليان - هلا تركنا

فلنكن صوت حرية أسرانا/ إبراهيم نصر الله

عندما يسقط القمر⁩ | هدى عبدالله

Basel Zayed was born in Jerusalem in 1979. Started playing music at an early age. When he was 14 he began studying Piano and Oud, as well as receiving professional training for his voice. Zayed studied Oud and sang in the Arabic Choir of the Edward Said Conservatory of Music. Following his study in the National Conservatory. 
Zayed started studying music composition and harmony at the Magnificent Institute for Holy Music in Jerusalem. Since 1995 Zayed started to play music with many groups and with a number of artists, all of which had exposed him to different styles of music which formed a unique and distinguished artist in the field of alternative music.

Basel an accomplished virtuoso Oud player and vocalist skilled in highly developed Arab musical traditions, is also a trained pianist with a unique outlook on musical arrangement made him a member of many successful artistic ideas and performing groups, such as making and recording of soundtracks for movies, plays and dance groups.

As a music composer, arranger, singer-songwriter and multi-instrumentalist, Zayed became an important contributor to Palestinian and Arabic music, through the integration of Arabic music with all its musically unique elements, and Western music with its various forms of jazz, reggae, pop and classical music, that has gained acclaim both locally and internationally.
For the past ten years, Basel has led the band Turab and has more recently focused on developing a style based on Palestinian music ‘with a jazz flavor’- Ara-Jazz. Ara-Jazz has been Basel's dream for a long time and now it is becoming a reality on stage and soon to be recorded on a number of records.

Bakkeer

II باسل زايد

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