الضحكة عملة نادرة .. اضحك

Story
The Cross of the Damned.
In the humid forests of Galicia, where the wind whistles through the chestnut trees and moss covers the stones like ancient skin, it is said that every night, when the clock strikes the witching hour, the Holy Company rises from the depths of purgatory.
It was a moonless night, and Xoán, the sacristan of San Pedro de Louredo, was returning along the old path after closing the hermitage. He carried an oil lantern and a rosary, but the silence of the forest seemed to devour his prayers. Suddenly, the air became thick, and a white mist drifted between the trees as if with a will of its own.
From the end of the path, the procession emerged: hooded, translucent figures with empty faces and unseeing eyes. Each held a lit candle that did not tremble in the wind. At the front, a living man, his gaze lost, carried a wooden cross and a bowl of holy water. He was the guide, the condemned one, chosen by death to open the way for wandering souls.
Xoán tried to flee, but his legs wouldn't respond. The Company surrounded him in silence, and a mouthless voice whispered: "You have seen. You must be silent. Or you will be next."
From that night on, Xoán never spoke again. He could be seen wandering through the village with glassy eyes, murmuring names no one recognized. Some said they were next. Others, that they were already dead.
The Holy Company continues its march, invisible to the unbelievers, inevitable to the chosen ones. If you ever feel a chill that doesn't come from the air, or see lit candles where there is no fire, don't look back. Because if you meet the guide's gaze, the cross will be yours, and the holy water will weigh like guilt.

🎶 Listen 💫 Share 💬 Comment  ➕📃🎧  Add to your playlists...  Because this journey is meaningless without you... Thank you for being here...   J. Bilbao

Sonic Universe III

The Cross of the Damned

Vanilla Hour Main Theme.wav

Line Up is a track inspired by the delicate and telluric universe of a composer I deeply admire: Craig Armstrong. While he is known to the wider public for his film scores (Moulin Rouge, The Great Gatsby, Love Actually…), it is his solo albums that reveal a unique depth.

What I’ve always loved about Armstrong is his string writing, his use of electronic textures, and his ability to create a sound world that is both rhythmic and contemplative. With Line Up, I wanted to pay tribute to this aesthetic, blending synths, strings, and brass in a cinematic atmosphere.

موسيقى مسلسل 30 يوم - أحمد مدحت

Basem elsaka

Related tracks