Written by Chrisy Hurn-Morrison, Nimal Agalawatte, and Jonathan Malström
Produced by Ian Gomes

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Lyrics:

Driving in your car
With the music on
Always felt like home

Even when I'm far
And I hear that song
It's like fingers on my skin

Darling come on, be closer
As the melody sinks in
Transatlanticism
On the phone,
I'm calling, are you in?

When the sun goes down
I feel the glow
The air like honey

Liquid are your thoughts
I hear them flow
Like water trickling

Darling come on, be closer
As the melody sinks in
Transatlanticism
On the phone,
I'm calling, are you in?

Darling come on, be closer
As the melody sinks in
Transatlanticism
On the phone,
I'm calling, are you in?

I'm calling, are you in?
I'm calling, are you in?
I'm calling, are you in?

--

This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada. We acknowledge the support of Ontario Creates, the Ontario Media Development Corporation, and the Government of Ontario.

Transatlantic

REAL THING LYRICS

Soft skin in the bed we’re in
If only you could see the way you look now
We talked about being alone and the friends we’ve known
and not going home

Your body is the ocean
I could fill it up with words I’ve spoken

I really wanna see you again
I wanna be more than friends, more than friends
Maybe we could make it work
Promise I won’t get hurt, get hurt

You’re in my head, I will let you in
As long as it’s the real thing
Cause I could never settle for feeling second best again
But I wanna feel something

Your body is the ocean
I could fill it up with words I’ve spoken

I really wanna see you again
I wanna be more than friends, more than friends
Maybe we could make it work
Promise I won’t get hurt, get hurt

I really wanna see you again 
I wanna be more than friends, more than friends 
Rooms lit up by the streetlight, I really wanna hold you tonight
Tonight 

Your body is the ocean,
I could fill it up with words I’ve spoken 

I really wanna see you again
I wanna be more than friends, more than friends 
Maybe we could make it work
Promise I won’t get hurt, get hurt 

I really wanna see you again 
I wanna be more than friends, more than friends 
Rooms lit up by the streetlight, I really wanna hold you tonight 
Tonight 

Tonight, tonight

Real Thing

'I Want The Door To Open' (Release date: October 8, 2021)

Spotify: https://u.subpop.com/3ywGtfc
Apple: https://u.subpop.com/3hLVnHW
Order Now - Hardly Art Mini Mart: https://www.hardlyart.com/releases/lala_lala/i_want_the_door_to_open

Lala Lala: https://www.lalabandlala.com
Bandcamp: https://lalabandlala.bandcamp.com
Instagram: https://www.instagram.com/lala_band__
Twitter: https://twitter.com/Lalabandlala
Facebook: https://www.facebook.com/lalalalabandlalalala
On Tour: http://www.hardlyart.com/tours/lala_lala

Hardly Art: https://www.hardlyart.com
MiniMart: https://www.hardlyart.com/shop
Twitter: https://twitter.com/hardlyart
Facebook: https://www.facebook.com/hardlyart
Instagram: https://www.instagram.com/hardlyart
YouTube: https://www.youtube.com/user/hardlyartrecords
SoundCloud: https://soundcloud.com/hardlyartrecords

Lala Lala - DIVER

"Sun Is Always in My Eyes" by Kindsight, released January 18 2022.
From debut LP "Swedish Punk", out March 25. Pre-order - https://ramalama.se/swedishpunk

Listen on Spotify, Apple Music, Tidal etc.: https://ffm.to/kindsightsun
Listen/buy on Bandcamp: https://kindsightkindsight.bandcamp.com/album/swedish-punk-lp
Store: http://www.ramalama.se/store

Follow the Rama Lama playlist on Spotify: http://bit.ly/RamaLamaSpotify
Sign up to the Rama Lama Mailing List: http://eepurl.com/dfjnvL

https://www.facebook.com/kindsight.kindsight
https://www.facebook.com/ramalamarecords

https://www.instagram.com/kindsight.kindsight
https://www.instagram.com/ramalamarecords

https://www.twitter.com/kindsight2
https://www.twitter.com/ramalamarec

Swedish Punk

Kindsight - Sun Is Always In My Eyes

Once I played my electric harp on the lead line of this classic 2010’s sad bop, it was a match made in heaven. This song is a perfect blend of upbeat and groovy with the undertones that get you in your feelings, all the things that I’m really about as an artist.

On Melancholy Hill

pre-order our forthcoming vinyl here: 
https://catchthebreeze.dk/shop/
Find Rise on your streaming service:
https://frontl.ink/96obdy1

Recorded at Tapetown 
Mixed and mastered by Christian Alex Petersen 
at Grapehouse Studios
Vocals at Heyman Studios
Special guest on Rise Kasper Staub ( Lowly) on Keys.

Rise

Country Roads

Night Fell

https://fanlink.to/frantic-francis

"Frantic Francis” weaves hypnotic sounds with dreamlike imagery and a pulsing bass line, meant to simulate waking up as a child, when everything is brand new again. But it’s not supposed to be that deep either and mentions embracing mundane things, like drinking tea. After the I LOVE FISH project, we've approached songwriting for Pine Barons differently, putting more emphasis on patience, simplicity and really letting a song breathe.”

ALL LINKS 💭

Pine Barons - Frantic Francis

Start

Somebody Else

Basement Revolver have been crafting both noisy and graceful shoegaze-esque tracks out of their hometown of Hamilton, Ontario since releasing their 2016 breakout hit ‘Johnny’. Their affinity for blending 90s-infused indie rock with fuzzy, dreamy pop and poignant, yearning lyrics has earned them a devoted following throughout their native Canada, the US and UK.
 
Signed to Canada’s Sonic Unyon and Memphis Industries affiliate label Fear Of Missing Out for their 2018 debut album release 'Heavy Eyes', the band have toured throughout North America and the UK with acts including The Go! Team, The Pack A.D. and Amber Arcades.
 
In early 2019 they expanded to a 4-piece, with the founding trio of guitarist-vocalist Chrisy Hurn, bassist Nimal Agalawatte, and drummer Brandon Munro adding second guitarist Jonathan Malström to further augment and intensify their emotionally charged dream-pop.
 
Their new material, set for release in 2019 and recorded at Toronto’s Union Sound Company with producer Ian Gomes, evolves beyond the bedroomy sound of the band’s previous releases while losing none of its intimacy. Guitars oscillate between soaring riffs and shimmering shoegaze ambience while the rhythm section propels like a well-oiled machine, and Hurn’s vocals ring out in crystal clarity.

“A sublime treasure and a simple example of the most splendid indie-rock you could hope to hear” - Punktastic

“The delicacy of the band's approach is matched to the intensity of their execution” - Clash 

“Alvvays goes shoegaze... dreamily drifts between featherlight fizz and gutting, rueful riffing” - Total Guitar

“Emotional and powerful rock and roll, packed with charm” - Beehive Candy

“One of the great feel-good stories of the Canadian music scene” - The Revue

“The Canadian indie rock band radiates a melancholic glory” - The Big Takeover

“Heavy-lidded fuzz pop” - Punk Online 

“Shoegaze at its finest” - I’m Good I’m Gone

Transatlantic

Basement Revolver

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