Literal beauty of a track. I love the noise inside the synths. I would love to know how to make those majestic sounds one day.

Dub techno 💙

Minimal techno, dub techno, Basic Channel (meditation/study)

Step Ball Chain’s unconventional prototype band trickpony is the 11th release on the ever evolving imprint. An assortment of sensual cyber jams collaged together by the trio over timezones, birthed in Perth, Australia by Mike Midnight and Roza Terenzi; old friends joined by Helsinki’s visionary songstress Maria Korkeila. A trinity of alchemy blossomed into an audio rendition of exquisite corpse, layers of each entity glistening through amongst a united cosmos; trip hop atmospherics and downtempo drippings. 

The five track EP reveals a metamorphosis of nostalgia, a foot in the ever present and daydreams of future. A subconscious deep dive into lustful pop, guided by spine tingling vocal fantasies; textural hallucination, harmonic odes to the golden era underground and a flirtation with drum and bass, tribal percussive freakouts and dream tinged lyrics of desire. 

Pillow talk is a timeless exhibit of esoteric treasures, a portal to a private world of modern enchantment that reveals itself in new ways each listen, music for lovers created by a supergroup of innovators to be digested, shared and cherished.

Buy: https://stepballchain.bandcamp.com/album/pillow-talk

PREMIERE: trickpony - Shiver DnB [Step Ball Chain]

Imagine (Remastered)

Water

Resonance #037 w/ HD Substance (19.12.2015)

Radiance

Radiance II

Quadrant Dub

Quadrant Dub I

Quadrant Dub II

Radiance III (Edit)

Libration

Resonance

Ploy

Ploy (Strategic Mix)

Sam Barker (@voltek) has had a long ongoing relationship with Berghain and Ostgut Ton, having released two LPs and various EPs as one half of Barker & Baumecker and hosting regular nights at the club since September 2008 as co-founder of the label Leisure System. 2017 marked the beginning of his solo residency, 2018 sees his first solo release with Ostgut Ton.

Both as a musician and label owner, Barker operates on the fringes of techno, balancing experimentation with functionality. On ‘Debiasing’, he takes a hard look at the musical elements often considered necessary to maintain dancefloor momentum, with four distinct tracks of morphing synth stabs and paired down metronomic rhythms in varying time signatures. While there is no kick, snare, or clap to be heard, the result is not experimental techno deconstructions but driving, hypnotic and unlikely dancefloor tools.

More information: http://ostgut.de/ton/record/217

Buy 12"

Barker | Filter Bubbles

Barker | When Prophecy Fails

Reductions 1995–1997

Reduce, Pt. 1

Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Gradients Of Bliss

Polygon_Cities

Invisible

Quadrant Dub I

Basic Channel

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