Existential

Better Than Gold

Better Than Gold (feat. Andrew Hellier)

Two artists that have found a home for their exquisite sonic palettes on Shogun Audio, Pola & Bryson and Emily Makis now serve up some of their most captivating work to date. Titled 'Phoneline', this latest offering collates Emily's mesmerising vocal capabilities and songwriting with the masterful production of one of drum and bass' most talented production duos.

Following on from a monstrous 2022's in which Pola & Bryson released 'Tell You What I Did', which went into rotation on Radio 1's playlist, and remixed the likes of David Guetta, VenBee, and High Contrast, 'Phoneline' sees them link up with a future superstar and the most exciting and compelling vocalist in drum and bass music in Emily Makis.
A frenzy of drums, plucks, synth work, and vocals that all co-exist in a sphere that's equal in its vast quantities of tension, power, and beauty, 'Phoneline' is a serious statement from both artists that'll resonate with listeners in the dance just as much as it will with those hearing it at home.

It's not often that songs like this come around - we can't wait to share this one with the world.

Phoneline

Pola & Bryson, Emily Makis - Phoneline

Summer Essential Vol.5 Live from London

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Twice As Long

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We are pleased to host multidisciplinary artist and Fixed Adobe label head Rainy Miller for the 13th episode of the Kuboraum Digital Sound Residency, unveiling ‘My Wings, Never Clipped / But They Began Semi-Broken’, an uplifting abstract soundscape not just to be listened to but, most of all, to be felt.

Rainy Miller, birth name Jack Bowes, was born in Longridge, a small market town eight miles from Preston. Subservient to the northern city in which he was born and raised, the region’s nearly forgotten underbelly is sewn into the fabric of Rainy Miller’s music and motif.
His passion for music and production can be traced back to the idiosyncratic grime sound that swept through his hometown in the early 2000s, a hyper-localised scene that paired grime beats with rapid-fire bars. After moving to Manchester, Rainy quickly became integral part of the North West experimental electronic scene alongside artists such as Iceboy Violet, Space Afrika, and Blackhaine. 

Integrating aesthetics from his childhood through a DIY approach, Miller’s own output is nothing if not strikingly unique. Rejecting any attempt to define ‘genre’, he shapes emotionally charged soundscapes intertwining cinematic autotune vocals around deconstructed drill and industrial ambient soundscapes.

His debut release ‘Limbs’ in 2019 already showed the signs of his very own approach: a soulful neo-R&B excursion throughout ten tracks of emoting autotune over smooth, moody melodic beats interspersed with dabbles of Preston chitter-chatter. 
In 2020, a long-time collaboration started with Blackhaine, whom Rainy shared the studio with. The same year, Blackhaine released his debut EP ‘Armour’ produced by Rainy on Fixed Abode, followed by the co-produced ‘And Salford Falls Apart’ (2021 via The White Hotel’s HEAD II label) and ‘Armour II’ (2022 via Fixed Abode).
Following his second solo project, ‘A Choreographed Interruption’ (2021 via Fixed Abode), in 2023 Rainy released ‘DESQUAMATION’ via HEAD II, his latest and most ambitious project to date. A full bloodied, emotionally visceral piece of work segueing and stretching across a sound world of contorted pop and laconic drill that will cement Miller’s position at the cutting edge of contemporary electronic music, pushing the culture to always move forward.

Rainy Miller will be teaming up with Emma DJ to perform at WE TRAVEL TO KNOW OUR OWN GEOGRAPHY, the two-day festival on April 18th and 19th presented and co-curated by Kuboraum together with Terraforma, in partnership with Combo, during the Opening of the 60th Venice Art Biennale.

Kuboraum Digital Sound Residency: www.kuboraum.com/digital-sound-residency/

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Rainy Miller - My Wings, Never Clipped / But They Began Semi-Broken

*Sacred Heart
A soulful vocal refrain brings emotion to this ’97 flavoured stepper. Sacred heart is all about the changes between the hats and shakers. A Live double bass add great character whilst the sub works out. The second drop switches into a mid range and think break monster.

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Jamu - Hear The Sound ft. Killa P, Deaf Frets & Limmz (POLO LILLI Remix)

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Noisia produced 8 songs for Motorstorm Apocalypse. The songs are reinterpretations of the themes that were specially written for this game by composer Klaus Badelt; of Gladiator, Equilibrium and Pirates of the Caribbean soundscoring fame.

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Noisia - Slipstream - Motorstorm Apocalypse (FREE DOWNLOAD)

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