Sure, Jeremy Davenport is "easy on the eyes," as Cosmo magazine points out, but it s his vibrant trumpet and classic crooning that won over the likes of Wynton Marsalis, Paul McCartney, Sting, and Harry Connick, Jr. Pairing up with fellow prominent New Orleanians Basin Street Records, Davenport is set to win even more hearts of fans with his fourth release, We'll Dance 'Til Dawn.

Jeremy Davenport is no stranger to the jazz world. Raised in St. Louis by a music educator mother, and trombonist father, who performs in the St. Louis Philharmonic Orchestra, his love of the music and performing arts were in his blood. So much so that in the eighth grade his father arranged an auspicious introduction to trumpet idol Wynton Marsalis that would change his life forever. A merit scholar at the prestigious Manhattan School of music, Davenport began private study with Raymond Mase and Wynton Marsalis. He went on to study at the University of New Orleans with the patriarch of the Marsalis family, music educator and jazz pianist Ellis Marsalis.

Davenport was honored to become the youngest performer on four world tours with Harry Connick Jr.'s Big Band, after being introduced to Connick by Ellis. Coming off tour in 1989, he finally settled in New Orleans, and has been a well-respected member of the New Orleans family ever since, including being inducted into the New Orleans Jazz Hall of Fame in 2000. 

Mr. New Orleans

Davell Crawford, the “Piano Prince of New Orleans,” released the first volume of a six part set entitled Piano in the Vaults on April 15, 2016 (available on digital platforms and coming soon to CD) on Basin Street Records. The set is a collection of solo recordings done by the piano/vocalist phenom between 1998-2013, and it solidifies his position as the modern torchbearer of New Orleans piano music.

A follow-up to his eclectic and heavily-orchestrated My Gift To You (2013, Basin Street Records), Piano in the Vaults, Vol. 1 highlights Crawford’s raw talent as a performer saturated with the soul and history of New Orleans music. A native son of the Crescent City, Crawford’s ties to the music go back to his relationship with his grandfather, the New Orleans songwriter, James “Sugarboy” Crawford of “Jock-A-Mo” fame. Aside from his familial ties, it is evident Crawford draws inspiration from the long lineage of New Orleans piano players including Jelly Roll Morton, Fats Domino, Professor Longhair, Allen Toussaint, and James Booker—a recent French Quarter Fest performance saw him sticking to a New Orleans-music exclusive set featuring music by many of the above in addition to his own original compositions that carry on the iconic New Orleans sound infused with his inimitable soul. Crawford will continue with a string of performances in New Orleans including opening for The O’Jays at the New Orleans Jazz & Heritage Festival Opening Gala, as well as multiple performances at Jazz Fest itself.

Piano in the Vaults, Vol. 1 demonstrates a continuation of New Orleans tradition by opening with two tracks in tribute to the piano player Crawford has drawn the most comparison, James Booker, a musician who has shared the title “Piano Prince of New Orleans.” “Song for James” plays like a true tribute in the enigmatic style of Booker full of jaunty trills and a strutting bass line while “Booker Days” is a slower ode to the late piano player, where Crawford pines for the opportunity to hear him play.

Crawford pays tribute again to his grandfather, James “Sugarboy” Crawford by playing two songs he co-penned with songwriter Dave Bartholomew, the instrumental “Morning Star” and the heartfelt “You Gave Me Love.” The album features one playful duet with the song “Fine Brown Frame” featuring the Louisiana blues singer and NEA Heritage Fellow, Carol Fran, who also shares a familial tie to Crawford as his mother’s godmother.

“Buddy Bolden’s Blues” written by the iconic father of New Orleans piano music, Jelly Roll Morton, the classic story telling song, “Nobody Knows You When You’re Down and Out” (a song previously recorded by New Orleans string legend, Danny Barker), and “Make Me A Pallet On The Floor” bring to mind turn of the century New Orleans—cabarets, Storyville brothels, seedy barrooms, and all. One can envision Crawford’s music seamlessly fitting in such a venue 100 years ago.

Davell delights with original tunes in the vein of the New Orleans tradition such as “What Is A Home Without A Mother?”—a nod to that so important family member, “Baby Please Be True,” and the vintage sounding “Teana Titty.” Crawford ends the album on a chord he’s become known for—the sentimental one—with a soulful cover of yet another Louisiana artist, Percy Mayfield, with the hit “Please Send Me Someone to Love.”

Piano in the Vaults, Vol. 1 secures Davell Crawford’s role as a tour-de-force of the New Orleans piano tradition with a unique vocal talent. Listeners of Piano in the Vaults, Vol. 1 will have no trouble listing Crawford’s name in the short list of truly great New Orleans piano players.

Song For James

"Good Times Bad Times (feat. Michael Mullins)" is the lead track off of Bonerama Plays Zeppelin, The upcoming album from Bonerama on Basin Street Records. Out April 26, 2019, available for pre-order February 28, 2019. Get "Good Times Bad Times" instantly when you pre-order from iTunes or the Basin Street Records web store. This track features scorching-hot vocals from none other than Michael Mullins, the 18-year old son of Bonerama frontman, Mark Mullins.

“Bonerama is viewed by some as one of the most genuine, unique and interesting bands to come from the Crescent City, incorporating brass, funk, soul, rock, blues and alternative into their one-of-a-kind sound. Three trombones, plus sousaphone, guitar and drums all deliver powerful sounds that you have to hear to believe.” – Relix Magazine

Included in “New Orleans Jazz Fest 2018: The 7 Best Things We Saw” – Rolling Stone

Anybody who’s been to a Bonerama live show is no stranger to the band laying down some funked-up, brassy renditions of classic rock songs. Fans of those moments are in for a treat, because the band is gifting the world an album of nothing but Led Zeppelin covers. Bonerama Plays Zeppelin is exactly what you think it is, a collection of your favorite songs from the greatest rock band of all time covered by the greatest trombone band of all time. If you have any doubt that a Trombone-centric band can really rock, pick a tune at random from this release, and be defied. Whether it be the lava-hot vocals on “Black Dog”, the distorted wah-wah trombone replacing the traditional guitar on “In My Time of Dying”, or even a surreal lightning-fast sousaphone solo on the funkified version of “Heartbreaker,” Bonerama proves they can rock with the best of them.

Known the world over for its incendiary live performances, Bonerama has been bringing its specialized brand of New Orleans music to the masses for over 20 years. Bonerama is currently comprised of Mark Mullins (trombone, electric trombone and lead vocals), Craig Klein (trombone and lead vocals), Greg Hicks (trombone and vocals), Bert Cotton (guitar), Matt Perrine (sousaphone and electric bass) and Walt Lundy (drums and vocals).
The album comes to you from New Orleans stalwart label, Basin Street Records, the second on the label following 2017’s Hot Like Fire. It was produced by Mark Mullins, Craig Klein and Tracey Freeman, recorded at Music Shed Recording Studios in New Orleans, and features outstanding original artwork re-imagining the classic Zeppelin symbology by Molly Reeves. Buy from Basin Street Records webstore, or get a physical copy to receive the bonus track “The Ocean”!
Come out for the CD release party April 19, 2019 at Tipitina’s (under new musician-owned management)!
Pre-Order on iTunes or from Basin Street Records to instantly get “Good Times Bad Times!” Buy a physical CD or buy from Basin Street Records directly to receive a free download of “The Ocean.”

Bonerama Plays Zeppelin

Good Times Bad Times (feat. Michael Mullins) from Bonerama Plays Zeppelin

Basin Street Records is a New Orleans based record label.  We are the label home to music from: Kermit Ruffins, Los Hombres Calientes, Jason Marsalis, Irvin Mayfield, Dr. Michael White, Jon Cleary, Henry Butler, Theresa Andersson, The Headhunters, Jeremy Davenport, Rebirth Brass Band, Davell Crawford, Saràyah, and Bonerama. Established 1997.

Song For James

BasinStreetRecords

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