"Neonatufian Intercession" Is Taken From Heal Spell, A Small Suite of Mixfile Crafts and Originally Produced Music Recorded In The Aftermath Of Xovington’s Unfortunate Attempt To Inscribe A Wacky Satirical Fiction Onto Reality Throughout The Years of 2020, 2021, and 2022… Using Their Own Spine.

Each Article Within The Suite, Individually, Is An Attempt To Soundtrack A Physical Teleportation Sequence OUT Of The Cape Fear River Basin Region Of The Carolinas AND INTO A Promising New Territory On The Shores Of Miami Beach.

Furthermore, a declaration Xovington makes on their META-owned instagram account notes their interest to invite into the world “Civil Conceptions Of Planet That Tessellate And Transform With Respects To Ordinal Social And Moral Need”.
https://www.instagram.com/xovxamxum/

On their personal website, Xovington declares their aims (at the time of this works’s production) primarily reducing to an “attempt to engage a quantum age civility's utility of the cybernetic in the interest of circumventing post-contemporary [order]...” and, as well, circumventing the “discords” that order invites through its relation to “cybernetics”.
http://www.xxamxum.tech

Each of these come together to surface the heterophony of the various articles found in “Heal Spell”.

released on unseelie, 2022.

Heal Spell

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N-prolenta - Neonatufian Intercession

DJ Waste - Damage Control

Buy / Stream: https://ffm.to/activ8rhythm

Baseck - Cyber

10_r3n - larvae first vibrations 蛰虫始振

EBF in ur

The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed video games industry. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. 

The second single of the timeless wipE'out'' - The Zero Gravity Soundtrack presents two of the most iconic tunes of the score, the original intro track of the video game and the speedy 'DOH-T'. The package is completed with two masterful remixes by Planet Mu's founder μ-Ziq, aka Mike Paradinas (@mikep), and the braindance producer @wordcolour.

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General Blurb:

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.

wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.

wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka @coldstorage, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.

These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, μ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

wipE'out'' - The Zero Gravity Soundtrack

CoLD SToRAGE - WipE′out″ Intro / wipE'out'' - The Zero Gravity Soundtrack [LPS-PS14]

You're my only call  
You're my only call

See  You are my only call
See  You are from my own
See  You are my only form
See  Your are my only song
See  You are my only call
See  You are from my own
See  You are my only form
See  You are my only song

Hey don’t cut my call
 Hey don’t cut my call

Ur My Only Call

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AN(8)X w/ 2G-  28/12/2024

Cursed parasite and demøn øf Rape in the darkness(side-a) cassete r i p (raw Blackmetal)

happiness is a dream gun water gun

liner notes:
http://www.self-titledmag.com/2017/10/02/ne228-exclusive-khalil-mix/

collect 'em all:
http://www.self-titledmag.com/category/media/needle-exchange/

self-titled's needle exchange mix series

NE228: Khalil

Firstline - Tremenda Sucia

ripped from https://soundcloud.com/88mmuussiicc/trilltape

https://hoodxair.tumblr.com/post/59653570212/hood-by-airs-swagot-trilltape-2011-tracklist

Hood By Air - Return to Innocence

sassy fabulous slay
Serendipity | GLiTTErError(B2B) | SPIRAL(co-organizer)

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