Amazing! I love how you guys are moving forward with your breaks. Really dark and dirty!

big!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

The tunes

BSD - You Must Find Strength

Physical Podcast V21.009 Funny OX Techno Deejay Set

Tracklist:
Pendapon Sunday intro
Exuma thirteenth Sunday (flic flac edit)
Andhim - Wallace
Edward Sharpe & The Magnetic Zeros - Home
Drauf Dran, Albertine Sarges - Empty Talk (Original Mix)
Xavier Rudd - Spirit Bird (Aux n Morris Summerspring Edit)
Nto - The Sand Dealer (Original_Mix)
Klak Tik - Reborn (RicD Edit)
Purple Disco Machine - My House (Original Mix)
Milky Chance - Down By The River
Monkey Safari - Sirens (Mollono.Bass Remix)
Milky Chance - Stolen Dance
Vance Joy - Riptide (FF Edit)
Super Flu & Andhim - Reeves (Original Mix)
Kolsch - Bappedekkel (Original Mix)
Bakermat - Zomer
Phase Difference - Piraeus (Original Mix)
Boss Axis, Patrick Muschiol - Pitau (N'To Remix)

Sunday Soundtrack

SS027: The first 45 in our ltd edition sound system vinyl series specially designed for selectors: “Jah is Coming” is a bass charging 140BPM rootical dubwise UK steppers style cut on Side A inspired by classic Roots Radics and Scientist productions at Channel One in Jamaica in the late 70s. NYC’s Subatomic Sound System & Washington DC’s Thomas Blondet reimagined the vibes for 2014 using a balance of analog and digital production that keeps DJs and global sound system culture in mind, inspired by the high energy spiritual steppers reflips of reggae anthems popularized by conscious sound legends like Jah Shaka. The tune has been a staple dubplate in Subatomic Sound System DJ sets on tours worldwide over the past two years and is sound system tested with subsonic sine wave bass and peak time jackhammer drums guaranteed to smash the dancehall. Though heavy on the reggae, the tempo makes it DJ friendly for roots minded dubstep selectors to easily flip into their sets as well.

“Dubbing on the Moon” on the B side is a pulsing roots dub driven by a thunderous bassline built on Subatomic Sound System’s original reggae rockers riddim “Our Father, Our King” produced and dubbed in a Jamaican style that nods heavily to the masterful Scientist “Curse of the Vampires” era dubs from Channel One Studio. The riddim is the basis for several Subatomic Sound System tunes including “Our Father, Our King (Middle East dub)” (based on the traditional tune Avinu Malkeinu) and their relick of the big tune by The Police “Walking on The Moon”, both of which are incorporated in this version. Amon of Analog Players Society is on percussion & Rhiannon on vocals.

Available on limited edition vinyl at Juno
www.juno.co.uk/products/subatomi…ah-jah/540103-01/

Reggae Record
www.reggaerecord.com/en/catalog/des…php?code=89410

THE ARTISTS: Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is at the forefront of a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee Scratch Perry on tours including Coachella, Red Bull Music Academy; plus independently touring N America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.  Thomas Blondet is a DJ legend in Washington DC, a resident at Thievery Corporation’s 18th Street Lounge, prolific cross genre producer, and boss at the Rhythm & Culture label.

Buy this Vinyl

Subatomic Sound System & Thomas Blondet "Jah is Coming" 45 vinyl mix

Happy Halloween!  On "Black Ark Vampires" Lee "Scratch" Perry & Subatomic Sound System have crafted a throbbing sound-man tune propelled by subsonic bass, bubbling skanks, and pulsing beats that balance the murky and mystical vibes of Perry’s classic Jamaican dub reggae recordings with the flammable energy and bass vibrations of current electronic music, fine tuning a recipe that they have slow cooked throughout their last four years of U.S. tours spreading authentic dub to a new generation in places like Coachella, Dub Champions Festival, and Red Bull Music Academy. Lyrically the track features Perry’s most focused lyrics in a decade, a poignant oath of vengeance against the vampires that corrupted the ark of the covenant and forced him to burn down his famed Black Ark studio, told in comical rhymes that echo the cadence of a Dr. Seuss story coupled with the morbidity of Edgar Allan Poe, promising the details of where, when, and how he will kill these vampires, from Kingston to London to New York City and everywhere; vampires beware; he will kill them with his hair, with fire, with electric wire, and even with roast corn. Melodically the tune packs soaring vampire hooks, spiritual vocal choirs, groaning melodica bursts, and even a few lines from dancehall vocalist Jahdan Blakkamoore, produced and recorded by Emch at his Subatomic Sound laboratory in NYC. Scratch’s vocals were recorded in Brooklyn at the Hook Studio after an NYC performance with the production assistance of On-U Sound’s legendary Adrian Sherwood, producer of some of Perry’s finest post-Jamaica recordings. The session was filmed by a Dubspot video crew after a long drive through NYC during which Perry recounted the better part of his life story as a warm up for the session.

At the age of 78, Lee "Scratch" Perry has built a life based as much on his fame as a reggae and dub inventor who exhibited boundless creativity and innovation in music composition and production, as he has on his reputation as a madman with playful wit, a propensity for lighting things on fire, a natural mystical spirituality that he famously introduced to Bob Marley, and his defiant individuality and commitment to personal freedom. "Black Ark Vampires" brilliantly ties together these divergent characteristics to create classic Lee "Scratch" Perry material on all levels.

Perry loves to dance and loves dancehall. His nickname actually comes from the name of dance he invented called Chicken Scratch. During his tours with Subatomic Sound System, Scratch had a voracious appetite for hearing new sounds and was interested in the "Vampires & Informers" dubstep track Subatomic Sound System had produced for dancehall vocalist Elephant Man. Perry began performing on the riddim live which led to developing the lyrics for Black Ark Vampires and Subatomic developing a riddim for Perry that captured his vibes. Though Perry is known for seldom giving straight answers and many have wondered if he really burned down the Black Ark studio, Emch from Subatomic Sound System says that one night after performing a show in California, he and percussionist Larry McDonald, a Black Ark studio veteran, were talking backstage when Scratch told them the reasons for his own longevity: "Stress will kill you. That’s why I had to burn down the Black Ark." He said the popularity of the studio had attracted the vampires who came to suck him dry and corrupted the magic of Black Ark, but rather than let that slowly destroy him like a cancer, he chose to close the book on that chapter of his life and move on by torching the studio and making an exodus to the UK leaving the vampires with nothing but the ashes.

THE ARTISTS: Grammy winning reggae and dub inventor Lee "Scratch" Perry is a living legend, one of Jamaica’s most prolific producers and a true original with a spirit that has defined and influenced countless artists across genres and generation, decades of great Jamaican artists from Bob Marley to Max Romeo, punk rockers The Clash, The Rolling Stones’ Keith Richards, The Orb, The Beastie Boys, Paul McCartney, Kode9, and the list goes on. At 78 he continues to tour, record, and paint incessantly.

Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is leading a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee "Scratch" Perry on tours including Coachella & Red Bull Music Academy; plus independently touring North America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.

THE SUBATOMIC SOUND LABEL: Subatomic Sound specializes in limited edition exclusive vinyl releases that push the envelope of dub, reggae, & dancehall in the context of electronic bass music through forward sounding productions and unlikely collaborations with icons such as Lee "Scratch" Perry, David Lynch, Anthony B, Elephant Man, Ari Up of The Slits, as well as new school torchbearers like Dubblestandart, Jahdan Blakkamoore, Dub Gabriel, and many more. Subatomic Sound actively produces events and founded the annual Dub Champions Festival running 4 years in the USA and Europe. Subatomic Sound Radio airs on Brooklyn Radio and for three years ran on KEXP’s Radio New York, 91.5FM broadcast which transmitted to a footprint of 11 million listeners.  (12j52 48 24)

Buy now

Lee Scratch Perry & Subatomic Sound System "Black Ark Vampires Dub" vinyl 45 mix

Happy Halloween!  On "Black Ark Vampires" Lee "Scratch" Perry & Subatomic Sound System have crafted a throbbing sound-man tune propelled by subsonic bass, bubbling skanks, and pulsing beats that balance the murky and mystical vibes of Perry’s classic Jamaican dub reggae recordings with the flammable energy and bass vibrations of current electronic music, fine tuning a recipe that they have slow cooked throughout their last four years of U.S. tours spreading authentic dub to a new generation in places like Coachella, Dub Champions Festival, and Red Bull Music Academy. Lyrically the track features Perry’s most focused lyrics in a decade, a poignant oath of vengeance against the vampires that corrupted the ark of the covenant and forced him to burn down his famed Black Ark studio, told in comical rhymes that echo the cadence of a Dr. Seuss story coupled with the morbidity of Edgar Allan Poe, promising the details of where, when, and how he will kill these vampires, from Kingston to London to New York City and everywhere; vampires beware; he will kill them with his hair, with fire, with electric wire, and even with roast corn. Melodically the tune packs soaring vampire hooks, spiritual vocal choirs, groaning melodica bursts, and even a few lines from dancehall vocalist Jahdan Blakkamoore, produced and recorded by Emch at his Subatomic Sound laboratory in NYC. Scratch’s vocals were recorded in Brooklyn at the Hook Studio after an NYC performance with the production assistance of On-U Sound’s legendary Adrian Sherwood, producer of some of Perry’s finest post-Jamaica recordings. The session was filmed by a Dubspot video crew after a long drive through NYC during which Perry recounted the better part of his life story as a warm up for the session.

At the age of 78, Lee "Scratch" Perry has built a life based as much on his fame as a reggae and dub inventor who exhibited boundless creativity and innovation in music composition and production, as he has on his reputation as a madman with playful wit, a propensity for lighting things on fire, a natural mystical spirituality that he famously introduced to Bob Marley, and his defiant individuality and commitment to personal freedom. "Black Ark Vampires" brilliantly ties together these divergent characteristics to create classic Lee "Scratch" Perry material on all levels.

Perry loves to dance and loves dancehall. His nickname actually comes from the name of dance he invented called Chicken Scratch. During his tours with Subatomic Sound System, Scratch had a voracious appetite for hearing new sounds and was interested in the "Vampires & Informers" dubstep track Subatomic Sound System had produced for dancehall vocalist Elephant Man. Perry began performing on the riddim live which led to developing the lyrics for Black Ark Vampires and Subatomic developing a riddim for Perry that captured his vibes. Though Perry is known for seldom giving straight answers and many have wondered if he really burned down the Black Ark studio, Emch from Subatomic Sound System says that one night after performing a show in California, he and percussionist Larry McDonald, a Black Ark studio veteran, were talking backstage when Scratch told them the reasons for his own longevity: "Stress will kill you. That’s why I had to burn down the Black Ark." He said the popularity of the studio had attracted the vampires who came to suck him dry and corrupted the magic of Black Ark, but rather than let that slowly destroy him like a cancer, he chose to close the book on that chapter of his life and move on by torching the studio and making an exodus to the UK leaving the vampires with nothing but the ashes.

THE ARTISTS: Grammy winning reggae and dub inventor Lee "Scratch" Perry is a living legend, one of Jamaica’s most prolific producers and a true original with a spirit that has defined and influenced countless artists across genres and generation, decades of great Jamaican artists from Bob Marley to Max Romeo, punk rockers The Clash, The Rolling Stones’ Keith Richards, The Orb, The Beastie Boys, Paul McCartney, Kode9, and the list goes on. At 78 he continues to tour, record, and paint incessantly.

Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is leading a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee "Scratch" Perry on tours including Coachella & Red Bull Music Academy; plus independently touring North America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.

THE SUBATOMIC SOUND LABEL: Subatomic Sound specializes in limited edition exclusive vinyl releases that push the envelope of dub, reggae, & dancehall in the context of electronic bass music through forward sounding productions and unlikely collaborations with icons such as Lee "Scratch" Perry, David Lynch, Anthony B, Elephant Man, Ari Up of The Slits, as well as new school torchbearers like Dubblestandart, Jahdan Blakkamoore, Dub Gabriel, and many more. Subatomic Sound actively produces events and founded the annual Dub Champions Festival running 4 years in the USA and Europe. Subatomic Sound Radio airs on Brooklyn Radio and for three years ran on KEXP’s Radio New York, 91.5FM broadcast which transmitted to a footprint of 11 million listeners.

Lee Scratch Perry & Subatomic Sound System "Black Ark Vampires" vinyl 45 mix

ColOmbO Vs BiG SouL /// HippY ShaKe Ya FeeT & ClaP Ya HandS !!!

ClapYahHands 2 HippyShake

Benichou Mix @ radio RGO 25.11.2016 house to techno

Free Download

ALTERBEJ2017 Vadikorp aka Bomb inHead (Gorilla Project)

04 - MidiLink (IOT Records) - The Line Of The Day (Original Mix)

Mix @ Super Techno Bros' (Rave Box & Mood Krafterz) 8,9,10/06/19

La partie electro/techno balkan de mon set fait pour les vivres de l'art le 22 fevrier 2020.

Balkan Trip (Balkan Mix)

Solid

After a successful debut album, here comes the second part of the series “Malditos BONUS TRAXXX!” which includes two totally original tracks that were not included in the album “Malditos BASS-STAR-DOS!”

On this occasion BSD offers, on one side, a very danceable Tech-House tune that grabs you from the first kick. We're talking about “Oojah-Cum-Spiff”. A gripping sub-bass introduces you in a harmonious minimalist universe, a universe of jazz twists, of crazy drums. A universe that doesn’t need any more else to keep you dancing, expressing, feeling, whatever you want. Welcome to a world of music without complexes, full of good vibe, freshness, elegance.

The other track accompanying this release is not Dubstep. It is not even Breaks. It is what you prefer it to be. Meanwhile you can call it “Don’t Do Dat !”. But be warned: It's addictive, unhealthy, intoxicating, unique... This is the music that we hear on our planet. This is music in upper case. Let yourself go, drag, and get lost in a place where you want to evade. But yes, we cannot ensure you that you can return to your previous life after listening to this piece.

LAURENT GARNIER
7/10
“Will play ‘Don't Do Dat!’”

ACCESS DENIED
9/10
“Both tracks are rock!”

BEATMAN & LUDMILLA
10/10
“Full support as always!”

CURL & DEAN
10/10
“‘Don't Do Dat!” is one sick raw edged banger, loving the bounce on this, this would get me pulling all sorts of faces while dancing to this.”

FAR TOO LOUD
8/10
“‘Don't Do Dat!’ is a killer!”

LLUPA
10/10
“Loving the groove and swing on’ Oojah-Cum-Spiff’, great to hear the BSD sounds with a very different vibe. Ah, the loops in ‘Don't Do Dat!’ are sick, very cool, very fresh. One of the best tracks I've heard in a while.”

KEITH MACKENZIE
9/10
“Sick tunes again!”



BSD : Don't Do Dat !

Voici des extraits de mes nouveaux sets du futur 

Le set House (boomdelitch)
Rythmé et fruité tout en étant charnu en infra (c'est un peu ma marque de fabrique!)
Il peut durer 2h00 et fait le lien entre le set Techno Minimal progressif et le set Techno. (+ou- 125 BPM)

Le set Techno
Chargé en infra et en basse, sans jamais tomber dans le dark, il est vraiment pensé pour de la grosse sono !
Le set complet dure 2h00, c'est mon style de prédilection, j'ai d'autre set du style.
Y EN A PLEIN, EN VEUX TU, EN VOILA !!!
(+OU- 128BPM)

Le set Grosse Techno Gros Claps est bien lourd, il met la pression pour allez derrière les 2 sets précédant.
(+ou- 133 BPM)

Totalisant jusqu'à 6h de montée et d'évolution les 3 sets bout a bout.
Pouvant aller progressivement de 124 BPM a 140 BPM (accroché vos ptit coeur)

J'ai également un SET D'AFTER SCHLAG (pour les warriors du lundi matin ;) Ce set joue a +ou- 125BPM pour une durée de : jusqu'à la mort !!!!

MK2 & CDJ <3

Frendleyksement votre
Veuillez Goacher mes sentiments les plus distingués .

Boom Delitch (un peu smooth pas trop dark)

just a way to share some of my projects with friends, nothing is too official

BSD (BASS-STAR-DOS) is a DJs / producers duo from France.

Their beginning in the world of music goes back to 1998, when they started producing Hip-Hop and Trip-Hop developing their first works, own and for other artists. The influence of Fluke, Renegade Soundwave, Lionrock, Anthony Rother, and Jackal & Hyde, among others, led them to experiment slowly with Elektro-Breaks and House.

In 2008, the BSD project was consolidated, and after playing several times on various radio shows, they signed for iBreaks Records label. At the same time they won the remix contest by Rennie Pilgrem and his label, Thursday Club Recordings.

Since their first release, Intoxikated Muzik EP, they were very well received by audiences, DJs and critics, and their singles achieved many Top 1 in the Breaks sales charts on major stores. Finally, their meteoric rise was recognized in the 2010 edition of the Breakspoll Awards, where BSD were awarded as “Best Breakthrough Producer”.

As they would need a greater control over their music, BSD established their own label in late 2010, Mental Machine Muzik, where they released a debut album entitled “Malditos BASS-STAR-DOS!”

Having shaken the Breaks scene in just over a year, they decided in early 2011 to diversify their style and start producing House and Indie Dance, collaborating with other producers and vocalists.


BSD : Don't Do Dat !

BASS-STAR-DOS

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