Live recording of my first all night long at Open Ground , located in Wuppertal , Germany.

One of the most memorable night I had in recent years , in a club that have making me feel at home right from the first time I performed there.

Hope you enjoy the 8 hours ride.

Open Ground

Quelza @ Open Ground I All Night Long l 19.05.2024

2018’s chilled-out Kiran LP was a first step towards Konduku’s inevitable fate as electronic music producer par excellence. The Dutch performer’s right brain rhythms were perhaps aptly timed, touching a spot made tender by the period of introspection forced upon us by an unprecedented global pandemic. These were spartan experiments in sound that reverberated within the cavernous space isolation prised open but didn’t stay that way for long. With the return to normality came another side to Konduku’s work, productions and real-time sets that focused on a heavier, more techno-leaning sound; though they still took inspiration from bass, sometimes house, and the plangent loops of mid-2000s Italian hypnotica. These beats found a perfect home on Spazio Disponibile, Delsin’s Mantis as well as DJ Nobu’s Bitta label, and even claimed a sublabel all his own on Rotterdam’s Nous'klaer Audio, the music and photography outlet K Series. A highly satisfying alliance of liquid basslines and layered echoes put his name on the rise, and today his relentlessly chugging and nimble beats are very much a known quantity, a unique and welcome proponent for cerebral, subaqueous loops. Bassiani Podcast 223 is top-form Konduku recorded live at the club back in May, three hours of forward-thinking techno that’s thick with ideas and rattling rhythms, far-out frequencies for the temporal lobe that surprise at every turn.

@kondukukonduku

BASSIANI PODCAST SERIES

Bassiani invites Konduku / Podcast #223

DJ Set Live @ wonderful Dommune Tokio Japan 2013

DJ Set Live @ Dommune Tokio Japan

For some time now, Irish DJ and producer Sunil Sharpe has been honing (no pun intended) his skills as a formidable floor destroyer, putting out a string of memorable burners for the likes of Works The Long Nights, BPitch, MORD or his own imprint, Earwiggle. Delivering his implacable two-hour missive through blends of breaks-laden rhythms, frenzied machine talk and murky, weatherbeaten ambiences, Sunil Sharpe boggles the mind and knocks senses askew, not letting loose on his astonished prey - understand the odd raver bracing themselves for the blast incoming. Unless they’ve already bashed their skull in the system’s facade and got to taste the visceral high of sound flowing through their body. You think it’s an image, but the man is a literalist.  

soundcloud.com/sunilsharpe

Reclaim Your City 632 | Sunil Sharpe

The long running stirrings of Surgeon (Anthony Child) and Regis (Karl O’Connor) under the conjunct British Murder Boys are not for the faint of heart. Their alleged final act came before a Tokyo crowd in 2012, but the goodbye only lasted three years and with their Amsterdam return, a reformulation of their signature industrial sound. The duo, both at their acme with little signs of descent, have together found a hybrid techno that scales high and large, bringing together thumping bass and hissing feedback for a distinctly belligerent and primal club sound. It’s not all obvious, their 2020 cover of Lou Reed’s Real Good Time Together offered a machine-inflected spin on the original, and opened the door for their debut LP Active Agents And House Boys (2024). At the heart is a provocative, sexually-charged and punkish techno that offloads bristling rhythms and defiant energy, one that’s a little more controlled and mathematical in practice. Following on from their show at Bassiani back in November comes this next mix. Bassiani Podcast 250 is an hour-long and live recorded assault: thrashing beats, crazed and bleepy arps, EBM-style shouts, a decadent and rageful call to arms and one of the most important instalments in this long running series. Back-breaking industrial techno from these two heavyweights and originators of the Birmingham sound.

Bassiani invites British Murder Boys [live] / Podcast #250

Modern hypnotics from a new techno star.

It's a tale as old as time: techno DJ moves to Berlin to chase a dream. Philippa Pacho is part of the latest wave of talent to tread that familiar path. But don't let that fool you. She's one of the classiest artists around—no TikTok gimmicks here.

Pacho's formative years were spent in her native Stockholm, navigating a vibrant DIY party scene that included warehouse raves and illegal parties. She eventually took up a long-standing residency at beloved local club Under Bron and the experience, as she details in this week's Q&A, sharpened her technical skills, teaching her to handle every type of set—whether opening with patience, supporting a headliner or closing with finesse. She also played with countless touring DJs, from Answer Code Request to Antony Parasole, which ultimately inspired her move to Berlin.

That relocation has firmly paid off. It's a testament to Pacho's talent that you'll find her playing pretty much every big club and festival across Europe, from Berghain and Dekmantel to FOLD and Monument (we were exhausted just looking at her upcoming listings on RA). Other recent highlights include closing out Bassiani's tenth birthday, and back-to-backs with Fadi Mohem and Sandrien. 

Pacho's RA Podcast showcases her preference for classy, hypnotic techno, striking a balance between muscle and subtle groove. Her aptitude for what makes dance floors tick is also evident on her two labels—Phorum Records and positivesource (co-run with Blue Hour)—both of which mirror her DJ style, blending intensity with delicate textures. positivesource has released several standout records, including this year's "Psycho" by BLANKA and Phil Berg's "Psyckik" (which you'll hear on this mix). 

Spanning 70 minutes, RA.980 is a window into Pacho's thoroughly modern sound (the oldest track is from 2018). And yet it retains a refined, sweeping quality. Give it a spin and you'll soon twig why she's in demand on dance floors worldwide. 

@philippapacho

Read the interview and find the tracklist at ra.co/podcast/980

RA.980 Philippa Pacho

You may be familiar with the work of Reeko, the Pole Group co-founder and Spanish auteur whose furious techno has expanded the definitions of his genre and piqued clubfloors over the last decade; Juan Rico’s alias has galvanised the world of electronic music like few can. Over the course of his active years he’s worked on a parallel body of work under the pseudonym Architectural, at first in the shadows of anonymity, now coming into the light. Through this second epithet he channels a more fluid sound, one that uses much of the same percussive scaffolding but goes deeper. The project began back in 2010 with a string of releases on his self-titled and newly pressed label and the 2012 release of Peacetime on Semantica Records, cementing his rise as a deft and mysterious talent from the Asturian coast. The intrigue continued with a fusing of his two projects in 2013, a Reeko and Architectural release on his native Pole Group entitled The Blue Album, a dialogue between the two visions, harsh kicks of the first fused with the trailing reverb of the latter. The next two years saw a pair of releases develop the sound he’d built via his own label and Dutch imprint Wolfskull. In tandem, his sets at Tresor, Printworks, Robert Johnson, Bassiani, Awakenings and his local festival LEV have brought his heavy atmospherics to a wider audience. His sound is primal, dubby and immersive, the output of many years of sonic research and collaboration, paced-out and rich with intelligent details. Here, for one of the most important mixes in this long running series, comes Bassiani Podcast 252, a truly singular piece recorded back in November from this paragon of experimental techno.

@architectural-1

Bassiani invites Architectural / Podcast #252

Over two decades of unfaltering devotion to production and DJing, dishing out some of the finest slices of opulently textured techno along the way, Tokyo-based maestro DJ Sodeyama has been honing a sound signature both intricately hypnotic and boundary-pushing. Blending delicate melodic strains of electronics ranging from deep, ambient music to verbed-out, atmospheric techno, often laced with hints of jazz and soulful discoid expressions, his productions and mixes combine the satiny elegance of loungey daydream with that of more rugged, deep-diving dubs a la Basic Channel. From light to shade, and vice-versa, DJ Sodeyama builds pieces of music where the ever-changing lighting and shifting angles swath you in an oddly comforting headspace. A most fascinating trip for the body and soul.

soundcloud.com/arparecords

Reclaim Your City 637 | DJ Sodeyama

A true legend lands on the latest SPND20 Mixtape 📼: @luke-slater joins the fold with a rare live set recording, captured in the thick of touring his ‘Sky Scraping’ album on Token. Recorded live, this set channels the intensity and precision that only decades of experience can deliver. Pure hardware power, relentless tension, and deep, mind-bending grooves. This is techno at its most alive.🔊

Luke Slater’s legacy runs deep. Over the last three decades, the UK-born artist has shaped electronic music under many monikers - while running the influential Mote-Evolver label and constantly pushing the boundaries of sound design, structure, and club impact. From early Warp releases to Berghain classics, he’s never stopped innovating.

The release of Temporary Suspension on Ostgut Ton in 2009 marked the powerful return of Slater as Planetary Assault Systems - reigniting the fire of classic techno and setting the tone for a new era of live performance.
This recording is a snapshot of that exact energy: deep, hypnotic, and unrelenting. Expect pure techno power from one of its most vital architects. 🎛️

We’re honored to have him join the mixtape series. Play it loud. This one’s from the source.🖤

#SPANDAU20 #PlanetaryAssaultSystems #Techno #SPND20Mixtape #LukeSlater #LiveSet

SPND20 Mixtape by Planetary Assault Systems

What were you expecting?

- Made With Fl Studio

- Made With Fun.

- Made With Online VSTs/Sound packs