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A collaboration by Misho Eliava and Marina Papadopoulos

Waves

The second remix coming from Bad Colour's critically acclaimed "PINK" album comes from Newark, NJ native Jamal Dixon. A well known DJ and nightlife fixture in NYC having worked at the legendary Tunnel,  a long term residency at the Standard West side, and as an employee of Turntablelab for many years, Jamal has just begun branching out into his own New Jersey tinged combination of house and techno music with two releases on Jaymz Nylon's imprint and a killer DJ mix for Beats In Space.
	Here, Jamal takes the bumpin' dance interlude of the forementioned Bad Colours track and turns it into something a little more peaktime - a hands in the air dance track when the summertime park jam really starts picking up at sunset, or when the club starts filling up at 1am.
	Bad Colours is the moniker of London-born, Maryland-raised, Brooklyn-based DJ and producer Ibe Soliman. With influences of garage from both sides of the Atlantic as well as funk, post-disco, proto-house and rap samples; his debut album ‘PINK’ was released by Bastard Jazz in February 2021.
	Known for his residencies at some of New York’s top venues, Ibe has been rocking crowds as a DJ for over a decade, and has shared the decks with the likes of James Murphy, Mark Ronson, and Q-Tip. He’s performed alongside Wiz Khalifa, Snoop Dogg, Pusha T, and Young Thug, to name a few. In high demand as a private party curator, he’s helped set the tone for Jeff Koons, FKA Twigs, Justin Timberlake, Travis Scott, and Usher. When Ibe’s not behind the decks, he’s in the lab, where he’s produced for Kendrick Lamar, Faith Evans, Keyshia Cole, and Rick Ross, among others.

CMYK (Jamal Dixon Remix)

Bad Colours - CMYK (Jamal Dixon Remix)

Born from the essence, Black Rave Culture lifts up the torch and begins to walk forward spreading the message of Black Rave. Amal, James Bangura, & DJ Nativesun Hailing from the District of Columbia, come together to bring you a new sound, the sound of their city.
credits
released May 12, 2021

All music produced by Amal, James Bangura, & DJ Nativesun
Mastered by Gallery S

Black Rave Culture - Columbia Rd (Uptown) [Amal x Native x JamesBangura]

Buy on Bandcamp: https://bit.ly/3gBR5SU

Follow on SoundCloud:

https://soundcloud.com/dj-playplay
https://soundcloud.com/cpowers
https://soundcloud.com/sorry-records

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Buy on Bandcamp

PREMIERE: PowerPlay — They Breaks (PlayPlay's Redux) [Sorry Records]

The Pacific Northwest comes together for a special remix of Portland artist POSY's "Train to Kawazu" by Seattle's Manatee Commune. The song (which has already gathered a ton of hype from the internet including a coveted top 10 slot of Spotify's massive Lo-Fi Beats playlist) gets chopped up and stretched out by MC, maintaining the soothing vibe of the original while injecting a softened out touch of glitch energy by this PacNW fan favorite.

Train to Kawazu (Manatee Commune Remix)

POSY - Train To Kawazu (Manatee Commune Remix)

CROMA is out now on all DSP platforms and is available for pre-order at Bandcamp: https://deekapz.bandcamp.com/album/poly-ep

CROMA is the first single from Deekapz's upcoming "Poly" EP which will be out on Sept 10th.

Deekapz’s latest 5-track EP “Poly” showcases their multi-faceted range of production and their diverse range of musical influences. Each song on the EP features more than 1 type of genre within each track, where they mix and match genres of tropical bass music, house, baile funk, trap, and more. 
-----------------------------------------------------------
O EP "Poly" é um experimento da pluralidade sonora da dupla Deekapz.
Uma das assinaturas da dupla é a mistura entre ritmos, gêneros e BPMs e entender que isso não precisa se restringir aos sets e pode sim estar dentro de cada faixa.

É um convite a revisitar a identidade sonora que apresentou a dupla pro mundo, trabalhando de forma ainda mais ampla em busca da multiplicidade de estímulos, sentimentos e batidas.

Escutando Poly, você está ouvindo Deekapz.

CROMA

Third single from Gianni Brezzo LP “Tutto Passa” is the stunning, swirling, thematic track “Rising Of My Mind”.

// https://giannibrezzo.lnk.to/RisingOfMyMind //

Layers of harmonized brass, flutes, percussion ebb & flow, bubbling up to the acoustic surface like sonic ripples effortlessly bursting from Gianni’s auditory palette. Only crescendoing more than 2 minutes in, “Rising Of My Mind” is on that finest jazz tip, raising Gianni’s musical caliber into the skies.

Gianni Brezzo - Rising Of My Mind

cdx.01 Intuition- The beginning of the codex saga. Sounds from my first days of making beats, purely for the love of the game.

BANDCAMP

Calm

Strange Visitors feels like 2 a.m. in a city that never sleeps.



#adultlofi #lofimusic #lofiinstrumental #tokyo3nostalgia #nightvibes #moodybeats #darklofi #cinematiclofi  #analogwarmth #tapehiss #urbannoir #latehour #dreamsequence #undergroundhiphop #chillhop #vaporwaveaesthetic #beatmaker #citynights


Strange Visitors | [adult lofi] – Tokyo-3 Nostalgia Vault

Lεт'ƨ Cнıʟʟ Aʟʟ Nıɢнт.

Original Music composed by Daniel Casimir

5. Close And Slow

Marco Shuttle - Olga

Ediciones Danza Negra is a new record label co-founded by RBMA alumni Lunate to showcase electronic music from Colombia. Their first release features four contributions by local artists, including ELO, Cute Heels, Retrograde Youth and Lunate himself. “A Breach to Breathe Through” demonstrates just why you should have these guys on your radar: Without unnecessary flourishes, Lunate crafts a subtly complex, electro-infused beat that expands and retracts in addictive fashion.

Ediciones Danza Negra’s ‘Various 01’ compilation is out now: https://edicionesdanzanegra.bandcamp.com/album/various-01

@lunatemusic
@edicionesdanzanegra
https://facebook.com/edicionesdanzanegra
http://redbullmusicacademy.com

Lunate - A Breach to Breathe Through

From the album 'Children of Nu', out 3rd Nov 2017.
Buy / Stream: https://fiveeasypieces.lnk.to/ChildrenOfNu

Reginald Omas Mamode IV - Put Your Hearts Together

Taken from 'Mt Glorious' EP 
listen to full EP here: https://AWAL.lnk.to/sampologyep 
buy vinyl here: https://sampology.bandcamp.com/
℗&© Middle Name Records 2018

Mt Glorious

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with Far Out, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019

Vinyl / CD / Digi

Marcos Valle - Sempre

Brooklyn boutique record label. Purveyors of fine beats worldwide.

POSY - Train To Kawazu (Manatee Commune Remix)

Bastard Jazz

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