What a funky beat. This is the sound, love it

Future Funk

"My Frequency" Album contains old music that i never really released and always was very special to me; songs like "Friday Night" and "Rhodes Music" just to name a few. Of course there's also new songs on there as well and i think the mix between them is pretty cool. Hope you enjoy this project, and that it brings inspiration to other artists. (Chris Neal aka Frankfurt Funk)

Produced, Composed, Arranged, Written by : Frankfurt Funk
Co-Produced, Mixed, Mastered by : Voyear
Executive Producer : Walla P
Artwork : LiamLiamLiam

My Frequency

Buy Digital

Frankfurt Funk - Boogie Nights

Shanti - 2k24 Breaks (2024) (110BPM)

Summertime in Cali always gets all the love.

F U C K T H A T.
It's hot.
Sweltering.

Here's an instrumental tune for the real best season in sunny CA.

Wintertime In Cali

Don't Forget To Move

LET YOUR BODY MOVE

"Peg" is an all-synthesizer cover of the classic Steely Dan original complete with slick vocoder.

Written by Walter Becker and Donald Fagen. Published by Universal Music Corp. Licensed through HFA.

Brian Ellis - Peg

Taken from the album Soul Clap Presents: Tempo Dreams Vol. 3
Buy 2xLP, Digital, CD or Cassette Mixtape:
bastardjazz.bandcamp.com/album/soul-c…dreams-vol-3

After two critically acclaimed volumes of their producer-driven compilation series Tempo Dreams, Brooklyn’s Bastard Jazz Recordings is back with Volume 3 of the beat-centric, forward looking concept. For this edition, the label has tapped Soul Clap, the Boston bred international ambassadors of all things funky. Piloting their cosmic mothership all over the globe, Soul Clap have built a cult following worldwide both through their solo endevaors and via their Crew Love brand formed with Brooklyn’s Wolf+Lamb. Staying with the Tempo Dreams theme of showcasing new styles, emerging artists and the best of their beatmaking peers, Soul Clap has compiled a showcase of entirely unreleased modern funk, electro soul, and leftfield house music on this compilation, sure to make their spiritual guide Dr. Funkenstein aka George Clinton proud.

As in with previous volumes, the featured artists all come from different places, spaces and times but are tied together by the musical connection running concurrent on the record. Soul Clap’s unmistakable vibe is powerfully represented through their own original track “So Sedated”, a heavy chugging synth ode to the transformational powers of the dancefloor, featuring understated vocals by Dayonne Rollins. Crew Love & Dirtybird artist Tanner Ross teams up with Jules Born for “No 1 Else But You”, a late night off-kilter piece of nasty funk, while fellow teammate Navid Izadhi brings a Cali swagger with the smoothed out G-Funk vibes of “Cadillack”. The left coast is further represented by Pasadena’s XL Middleton whose “AntiSlumper” kicks off the album with a throwback boogie excursion, while the George Clinton-approved production team FSQ delivers the irresistible down & dirty “Break The Funk”. Amsterdam artist Tom Trago comes in tough with the electro porn of “Hard Cash” while NYC is represented fully with disco hero Tom Noble’s “Tanked”, Analog Player’s Society’s wavey “Enter City”, and Greg Paulus’s late night soul vibes on “Everything (Love Down)”.

Soul Clap Presents: Tempo Dreams Volume 3 arrives March 30 on 2xLP, CD and digital worldwide via Bastard Jazz Recordings, prefaced with a limited edition 7-inch double single in stores February 24th.



Buy 2xLP, Digi, CD

XL Middleton - Antislumper

BUY @ https://bastardjazz.bandcamp.com/album/layers-ep

The “Layers EP” is the first Bastard Jazz release from Milan based producer Parker Madicine. A fanatic record collector and key player of the musical politics in the northern Italian City, Parker also runs his own fledgling label CT-HI and has released music on a variety of labels over the years under a number of aliases, including 20:20 Vision, Trapez, and Carl Craig’s Planet E imprint.

The Layers EP is a love letter to mid 1980’s dance music production with a modern ear towards Detroit and the Future Beat production scene happening worldwide now. “Mazimuth” is a a bouncy four to the floor bubbler with analog bass squelches, sharp synth pads and scattered drums. “Carnival Into Space” brings an electronic jazz fusion vibe into it’s deep boogie atmosphere, while “Song Of Life” sounds like an early Prefuse73 song lost in a world of analog modulation. Remixes come from Vancouver’s Mosaic, a hip-hop producer known recently for his work with Dudley Perkins and members of Wu-Tang, who gives “Mazimuth” a Dilla inspired swagger with deep, swirling synths and big bass, while prolific Australian producer Inkswel (BBE Records) takes “Carnival Into Space” into big 1980’s remix territory with his analog dub take on the song, sounding like a Chicken Lips banger that never was.


XL Middleton - Antislumper

Bastard Jazz

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