Name: TRACK0111 by Bastian J.
Duration: 4 min 3 s
Description: Identical setup as the other track from yesterday, with a few alterations and different sequence...

Fab. This tickles all the right frequencies

EN CHAIR ET EN SONS 2021
Poursuite de mes expériences autour d'une recherche sur le potentiel esthétique des bruits et des paradigmes spécifiques conséquents .   Cette fois, il s'agit de conjuguer mon univers sonore avec la danse Butô .   De plus, je me suis obligé à n'utiliser que des enregistrements de sons d'origines acoustiques dans une idée de musique «concrète» nouvelle !

LE BRUIT SE MEURT- UNE AUTRE VIE ADVIENT 2021

La métathèse, transition de Morphée vers la forme, est par essence
métamorphose, ici de lents mouvements sonores conjoints, textures 
immatérielles d’une introspection onirique.

La Métathèse Invisible

Nom De Plume

core is a feedback loop of the fsh-1 frequency shifter, inside the loop is c0 and mmf-1. modulated by r*s dsg. rhythm and pads itb.

something like a patch diagram: https://imgur.com/6oNm0yH

one output of the fsh-1 goes into the c0 delay (the delay is crucial in this patch, most of the sound gets produced here), the output of the delay goes into a limiter and then back in one input of the fsh-1.
another ouput of the fsh-1 goes into the mmf-1 filter in dual bandpass mode, from there the signal goes again into a limiter and into the second input of the fsh-1.
this is now the basic closed feedback loop, i listen to the mix output of the fsh-1.
by playing around with all the settings i get different tones, again, the delay is crucial here, how much feedback is determined by the limiter and general volume controls or frequency controls of all three modules... now to get a rhythmic patterns going i plugged this "bouncing ball" envelope into the second input of the filter, that is enough to only get feedback at the high portions of the envelope eg i get a rhythmic feedback pattern. variations in tone by manual control of the bandpass settings and the delay time plus occasional tweaks at the limiter section for louder or more distorted feedback. the patch is delicate, i tried to replicate it and i wasnt able to come close to these tones, but other great ones:) enjoy modular synthesis!

fsh1

clocked pulse trains connected to resonant filters, and to NIM boxcar integrators, with added sine wave mixture
recorded in one direct track
c HK @ studio 1

Sound Of The Week August 5 2019

Engendre...

Identical setup as the other track from yesterday, with a few alterations and different sequence...

TRACK0111

Synthesis Technology E352, Supercell, Double Andore, Mutable Instruments Braids (Bees in the Trees), Ripples (2020),  E440 OTA VCF, Antumbra DVCA, Intellijel Steppy, Make Noise Tempi, Old Blood Endeavors Black Fountain

|)!570|27

Latest in an occasional series featuring the Lyra-8 Organismic Synthesizer.

0 - To Musaeus

A calm, but somewhat dark soundscape. Created by patching a few sine waves through the analogue filters, and playing with them. This creates the clicking noise you can hear. Also playing with the ring modulator, which creates the bass tone, and adding some tape delay and reverb, gives you this dark soundscape.

Sine Waves 1

A more rhythmic soundscape. Created by patching a few sine waves through the ring modulator, while also feeding a rhythmic pattern from the word generators through it. Just add some reverb and play with the faders, and there you go!

Sine Waves 2

Advanced Research Facility For Boring Sounds

TRACK0111

Bastian J.

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