Name: A Funky Vibe 4 J.J. - KRT Production by BBAM in Acid Jazz & Funk Repost Selects
Duration: 3 min 40 s
Description: Every time I hear this melody, I can't help but think of you Jazzy June. I think back to those sweet and delicate moments when you wandered along the paths of the Blue Mountains. The beauty of your curves oscillated like a metronome to the beat of my heart.

Good vibes, good sounds, easy listening trip hop, good work

luv the cover art. this ultra wavy. luv the sample and smooth kicks. this a major vibe keep it going!!!

Acid Jazz & Funk Repost Selects

Original song written and performed by Indio Romero

Building Towers

Building Towers (acoustic demo)

At the weekend Space Cat visited his good old friend FUNKY CAT, who fell into a cauldron of magic paint as a kitten and hasn't gotten that FUNKY COLOR out of his fur since then (see cover image)… 😂

I hope you enjoy this fun track which was done with virtual instruments only! 😁

Funky Cat

Listen - Instrumental

Website

The Long Road Back to You (Featuring Ruth Reid)

Listen on: Spotify, Apple Music, TIDAL, Amazon

https://www.youtube.com/channel/UCFT7hBxfI-ISYYtdsm1_hPw

"Watch Me While I Bloom" by Rebelle Flors is a mesmerizing musical voyage. The opening track, "SOS" unveils the siren in Rebelle's voice, while "Got You" enchants with catchy lyrics. "Liminal Spaces" exposes vulnerability, and "Move Forward" pays homage to Amy Winehouse, showcasing Rebelle's authenticity. "SCUM" takes a turn with a 99 Neighbors-inspired beat, and the title track "Watch Me While I Bloom" weaves a melodic game of telephone for the album. Closing with the empowering anthem "Don't Say," Rebelle Flor leaves an enduring mark, showcasing her artistry.

Watch Me While I Bloom

Pincushion Funk," a 2:31 journey into the heart of funk, offers a vibrant, groove-laden backdrop ideal for voice-over projects and dynamic visual content. At the forefront, the Funky Odyssey Octabass Synth melts seamlessly with a high-pass filtered electric bass, ensuring the track's core grooves resonate with exceptional clarity. A four-to-the-floor beat serves as the track's foundation, accented by genuine acoustic drum fills and breaks that weave traditional funk rhythms into a contemporary dance framework. This fusion results in a punchy, nuanced soundscape that enhances narrative depth without overwhelming the spoken content. Whether supporting corporate presentations, podcasts, or engaging multimedia projects, "Pincushion Funk" provides a robust rhythmic backbone with a distinctly funky flair, making it an ideal choice for creators seeking to infuse their projects with energy and rhythm while maintaining clear voice-over audibility.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Pincushion Funk

Music by The Rooms 
Produced and arranged by João Gonçalves 

Personel:

Bass - Neo Bass
Drums - Edgar Brito 
Trumpets - Filipe Durães
Saxophones - Giancarlo Bocchi
Guitar - João Gonçalves 

Heavy Lifting

Every time I hear this melody, I can't help but think of you Jazzy June. I think back to those sweet and delicate moments when you wandered along the paths of the Blue Mountains. The beauty of your curves oscillated like a metronome to the beat of my heart.

A Funky Vibe 4 J. J.

A Funky Vibe 4 J.J. -  KRT Production

Alles so schön bunt hier drinnen...

Welcome to my mind

Feels Like Home

#instrumental #rock #instrumental rock guitar

Driving Through Summer

Moshi Moshi (2011) 
An intense post-apocalyptic journey
Drawing its title from the Japanese phrase used to answer the phone, this song conjures a dark and post-apocalyptic scenario. Listeners are transported to a dystopian realm where tradition collides with chaos. Moshi Moshi is based on fractured melodies, ominous atmospheric textures and experimental beats that are inspired by IDM, electronica and soundscape music. You will enjoy this song, if you're ready for an apocalyptic journey.

Nadine de Macedo: composition, arrangement, synthesizer, programming, production
@tna-sphere: composition, arrangement, synthesizer, programming, production

Cover design: Nadine de Macedo

Where to find us:
https://soundcloud.com/atna-sphere
https://soundcloud.com/nadinedemacedo

Moshi Moshi

Tu Nosciminis

The Ultimate Battle

Sometimes you don't know where to go or who to turn to, your friends seem like strangers and the strange seems to suit you,
Let the darkness come out so you can find calm again...

Who Am I

𝕾𝖙𝖆𝖗𝖌𝖆𝖟𝖊𝖗

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce : songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

Music is my passion! It has always been a wonderful part of my life. Growing up in Brooklyn New York exposed me to street corner crooners, Afro Latin beats, Blues, Jazz and Rock & Roll. Marching down the street playing a tenor drum in my Boy Scout uniform is a cherished memory I have of growing up in the Brooklyn. It was my most urgent desire to dawn that uniform so, I too, could be a drummer in the Brooklyn Day Parade. 

The Apollo theatre was another great influence in my youth, knowing the back stage manager’s son helped too. oh yea, front row seats. 

In high school I discovered the harmonica along with a steady diet of R&B, Jazz, Rock, I never got to stuck of any genre and appreciating the fusion of different styles. I enlisted in the Air Force in Coral Gables Florida after graduating Longwood High Middle Island. 

Stationed in Okinawa Japan I met countless badass funky musicians from all over the US. For seven years I played keyboards in a top forty cover band “Shock Tacy”. Working Steve Howard the owner of the “Power Station” recording studio in Okinawa Japan, I learned a lot of the basics of the craft. 

After retirement I returned to California and I decided to my own start my own business building  my own recording studio Phat Daddy’s Music Studio in 1999. 

In 2000 Atlanta was to be coined the Hip Hop headquarters of the DirtySouth, I too decided to relocated to ATL for work in the music industry. 
Working with Audio Visual companies and Wizard Electronics a music repair facilities. 

2012 I discovered the THI studio in Brooklyn, where I received my audio engineering certificate with my studio mentor Robert Honablue. I am now based in Portland Oregon producing and recording music, my life’s passion!!!

Currently in Bangkok Thailand creating tracks for the love of music!

A Funky Vibe 4 J.J. - KRT Production

BBAM

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