THIS IS BRITSYNC

A unique collective of independent music companies who are now changing the face of the music industry.

For the first time, music supervisors from overseas are able to access one UK organisation and find the best of Britain’s independent music. 

The 'This Is BritSync' playlist ranges from electronic elements to atmospheric rhythms and almost everything else, in-between! A curated selection of some of our choice tracks, pulled together into one playlist, just for YOU!

Enjoy and give us a ping should you want to hear more...

BritSync | Your Trusted Music Source

Looking To License A Track? 
Contact ☛ vanessa@britsync.com
Website ☛ http://britsync.com/
Twitter  ☛ https://twitter.com/BritSync


This Is BritSync : The Compilation

I Monster - Daydream In Blue

Armageddon (Cinematic Dubstep)

Hybrid - Break My Soul

In Between Revisited: Jazzanova Live

Days to Come (Little Big Beat Studio Live Session)

n an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Arabutã

Coming soon on Jazz Room Records. Funky Jazzy Dubby Version of Electro Funk 80's Classic "Riot In Lagos" originally by Ryuchi Sakamoto. 

Riot_In_Lagos_Slowly_Remix

ALL IN

This one was an unexpected treat. Two of our favourite contemporary musicians, Finn Rees & Sholto coming together and collaborating on a double dose of celestial, cinematic alchemy.

At Mr Bongo we are massive admirers of drummer, musician, and producer Sholto (Oscar Robertson). His two albums on Funk Night Records and DeepMatter Records, had both been highlights of their respective years. We’d gotten to know Oscar and sent him a few records. Included in the package was Australian pianist-composer Finn Rees’ debut album, Dawn Is A Melody, which was one of our favourite releases on Mr Bongo in 2024.

In Oscar's words 'For me it was a standout modern jazz record - encapsulating a spiritual / hazy dreamy soundscape which hugely resonated with me. Glissando keys and harp with lush melodies, I was instantly intrigued.”  

The pair started following each other online and as luck would have it, Finn was staying in London for the summer season, so they arranged to meet. The pair instantly clicked and said it felt like they'd known each other for years. After 40 minutes of chatting, they started to jam. 

'Love In Memory' and 'Bluebell' were recorded over two days - a track a day in Oscar's SFJ studios. Laid down on mostly analogue equipment, the pair utilised Wurlitzer’s, mellotrons, and ribbon mics through Oscar’s ‘70s Studer desk. Composed and crafted without any real intentions, other than a shared appreciation for the same style of music and approach, the tracks started to take shape. The results were as lush, nostalgic and textured as you’d expect from these two brilliant musicians, with a classical feel inspired by artists such as Piero Piccioni, Piero Umiliani, and Henry Mancini. 

For the beautiful string arrangements, the pair recruited the talents of Sholto's long-time friend and collaborator Clementine Brown (Penguin Cafe Orchestra) and Matthew Hayes of 30/70, Allysha Joy, Xpress Point, Zeitgeist Freedom Energy Exchange fame, was brought in to play bass on 'Bluebell'.

So here we have it, a chance collaborative project built on two musicians' mutual respect for each other's outputs. The result is truly breathtaking.


Finn Rees & Sholto - Love In Memory

Low Resolution Copy for preview only.

SM010

Tales from the Green Room (SHADELEAF)

a1) Make your Move (Pressure)ft J Gordon
a2) Susan Sorandom
b1) Compete
b2) Marvellous

Now available digitally // http://www.traxsource.com/title/747006/tales-from-the-green-room

Tales From The Green Room (Shadeleaf)

Bounty 

SOTU 11 - "Good Numba"

Production @Nu Guinea
Mixed by @jan-b-300086776 
Mastered by @BenjaminTierney
Photo by @LeaGotfredsen
Artwork by @Krashkid

Lyrics:  https://genius.com/Wayne-snow-nothing-wrong-lyrics

Little brother don't you worry
Things will be fine
There's nothing wrong
In our struggle we feel weary stranded alone
There's nothing wrong

We've come so far
From bread to ashes
Thoses days are over
 Nothing wrong

We can be free
I know from within
It will be real
Nothing wrong

Nothing Wrong

ASPHALT

East Coast Collective

Wandering the streets & hills humming to himself, an inspired contemporary songwriter and performer, his intimate songs bloom with the beauty and tragedy of epic human stories. Otti Albietz was born in Malaga, Spain, and grew up traveling around Europe and Morocco with his brother, and parents. Remembering rivers, scrapyards, kiosks, pavements, stray dogs, smugglers, motorways, and spending his late teenage years living independently between England, Germany, and Spain. His drive to make music led him to move to the UK.
 He has lived in England since 2005, spending the first 5 years as lead vocalist and writer in various bands, before choosing in April 2012 to pursue music under his own name. This has given him the freedom to collaborate on his songs with an orbiting group of individual musicians. These have included; experimental flautist Geoff Leigh (‘Henry Cow’), instrumentalist/artist Thad Skews ('Phil Collins 3'/'Unicorndad vrs Robodad'), Musician/Producer Harvey Summers, Girlfriend/Soprano Anna Graebe, Drummers Benno Schlachter, and Sacha Trochet, amongst others.
 Otti creates image-laden songs with an intuitive sensitivity oscillating between intense realism and fantastical dreams. His self-produced debut album ‘One’ was released on 'Big Village Records' in January 2011, and toured through central Europe in August 2011, visiting Basel, Hamburg and Mullhouse.   
 ‘Bubbytone II’, is Otti Albietz’s second album, and his debut with label BBE, recorded with friend, and Producer, Harvey Summers, in Harvey’s gorgeous Broadoak Studio, in East Sussex. Harvey has worked with a large number of artists, amongst them; Danny Thompson, Paul McCartney, John Pearson, Mumm Ra, and many more.
 Otti describes the drive for recording Bubbytone II as coming partly from “a personal need to put down a mountain of songs, that had accumulated in past years, which are likely to give birth to the majority of a third album too, though shhhsh about that for now; and partly an invitation from, and desire to work with Harvey Summers, more extensively, as before we’d only worked in short bursts”.
 He has since toured Europe once more in July 2012, and spent the year sharing stages, in London, Hastings, Brighton, and Oxford, with artists such as ‘She Makes War’, ‘The Mccarricks’, ‘Aaron King’, ‘Quintron and miss pussycat’ (New Orleans), ‘Zoe Konez’, ‘Trevor Moss & Hannah Lou’, ‘Billy Bones’, ‘Liz Green’, ‘More Like Trees’, and ‘Tim Hoyte’. The most striking feature of this music is the openness and intimacy that extends beyond the wonderfully crafted songs.


Bubbytone II

Amazing Life

08 Amazing Life

Dan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. 

Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.

Artist: Dan Kye (Jordan Rakei)
Label: @bradleyzero
Buy: https://www.coldcutshotwax.uk/products/dan-kye-title-small-moments

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Us on Web: www.fourheadsmusic.com/
Us on Instagram: www.instagram.com/fourheadsmusic/?hl=en

Follow FH on Insta!

PREMIERE: Dan Kye (Jordan Rakei) - Raro [Rhythm Section INTL]

THIS IS BRITSYNC

A unique collective of select independent music companies who have set about to change the face of music licensing.

A selection of UK music professionals identified a gap in the market for a forum that could act as a one-stop-shop for music supervisors looking for new repertoire.  The aim of the group is to help secure the placement of British music on US TV programmes, movies, adverts, trailers and video games.

For the first time, music supervisors from the UK and abroad are able to access one UK organisation and find the best of Britain’s independent music.

As independent music companies, BritSync is collectively able to offer thousands of artists - ranging from the colossalness that is "MRC Records" to the eerie and funky "Maya Jane Coles", the musical behemoth, "I Monster" to Former Arctic Monkeys Bassist Andy Nicholson's new project, "Sticky Blood" and many more. 

Our playlists feature an eclectic range of styles, from  electronic elements to atmospheric rhythms and almost every sub-genre, in-between! 

As a music supervisor, you'll receive a staff-curated selection of 10 of our top choice tracks, pulled together into one playlist, just for YOU!

Interested yet? Then give us a ping to hear more...

BritSync | Your Trusted Music Source

Looking To License A Track? 
Contact ☛ vanessa@britsync.com
Website ☛ https://www.britsync.com/
Twitter ☛ https://www.twitter.com/BritSync

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

08 Amazing Life

BBE Music

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