Black Cock - Juicy Sushi

JV - EditChannel XXX

We are 500 here : https://www.facebook.com/folamourmusic
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To thank you all, I decided to release a free Soulful edit of the awesome What Cha Gonna Do With My Lovin' from the talented Stephanie Mills.
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Enjoy it friends.

Stephanie Mills - What Cha Gonna Do With My Lovin' (Folamour 12' Mix)

I don't claim to own any rights to this material. Certainly no copyright intended, will remove on request.

Cajmere & Gene Farris - Candy Store

Kahn - Merc (E - Versions)

112 kbps file for preview - don't be a dunce!

Philly's home-grown edit kings https://soundcloud.com/superprince1 drop some serious brotherly love in their first outing for RNT. From the uptempo bounce of 'Strong Feeling,' to the soulful boogie of 'Down on Bitter End' and 'Start Again,' to the chilled re-cut funk of 'Up Up To The Sky,' these 4 heaters are guaranteed to find a permanent home in any record bag!

RNT019

Superprince Edits

Superprince - Strong Feeling

Thelma Houston - I Don't Know Why I Love You (Janefondas & Anemona Edit)

Taken from 'The Men In The Glass Booth'; a new compilation charting the history of the first DJs to enter the recording studio during disco's heyday. Buy or stream the album here: https://BBEmusic.lnk.to/MITGB

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.
In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...

The Men In The Glass Booth

Skip Mahoney - Janice (Don't Be So Blind To Love) (Bobby DJ Guttadaro Remix)

*Disclaimer: Please note no copyright infringement is intended and I do not own nor claim to own this song.*

Label: Digital Wax – DWADSEP 30
Format: 5 x File, WAV, EP
Country:	Greece
Released: 12 Apr 2016
Genre: Electronic
Style: Nu-Disco, House, Funk

Here Comes That Sound E.P.

Here Comes That Sound

Alien Disco Sugar - Here Comes That Sound

Special edit for the 'shelter' party. 6 hour solo set @ Club Up. Amsterdam. 22 september 2012.

Time Is The Master (Gladys Knight & The Pips Edit)

Gerd Janson's Jacque'd Toolbox

Gerd Janson and Jacques Renault, "Never Saw Never (Gerd Tool 2)"

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Skip Mahoney - Janice (Don't Be So Blind To Love) (Bobby DJ Guttadaro Remix)

BBE Music

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