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try sounddrops app! :-)
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boogie, funk, disco, garage, re-edit

Statistic

Rainbowz

Thank you for listening!

From my album "Sparkling as ever" (2017)

https://croupbeatz.bandcamp.com/album/sparkling-as-ever
https://music.apple.com/us/album/sparkling-as-ever/1193462666
https://www.amazon.com/Sparkling-as-Ever-Croupdawg/dp/B01MTAK997
https://open.spotify.com/album/7Egk1EATKJHuFQjkeDvlLN
https://www.deezer.com/en/album/15028879

Tingling

One of my favourite tracks from the 80s given the LNTG treatment. Enjoy. :-)

My Buffalo Girl [Late Nite Tuff Guy Rework]

Another New Day (Little Big Beat Studio Live Session)

Order the album via iTunes here: geni.us/20YearsHenryStreet
Incredible as it seems, this year marks twenty years since the launch of Johnny D’Mairo’s Henry Street Music label. To celebrate, BBE is marking the occasion with a sumptuous five- disc CD retrospective, a fitting tribute to one of the most important of all house labels. This is one of the most extensive grand summations yet done of a dance label.
Henry Street Music exemplified its era as much as Trax and Nu-Groove had theirs. Come the mid-‘90s, the disco cut-up became ubiquitous, as thousands tried to emulate the success of Henry Street’s first big killer, The Bucketheads’ Tha Bomb –still a dancefloor staple two decades on.
Many of the movers and shakers of the day had their best moments on Henry Street, and they’re all here: Johnnick, Armand Van Helden, DJ Duke, DJ Sneak, Dirty Harry, Davidson Ospina, Todd Terry, Mateo and Matos, Brutal Bill, Josh Wink, even the UK’s own Ashley Beedle, and many more –a veritable roll-call of the premiere-league of dance at the time, an era when dance music still seemed incredibly fertile and the link with its own past was still vital. 
Some of the American originals can struggle to get props among the countless mutations of house out there vying for attention in today’s digitalized dance scene, but the real house-heads always knew to check them, and will recognize this as quality product, through and through.

Henry Street (named after Brooklyn homeboy Johnny’s neighbourhood) always had a ‘New York’ vibe, and even when drawing its producers from further afield, the label encapsulated the city’s melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remastered tracks like it’s 1999 all over again! 

Alongside the massive dancefloor anthems from the likes of Kenny Dope and Armand Van Helden are some real gems that got away, some exclusive mixes, and the thoughts of Johnny D, one of the prime-movers of the New York dance scene even before he came up with his own label, responsible for countless hits as promotions man and as dance A&R at Atlantic. Never one for the limelight, Johnny’s own story is nonetheless inextricably bound up with the transition from disco through house to the ubiquity of dance music today. 
So... dust off those dancing shoes, and get ready to feel the heat, it’s one more time for the Henry Street Hustle!


Paul Simpson presents 1st Take Sessions - Keep Dancin'

Featuring the combined talents of Allysha Joy, Hidden Spheres AKA Tom Harris and Finn Rees the single ‘Trust the Feeling’ is the first release from the trio’s upcoming album Solina and is a track that gives us a very real insight into the Balearic House, Street Soul, Alternative RnB and Jazz influences that interweave throughout the album to create a musical landscape that speaks to the heart, spirit, body and mind with intention.

Trust the Feeling is a track that persuades us to slow down to make love, to make sense of yourself, to be in connection to others, in connection to life, an intimacy with all things, as a way of moving with closeness and in deep breath, where light touches and draws us closer.

All three artists have an amazing musical pedigree having between them worked as part of such innovative acts as 30/70 Collective, Close Encounters and on numerous collaborations with bands, artists and producers from across the globe. All have had releases on highly regarded international and independent music labels and have played and appeared on major festival line-ups including We Out Here.

Trust the Feeling is the first digital single release on BBE Music from the Joy Spheres Rees album, Solina, upcoming on vinyl and digital.

CLICCK HERE TO PURCHASE THE FULL ALBUM (VINYL / DIGITAL)  - https://orcd.co/solina

Trust The Feeling [BBE Music]

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Last Summer In Rio (Featuring Jean Paul "Bluey" Maunick of Incognito)

This one was an unexpected treat. Two of our favourite contemporary musicians, Finn Rees & Sholto coming together and collaborating on a double dose of celestial, cinematic alchemy.

At Mr Bongo we are massive admirers of drummer, musician, and producer Sholto (Oscar Robertson). His two albums on Funk Night Records and DeepMatter Records, had both been highlights of their respective years. We’d gotten to know Oscar and sent him a few records. Included in the package was Australian pianist-composer Finn Rees’ debut album, Dawn Is A Melody, which was one of our favourite releases on Mr Bongo in 2024.

In Oscar's words 'For me it was a standout modern jazz record - encapsulating a spiritual / hazy dreamy soundscape which hugely resonated with me. Glissando keys and harp with lush melodies, I was instantly intrigued.”  

The pair started following each other online and as luck would have it, Finn was staying in London for the summer season, so they arranged to meet. The pair instantly clicked and said it felt like they'd known each other for years. After 40 minutes of chatting, they started to jam. 

'Love In Memory' and 'Bluebell' were recorded over two days - a track a day in Oscar's SFJ studios. Laid down on mostly analogue equipment, the pair utilised Wurlitzer’s, mellotrons, and ribbon mics through Oscar’s ‘70s Studer desk. Composed and crafted without any real intentions, other than a shared appreciation for the same style of music and approach, the tracks started to take shape. The results were as lush, nostalgic and textured as you’d expect from these two brilliant musicians, with a classical feel inspired by artists such as Piero Piccioni, Piero Umiliani, and Henry Mancini. 

For the beautiful string arrangements, the pair recruited the talents of Sholto's long-time friend and collaborator Clementine Brown (Penguin Cafe Orchestra) and Matthew Hayes of 30/70, Allysha Joy, Xpress Point, Zeitgeist Freedom Energy Exchange fame, was brought in to play bass on 'Bluebell'.

So here we have it, a chance collaborative project built on two musicians' mutual respect for each other's outputs. The result is truly breathtaking.


Finn Rees & Sholto - Love In Memory

The rising mega talent, multi-instrumentalist, striking bandleader and *actually* ambidextrous musician and producer returns to deliver Ley Lines – a true showcase of her talents. From the horns, to the choir, to the drums, to the rest, everything was written, produced, laid down and mixed by Emma-Jean.

“I wanted to step away from my work as a band leader and do something self-contained. I love improvising in the moment with a band, but wanted to take the chance to create at my own pace and be true to my own vision,” she says.

As a producer and musician, Emma-Jean’s work defies genre boundaries yet still holds deep roots in jazz. As well as being tipped “one of the UK’s most exciting new jazz artists” by Red Bull Music Academy, the one-woman-band production style of Ley Lines has been compared to Stones-Throw heavyweight Madlib.

Just as at home working with the London Symphony Orchestra as she is tearing it down at Total Refreshment Centre, Ley Lines follows Emma-Jean’s acclaimed Walrus EP and maintains her trajectory as one of the most talented young musicians in the business.

Ley Lines EP

Red Bush

Emma-Jean Thackray - Red Bush

Download: https://horatioluna.bandcamp.com/album/cultural-warriors

We're proud to present the first listen from the third instalment for La Sape;(SAPE003) is from one of 30/70’s founding fathers. Melbourne bassist, composer and producer Horatio Luna. The left-leaning jazz musician known for boldly experimental compositions moves towards a soulful house sound on Cultural Warriors with a nod to Moodymann.

This record features the innovations of jazz-soul-bap producer/instrumentalists Nap King Cole (Silent Jay x Jace XL), Perrin Moss(Hiatus Kaiyote) and Ziggy Zeitgeist(Zeitgeist Freedom Energy Exchange) who have each, in there own right, re-created and re-invented the ideology of what it means to be a jazz musician in the modern age.

Cultural Warriors came about by accident. A chance recording of a jam session curated in conjunction with Melbourne selector Eddie Mac. Each track has Horatio Luna’s signature organic, lo-fi, loose sound characteristic to a warm personality; chopped and stretched into four grimy, soulful house jams.

From Horatio Luna: “The audio from the desk was raw, dirty and peeking but the ideas were so strong I had to use it... I’m thankful that the genius engineer was MIA most of the night, sleeping in the booth, it made for a beautiful dirty aesthetic. On the gig we took things to the future, playing for hours and just jamming out on what we were feeling... It was like a dream! Completely improvised house music. Serene Favero and Milan Ring came through, as they were out on the town, everything bumped up a level from there!”

Horatio Luna - Bass Guitar/Programming
Ziggy Zeitgeist - Drums
Nap King Cole - Keyboards
Perrin Moss - Percussion
Syrene Favero - Vocals

Produced at the Mandarin Dreams Studio
Releases May 11th 2018

Horatio Luna would like to thank Nap King Cole and Perrin Moss for their continued guidance, compassion, inspiration and creative integrity. As well as, Ziggy Zeitgeist and Thhomas for believing in the music, believing in me and having my back.

Horatio Luna - Work It Out (Cultural Warriors 12" - SAPE003)

A singular sax note like Bill Withers singing "lovely daaaaaaaaaaaay".  The 10th and final track on 'It Rains Here' the debut album from @yadavasoflute on @churchuk.

Read more & buy: http://www.stampthewax.com/2018/06/15/premiere-yadava-morning-pt-2-extended-mix/

Yadava - Morning Pt.2 (Extended Edit) (STW Premiere)

The Isoul8 Edit of Broken Vibes. He put some nice finishing touches on the OG to create this edit. I consider this to be the Final Version of Broken Vibes. Thanks Homie.

Taylor on Twitter: https://twitter.com/TaylorMcFerrin
Taylor on Facebook: https://www.facebook.com/pages/Taylor-McFerrin/9087746963
Taylor on Spotify: http://open.spotify.com/artist/0yLmsf6RBPYqm6hvFJCPg6
Taylor on iTunes: https://itunes.apple.com/artist/taylor-mcferrin/id26149051

Broken Vibes [Isoul8 Edit]

Won't Get Better

02. Scrimshire - Won't Get Better feat. Emma-Jean Thackray

East Coast Collective

Sound Drops iOS APP
✨♬? hyperurl.co/ui3hjq

Sound Drops is a FREE music player app that enables you to play fantastic brand-new worldwide published music to suite any mood or occasion.
You can enjoy the carefully selected tunes played randomly by genre that are customized to suite your life-style and situation.

・All the tunes and playlists are naturally selected by humans.

・The contents are optimized for a variety of scenes, e.g. BGM at Bars and Restaurants, Home Party, Dinner at Home or Bedtime Relaxation etc., as you require.

・By tapping the icon, e.g. 'Drink', 'Dinner', you can choose your genre of music e.g. 'Chill Out', 'Nu Jazz', 'Soul', 'Funk', 'AOR', etc.

・The carefully selected brand-new tunes are added everyday.

・By adding the tunes you like into your 'Favourite list', you can create your own personalized playlist.

Thank you!

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Paul Simpson presents 1st Take Sessions - Keep Dancin'

BBE Music

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