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RNT and Lovebirds, together at last, with a 12 Inch EP that oozes summer (it's summer somewhere right?) from every groove! On the A side, the familiar erotic boogie grooves of 'Funk So Pretty' tickle you in the purple place. On the flip, 'Free' sculpts an overlooked 80s jazz pop tune into a shimmering shuffling world beat masterpiece, and then we get down n dirty once again with Donwanchooback. Cop it and rock it. As ever it's pressed on 180 G vinyl and hand stamped label.



Lovebirds - Funk So Pretty

[HB010] - Get On Down EP (Juno Exclusive)

Buy on Juno

The Funk District - I'm Gonna Get You Baby [HB010]

[Masterworks Music] Looks like Love [low quality]

Having carved out a place in the contemporary club scene with releases on Glitterbox/Defected, Boogie Angst & Lovemonk Records amongst others, Madrid’s Casbah 73 recently shed his skin and is now ready to introduce The Jade, a live ensemble that prioritises emotion, excitement and the art of the song. Led by Oli Stewart (Casbah 73), the project brings together a remarkable group of players. At its core, this is about people: musicians in dialogue, shaping rhythms and melody, singing songs from the heart, that shared pulse based on a timeless musical vocabulary.

Opening with the exuberant ‘Let The Light In’, this is sizzling hi-jazz and sunny soul, shot through with a dose of funky afro-latin rhythms for good measure. Josh Hoyer leads the charge, delivering a powerhouse vocal performance, while Nia Martin and Deborah Ayo bring that gospel glow. As, indeed, they continue to do so throughout, especially on the deep, soulful standout ‘When Love Left’ or the shimmering, street soul meets brit-funk feel of ‘Change!’ Experience the spontaneity and playful nature of tracks like ‘Si No Me Quieres Esperar’ (with Cuban maestro Ale Gutiérrez on vocals) infused with funky latin and Brazilian rhythms, as well as sparkling, alien disco dub in the form of ‘Space Lines’. There’s no-holds, hands-in-the-air, fluid disco club grooves on ‘What It Takes’ and driving, riotous, soul-jazz grooves on ‘Being Seen’. Just when you think you’ve got it figured out, the band change it up and stretch out with beautiful jazz-funk instrumentals like ‘At The Queensboro’ or lush sonic gem ‘On That Strange’, a track that feels like a long, blissful afternoon fading into evening, with things left unspoken in the air and mystery in its kinky grooves.

The Jade’s sound is post-pout, studs up, raw soul, free from modern dancefloor tyranny. It’s intimate disco, dead-selfie freedom, afro-latin jazz-dance and Iberican funk all rolled into one, rooted in emotion and shot through with a healthy dose of funky bad ass groovism. Genres that blend and bleed into each other following one simple idea: songs and the expressive power of live instrumentation.

Comin’ atcha from behind the Iberican Curtain (Madrid!) and spearheading the resistance, you’ll find Chavi Ontoria on keys and David Salvador on bass, forming the rhythmic foundation. They’re joined by the rousing horns of Josué García and Dani Herrera, and the vibrant voices of Deborah Ayo and Nia Martin. All the way from Montevideo, guitarist Nico Ibarburu weaves his spell-binding grooves, while top-notch artists such as Josh Hoyer, Angela Gooding, Ale Gutiérrez, jazz trumpet player Malcolm Strachan and others broaden and enrich the project’s emotional and musical range. 
credits
released June 20, 2025

Composer, arranger, lyricist, all music: Oliver Stewart
Horns: Josué García Duque, Dani Herrera
Backing vocals: Deborah Ayo, Nia Martin
Electric & acoustic guitar: Nico Ibarburu
Bass: David Salvador
Rhodes, piano, Moog: Chavi Ontoria

with

Josh Hoyer: vocals on 1, 8
Juan Guillermo Aguilar Bayer: percussion on 1
Angela Gooden: vocals on 2, 11
Profeus: guitar on 2
Eugenio Nardelli: drums on 2
Grell Hidalgo: bass on 2
Andrii Popov: guitar on 3
Tien: vocals on 4
Malcolm Strachan: flugelhorn on 6
Francesco Coppola Bove: drums on 6, 9
Ale Batanga: vocals on 10
Leo Oliveira : drums on 10
Iván Ruiz López : congas on 11
José “Jas” Álvarez: string arrangement on 11
Mad4Strings : strings on 11

Mixing & mastering engineer: Damián Schwartz 

Grab LP here!

Being Seen

GET YOUR COPY HERE: https://www.traxsource.com/track/3214603/fabulous-boogie

** LISTEN TO AND ADD TO YOUR SPOTIFY PLAYLIST HERE: https://open.spotify.com/track/5BABWWp4HEP4WmQWcSy0UH
 
// AMOUR

BUY HERE

Ziggy Phunk - Fabulous Boogie  [GOOD FOR YOU RECORDS]

Da Chick "Chick-A-Boom" (Pete Herbert Piano Dub)

Buy / Stream: https://bbemusic.lnk.to/Yesking
Three years on from the release of Rhys Adams aka YesKing's 'Re-Record… Not Fade Away', we are delighted to live up to the album's title by presenting two previously unheard remixes of standout tracks 'Hardground' and 'Overproof'.
Featuring heart-stopping vocals by Mel Uye-Parker & Rioghnach Connolly, 'Hardground' was the album's lead single and it's easy to see why. Bittersweet, understated atmospheres call to mind vintage Massive Attack and Portishead, while Rhys's deft arrangement builds the track into a horn and drum-laden epic. Providing a vintage version in their own unique style, legends in their own bath-time Crazy P are first up on remix duties. Surely one of the best live acts on the planet right now, the UK outfit's rework is full of funky guitar licks, classic piano chords and live percussion, creating a disco-crossover anthem of sizeable proportions. Staying in the disco/house arena, engineer and producer O. De Lanzac turns in a silky-smooth version, with eerie chords underpinned by a rock-solid bassline, calling to mind the eclectic, soulful brilliance of her 2012 BBE debut ‘Uncut’. 
Displaying an affectionate tip-of-the-hat to 'Ghost Town' by The Specials, 'Overproof' is surely one of the best loved and most-played cuts on 'Re-Record… Not Fade Away'. DJ and edit maestro Sam Redmore raises the tempo a little whist somehow smoothing the track out at the same time, retaining the blissful dubbed-out vibe of the original version. Listen to Sam's subtle retouch of 'Overproof' and it's clear to see why the Birmingham native can count Craig Charles and Gilles Peterson among his ever-growing number of fans.

Re-Record... Not Fade Away

Yesking - Hardground (Crazy P Remix)

Osmose and @thoma-cher present 4 disco house jams that will work the floor from Hotlanta to Shanghai. Each song arranged for peak hour vibes! 

VINYL Here: http://www.juno.co.uk/products/osmose-thoma-cher-far-east/649312-01/

Buy The Vinyl

PREMIERE: Thoma Cher - All You Need

Repress of LUV001 available as of now! See buy link

Make Me Feel So Good (LUV001) - Repress available!

Purchase on Bandcamp

Funk Purpose Vol. 1 _ 03. Will Hofbauer - Work It

https://www.juno.co.uk/products/thoma-cher-holiday-holiday/760071-01/
JUNO RECORDS REVIEW: 
"Super smooth groove-smiths Whiskey Disco have distilled another disco bomb here. Thoma Cher is the supplier of the good times via, firstly, the pure party gem that is "Holiday Holiday", on an EP that marks Cher's first solo outing on this label. "Dancer" is an uplifting track with a warped bassline that wraps itself round the sliding hi hats and loose drums as boogie synths add colour. "Be My Love" is an instantly recognisable gem with a fat bassline slowed to a sensuous pace overloaded with breathy vocals. Great stuff."

Holiday Holiday

Be My Love

Join the BBE Mailing List: http://eepurl.com/yfBFX

Founded in 1996 by Peter Adarkwah, Barely Breaking Even (BBE Music) started life as a London club night, taking its name from the eponymous Disco record by the Universal Robot Band.

The label grew from the vibrant early 90's club scene with its first release, Stop & Listen compiled by Dr Bob Jones in 1996, opening the door to iconic series' such as All Back To Mine & Late Nite Tales.

A tonne of releases followed, ranging from Disco to Funk, Jazz to House. In the year 2000, the label celebrated Masters at Work's 10th Anniversary with a mighty box set that featured near 80 tracks.

A year later BBE Music spawned the Beat Generation Series of artist albums, notably introducing J Dilla (Welcome 2 Detroit) & a young Will.I.Am's first solo outing, alongside DJ Jazzy Jeff, Madlib & DJ Spinna, all of whom contributed to this seminal set of long players.

A quarter of a century and well over 500 titles later, having worked with Mark Ronson, Roy Ayers, Questlove, Hugh Masekela, DJ Premier, Dimitri from Paris, Joey Negro, Kon, RZA, Laurent Garnier, Black Coffee, DJ Shadow, David Rodigan and John Morales among many others, BBE Music looks to the future, celebrating its rich heritage while continuing to release a bounty of fresh titles.

The label’s most recent projects include an expansive reissue series from pioneering Nigerian label Tabansi, new imprint ‘Batakari’ in association with Boddhi Satva and the critically acclaimed ‘J Jazz’ Japanese Jazz multi-album project, not to mention the recent landmark 500th label release: a brand new version of 'Barely Breaking Even', featuring Leroy Burgess, Patrick Adams and Louie Vega.

In 2021 BBE Music is celebrating its 25th anniversary. To mark this milestone, the label is offering up some special projects, from the 20th Anniversary edition of J Dilla’s ‘Welcome 2 Detroit’, through David Bowie tribute album ‘Modern Love’, to a special new ‘Worldwide’ compilation from old friend Gilles Peterson. BBE Music will also be looking to the future with more exciting original artist projects, plus merch collaborations events and more...

Yesking - Hardground (Crazy P Remix)

BBE Music

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