Very nice! I love the interlacing of voices and instruments!

The Rough Guide To Drone Ambient

REINCARNATION BOOTH No.1

Musica Nuvolosa

Horse Sings from Cloud

enough: https://rroo.bandcamp.com/album/enough

outsun

Music by :
Jules Decrauzat
Loris Pirrello

Lyrics / Vocals :
Juliette Cuenoud

Landing

2023 - 02 - 03(2)

Sean McCann - Ten Impressions for Piano & Strings
Edition of 300 LP / Digital Download

Worldwide: Jan 16, 2015
US: Jan 20, 2015

Realized over a four year period, Sean McCann’s Ten Impressions for Piano & Springs is a document of transition and maturation. Slow moving cloud forms over corporeal landscapes, these impressions whisper of McCann’s imminent & decisive lean towards classical & avant-garde musics, culminating in 2013’s Music for Private Ensemble on his own imprint, Recital. Less a final statement on ambient music, more a meditation on change, discovery and process.

rootstrata.com/release/RS97

Sean McCann - Guardian

Displaced - Dirty Beaches

The eponymous album from Vox Moduli is an 85-minute kosmische voyage where vintage organ-driven soundscapes meet the experimental edge of modern modular synthesis. The debut project from New York duo Tom Derwent (Vox Continental organ) and Noah Davis (modular synth) was captured live to tape over several freeform sessions in the summer of 2025.

Released in collaboration between Noble Circuit and Lost Treasures of the Underworld Records, the album is available as a numbered limited edition cassette run of 25 copies, hand-dubbed with hand screen-printed O-cards and labels.

Ltd Ed Cassette

Silentium est Aureum

Ekin Fil continues her quietly complex dream-pop oeuvre on Maps. For many years now, this Istanbul musician has been writing mysterious and haunting songs, rich in heavy-reverb effects and an introspective torpor. With each successive album, her songwriting has blossomed through broader instrumentation and more intricate melodic phrasing, though the somber atmospherics and ghostly manifestations remain a judicious constant. Minor-key, tear-stained notes of piano, organ, and guitar veer along elliptical orbits as a soft-whisper lilt of Ekin’s voice narrates more by emotive decree than by literary couplet. 

Maps addresses the distance and dislocation of the self from the bustling center of Istanbul, where Ekin FIl (neé Ekin Üzeltüzenci) had once called her home. Having spent her first winter on a relatively quiet island in the Sea of Marmara (while still in the greater metropolitan umbrella of Istanbul), Maps  is “lonely, different, kind of isolated,” according to Ekin, who also noted that the island had “too much silence around. There is no other choice but to concentrate, I guess.” Her poetics of silence on her previous recordings had been noted as an antidote or a dream capsule of sound in response to Istanbul’s cauldron of politics, culture, and philosophy that has been boiling almost since the beginning of civilization. Maps bends that maritime silence into wind-swept smudges that complement her already spacious compositions.  

The saddest songs of The Durutti Column excised of rhythm and those few plunges into sorrow by Harold Budd make for apt comparisons to Maps, in addition to the drone-on classics of Grouper, Slowdive, and Sarah Davachi.

Maps

Ekin Fil // Nocturnal Arc

momang

"Black-east from the crow" - cold, dry east wind (Galloway) / stone shed (West Cornwall)

Music by Bethan Kellough
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Bethan Kellough - Black-east from the Crow

Mechanosphere

Drift Through

Dragging a Dead Deer Up a Hill

Disengaged

A track from the album Progressions out 09/22/20 on Constellation Tatsu.

Anthéne and Andrew Tasselmyer - Progressions, Pt 1 (Reprise)

92982

92982.3

Currently living in Los Angeles
Music Writer and maker, synth + electro ☁️🖤🎹
write for shook down: http://www.shookdown.es/

painting by me in bio

EP out soon

Displaced - Dirty Beaches

DJ FOXXY

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