Rock and Multi genre  Winter 21

A STRANGER’S EYES


Her eyes are calling
tonight’s the day
gonna spread her wings
come what may.
Making plans
that seem so high
loving strangers
just to get by.

A stranger’s eyes
a stranger’s eyes
are calling you
calling you.
A stranger’s eyes 
are calling you
calling you.

Words with promises
of things to come
the past behind you
no need to run.
Walls of steel
and fields of stone
hide my vision
keep us all alone.

A stranger’s eyes
a stranger’s eyes
are calling you 
calling you.
A stranger’s eyes 
are calling you
calling you.

The passing stars
free the chains
ashes of dreams
remove all pain.
Video-flash backs
from the past
the man on the tube
says the die is cast.

A stranger’s eyes
a stranger’s eyes
are calling you
calling you 
calling you
calling you.


A Stranger's Eyes

Video;
https://youtu.be/dVTVR1MrYvc

Made in #Ableton (December 2023)

Genres;
#Electronic
#Experimental
#Pop
#Rock

Warm Spaces

Chants Métallurgiques (metallurgical songs)

Gently Float While Sipping Invisible Tea

Folk number from way back merging a few concepts... Lammas is an August harvest festival and Martinmas a November cattle-slaughtering and salting-down for winter one. Plough Monday celebrates the burying of a corn 'dolly' made from the last harvest sheaf to 'embody' the corn spirit and provide a winter refuge prior to its summer rebirth. Kine is an old word for cattle. How in touch with the land were rural folk from centuries past, and how disconnected we seem today in our little plastic techno-bubbles.🙄My lyrics, Mr. L's music/vocals. Copyright 2008 Jay Rich and Mr. L. Lyrics below:

                John Barleycorn

V1:

Hail old John Barleycorn
Your once ripe earth is so forlorn
With weeds instead of grain it's overgrown
From its trials it seems so worn:
Planted seeds as yet unborn
Lie dormant in the soil in which they're sown

V2:

Come summer, crops stand tall and strong
With you to urge their growth along
So Lammas brings in rich and heavy yields
Reapers sing Thanksgiving songs
Nights are short and days are long
The harvest moon shines bright upon your fields

Ch1:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

V3:

Lush pastures flush with feeding kine
And Mother Nature marking time:
Her rhythms and her cycles so well known
To you a reader of the signs
Knowing what she has in mind:
Horn of plenty for the harvest home

*****Break*****

V4:

Plough Monday's corn doll offering:
A ploy to ward off suffering
Tombed in the first furrow of the year
With Martinmas comes slaughtering
Of fattened stock now herded in
Feeling nature's bounty will bide near

V5:

As seasons pass embrace your fate
Of lyring low and enforced wait
Retirement though won't suit John Barleycorn
You'll do no more than hibernate
Your reappearance never late
Your spirit will return to be reborn

Ch2:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Ch3:

Hail old John Barleycorn
Arise and be reborn
John Barleycorn arise and be reborn

Outro:

John Barleycorn arise and be reborn
John Barleycorn arise and be reborn



John Barleycorn (Mr. L music/vocals)

First track from our new EP "Time Zones" now available on Engram Recordings: https://engramrecordings.bandcamp.com/album/time-zones
Premier morceau de notre nouvel EP "Time Zones" disponible dès maintenant sur Engram Recordings : https://engramrecordings.bandcamp.com/album/time-zones

Time Zones

1984 Cherche Soleil

Originally released in 2019. Taken from the album Sonic Psalms.

Sonic Psalms

One Heart

O escuro na luz

the genius of ms fraser

Song by Robert Burns
Vocals and Instrumentals by Layna Claunch

My love is like a red, red rose
   That’s newly sprung in June
My love is like a melody
   That’s sweetly played in tune.

As fair art thou, my bonnie lad
   So deep in love am I
And I will love thee still, my dear
   Till all the seas gang dry

Till all the seas gang dry, my love
   And the rocks melt with the sun
I will love thee still, my dear
   While the sands of life shall run

But fare thee well, my only love
   But fare thee well awhile
And I will come again, my love
   Though t'were ten thousand mile

My Love Is Like A Red, Red Rose

Pour Autant Ft - Ziaziou

SORRY FOR THE INCONVENIENCE

ORSON'S PLAY (The World Will End On Tuesday)

Moonstone:
Produced and engineered: Phil Bowen 
Lyrics: Phil Bowen
Music: Phil Bowen
Guitar and bass: Phil Bowen
Keyboards: Phil Bowen

Time

Moonstone

Part 22 of 266
Installments released every Saturday.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

Just released on Bandcamp, the first album (Vol. 1 of 18) The first 15 parts are found on this album: https://belialpelegrim.bandcamp.com/album/taffeta-vol-1

Part 1: https://soundcloud.com/belial-pelegrim/taffeta-part1
Part 2: https://soundcloud.com/belial-pelegrim/taffeta-part2
Part 3: https://soundcloud.com/belial-pelegrim/taffeta-part-3
Part 4: https://soundcloud.com/belial-pelegrim/taffeta-part-4
Part 5: https://soundcloud.com/belial-pelegrim/taffeta-part-5
Part 6: https://soundcloud.com/belial-pelegrim/taffeta-part-6
Part 7: https://soundcloud.com/belial-pelegrim/taffeta-part-7
Part 8: https://soundcloud.com/belial-pelegrim/taffeta-part-8
Part 9: https://soundcloud.com/belial-pelegrim/taffeta-part-9
Part 10: https://soundcloud.com/belial-pelegrim/taffeta-part-10
Part 11: https://soundcloud.com/belial-pelegrim/taffeta-part-11
Part 12: https://soundcloud.com/belial-pelegrim/taffeta-part-12
Part 13: https://soundcloud.com/belial-pelegrim/taffeta-part-13
Part 14: https://soundcloud.com/belial-pelegrim/taffeta-part-14
Part 15: https://soundcloud.com/belial-pelegrim/taffeta-part-15
Part 16: https://soundcloud.com/belial-pelegrim/taffeta-part-16
Part 17: https://soundcloud.com/belial-pelegrim/taffeta-part-17
Part 18: https://soundcloud.com/belial-pelegrim/taffeta-part-18
Part 19: https://soundcloud.com/belial-pelegrim/taffeta-part-19
Part 20: https://soundcloud.com/belial-pelegrim/taffeta-part-20
Part 21: https://soundcloud.com/belial-pelegrim/taffeta-part-21

The TAFFETA Playlist: soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | Part 22

Cheap Lighter

We all are on a musical Journey together
 my repost page: Dark Queen Support, sc link below cheers!! and thank you for listening!!! 

https://www.facebook.com/gwmusic20
https://www.iheart.com/artist/gina-wood-and-other-34050102/?autoplay=true
https://music.amazon.com/artists/B07YBX47S5/gina-wood
https://www.youtube.com/channel/UCwbAHOs4zLXfd-IdR0UNeZg
https://music.apple.com/us/artist/gina-wood/1481317527
http://ginawood.bandcamp.com/album/one-more-day
My Collaborations:
Lukowig
Amanda Sanderson 
Andy Bushell
Josef Umo
Stina of Darkness
The 3 M Group
The Gat(s)
Shin*semia
wypernet
The Boilerman
ANNO of UNsoundmind
XITB
Other
UNGUIDED EXPRESS
Franck Douvin /Composer
Tulipe Records
Shin*semia
Idematoa
my music page below
https://www.facebook.com/gwmusic20

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, am Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments, a Roland MC-505,
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Cheap Lighter

BBright Official

Recent comments

N.o.b.S.

shin*semia

Gina Wood

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