This is awesome! you two should make some more music.

excellent ! great sounds and amazing vocals... a hit!!

Beautiful sounding music and vocals Dear Wolfgang XOXOXO

Collab Track with my friend Jeneen Terrana.

Instrumental: BBright (Wolfgang Schwarz)
Lyrics, vocals: Jeneen Terrana

Mix and master: Mr. Cobra (Christoph Seipel)

Jeneen Terrana and BBright x Somewhere In Time

Paroles (this song was made en 2022):
Lorsque cette crise de la Corona sera terminée, lorsque cette pandémie sera terminée, l'humanité prendra-t-elle en compte les leçons apprises et conservera-t-elle les conséquences positives des mesures de sécurité ?
L'humanité prendra-t-elle en compte les leçons apprises et conservera-t-elle les conséquences positives des mesures de sécurité ?

Il semble que le virus ait ralenti notre monde qui devenait fou.
La Terre respire mieux et les animaux ont été préservés.

Tant d'êtres humains sont morts, c'est triste, mais qu'en sera-t-il des vivants ?

VENONS UN TEMPS NOUVEAU, VENONS UNE VIE NOUVELLE, UN MONDE NOUVEAU, POUR TOUS.

VENONS UN TEMPS NOUVEAU, VENONS UNE VIE NOUVELLE POUR LA TERRE ET LA NATURE...

La crise économique n'est pas une réponse
Les banques nationales peuvent faire plus d'argent pour l'éviter

Maintenant que toutes les nations, tous les pauvres et tous les riches sont dans le même bateau
& que même les chefs de gouvernement qui étaient sur leur tour d'ivoire
connaissent aussi la lutte pour la survie

Il ne devrait plus y avoir d'inégalités, plus de misère,
en réalité, il devrait y en avoir assez pour tous

Venons-en à une NOUVELLE HEURE, venons-en à une NOUVELLE VIE, un NOUVEAU MONDE, POUR TOUS.

VENONS UN TEMPS NOUVEAU, UNE VIE NOUVELLE, POUR LA TERRE ET LA NATURE...

Nous espérons qu'il y aura encore moins de pollution, moins de déchets, moins de stress
Nous espérons qu'il n'y aura plus de guerres, plus de solidarité et de paix partout.
Nous espérons que l'humanité restera sur la bonne voie, comme elle devrait l'être...

Venons-en à une NOUVELLE HEURE, à une NOUVELLE VIE POUR TOUS.

By Cecilia Special

CLIP YOU TUBE
https://youtu.be/Wgeh41nqG_o?feature=shared

New Time New Life BY Zitou Itou & Cecilia Special [2022]

THE BOY - YOUR FLOWER IS IN THE MAGICAL WORLD👸
Out Now on Everywhere
Link in Bio

Do you like human music?
This is full of humanity, something you don't find in modern pop music. I made this song remembering my feelings from my childhood. And I want to prove that the old-fashioned band sound can still be used as pop music. To move your heart is my biggest goal. Please press the play button.

YOUR FLOWER IS IN THE MAGICAL WORLD

Grateful if you could visit my video:
https://youtu.be/E8hQlSgudDc?si=xsLGAJbQO_ibci6Q

My latest is a tune based around a couple of acoustic guitar parts. Hope you enjoy, and thanks for listening :)

Lyrics:
Another year, another bad debt
Snow is on the ground
Follow a trail of broken promise
Lost and never found
Its hard to know
When things go wrong 
And  word is on the street
The last to know 
And the only one 
To leave 

Even though we’ve been full circle
The ice is something new 
And tonight it’s unfamiliar
A place I thought I knew
I feel the dark 
And taste the cold
There’s nothing  here to see
The last to know 
The only one 
To leave 

Waking up too early
A bright light in my eyes
The clues were all around us
Thrown away with all the lies


In the morning I come looking
Somewhere in the snow
I know the footprints will be buried 
No where else to go
The wind gets up
The ghost has gone 
No hope of a reprieve
The last to know 
And The only one 
To leave

The Last To Know

method: many instruments, many modulations and distortions, all over the place and insisting on intensity
narration: this is not supposed to be a 'beautiful' track:  although much dismayed, you sometimes need lofi skillsets, esp when the skin has worn thin; of course LOFI is also an anagram of FOIL  - those two go together (although this voice is single and as detached as distorted by proximity, it responds to extremely varied circumstance)
image: copyright jo richter

poem / copyright jo richter:

listening in
to devices conversing
sound's crocodile skin
revealing, reversing

voynich values
crosschannels bleed
blowing the fuse
as valves overheat

lofi skillset

I see him each morning, hair askew, face needing to be mowed with an electric razor, a face wrinkled and weathered by experience and decisions good and bad.  None the less, I am thankful he is looking back at me; I'm still alive and thankful to have another day.  
Peter's poetic meditation begins like a prayer and becomes deeply introspective into how life has changed the man looking back at him.  His initial inspiration was Arvo Part's "Spiegel im Spiegel" but for this reflective journey, he asked pianist Debra Buesking to accompany him which she does  with great feeling and eloquence.  I come into the picture as the one invited to bring them together for a memorable moment, a great honor and a labor of love for two of my favorite Soundcloud artists.  More of Peter's thoughtful music and spoken word can be found @https://soundcloud.com/user-264930040/tracks, and more of Debbie's beautiful playing can be found @debra_buesking.

Some Words for Mr. Part:

Dear God, just look at the state of you - what the hell happened?
Did time do that all by itself?
Chiselled and scraped with gentle, temporal strength?
Yesterdays now patterned well with telling tales of wear and tear.
Always took such good care that you ticked every health kick box
But all the ticks collect their tocks, bundling up the time we thought was
dangling spare.
And wrinkly skin comes out to play, crafting plots with crumpled neurons
badly frayed, and
Liver spots about the edges worn of happy recollections,
Waltzed away, invisible to the swinging of that penduled clock.
Take your eyes off it for just a minute and you’ve lost a day,
And then a decade’s worth of wry reflections,
Lovingly to fold them up and let them lie in memory’s pocket.
Those lines that contour of your brow, a biography of creases now
And all cut down so very deep.
Each epidermal void crevasse life’s stylus tracks a scratching past
Evinces of a record no mortal hard re-format could delete.
And of your eyes, sallow yellowed at the margins, framed by corvid feet
Rigid-set to well outlast whatever bargained span of life your good Lord
deems replete.
As if your face lampoons of age itself, wrecked and bent
Of scars that trace minutiae, carved in master sculptors’ stone
And none too soon, for just that task and that alone, recording compressed
of the past..
We both know well which ones are smiles and which the pain that heaven
sent,
The former few, soft of the flesh, the many others sunk unto the very bone,
The harshest welt of any sole upon the universal cobbler’s last.
But does it help to so reflect, or but to hurry time’s neglect?
Of such consideration circles wrapped in worry tearing down
All edifice of self respect, the towering pit of pity comes once more to town,
Parades a circus fine of talents, self deprecating jestered clowns
And galloping horses all the while stampede about the rounded ropes
Vespered peace forever sought, just out of reach, concedes of futile, now
confounded hopes.
So what of forward self projection, folding the creases back behind
And out of sight to speculation on future solaced peace of mind?
Perhaps again the crashing wall of fast reality, solid bricked
Determines upward focus but to fall, as if to gravity’s grounded truth
Tricked of consequential solitude, rimed of age, aching of the aged sick
No respite there nor rectitude as once you found in torrid youth.
But perhaps I’m speaking out of turn and out of place,
For though your memories sear and burn as if to carbonise some
worthwhile trace of validity
On that unholy visage lit by lives lived long before….
It matters not and changes nought, not a jot nor yet a thought
For you and I know better than to seek a settled score from comment fair
After all, you are I, staring back at me from the mirror mounted there.

Inspired By Mr. Pärt's "Spiegels" (Peter, Debra Buesking, David; final production)

Cast of characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and foundational rhythm guitar

Llanpsych– @llanpsych –Tez–electric guitar, composition, mix, and production

TexMex Shaman– @texmex-shaman –Stephen– acoustic guitar

J.J. Terrell– @j-j-terrell – organ and electric piano

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass 

Mistermark --  @user-432503709 — Mark — production engineering

This song began its life all the way over in on the other side of the pond, where our frequent collaborator, Artur wrote it on his electric guitar. Being a fan of surf music, he composed this awesome piece with The Eclectic Collective in mind. He shared it with the group through Tez, who was first to respond to Artur's guitar with his own, creating a psychedelic base of sound for the rest of us to add to. 

  Ken was up next, laying down his always exciting drums and percussion. Josh, of course, followed straight behind him, now that he had a beat to play to. JJ came soon after, laying in his ethereal organ and dancing electric piano. Last, but not least, Stephen laid in a really trippy acoustic arpeggio based acoustic guitar part to kick it to the next level.

  Of course, every great song needs a great producer. But before we even started the song beyond what Artur and Tez laid down at the beginning, Mark deftly separated Artur's basic beat from the music. Amazing what technology can do these days! For rest of the production, we tapped the very talented Tez to do the honors, which he did perfectly.

  This song marks about half a dozen we've done with Artur. We're all big fans of his unique surf rock sound, and jump at the chance to collaborate with him. If you like what we've done here, you should check out his page, as it's loaded with gems in the same strain. We hope you enjoy listening to this as much as we enjoyed creating it.


Flow of Life - (Eclectic Collective with Artur(Surfers Like Us))

Howling Wolf  KILLING FLOOR eddyoffline N Junez wave Bombastic.wav

Elo à tous, 
Voici ma toute nouvelle composition et création pour piano.
J'interprète au piano "ReBelle".
Ecrit en octobre 2024 et enregistré le 8 novembre 2024.
N'hésitez pas à écouter au casque.
Bonne écoute.
Voici le lien YouTube pour vous abonnez si vous appréciez mon travail. 
Hello to all, 
Here is my brand new composition and creation for piano.
I perform “ReBelle” on the piano.
Written in October 2024 and recorded on November 8, 2024.
Feel free to listen on headphones.
Good listening.
Here is the YouTube link to subscribe if you like my work

https://youtu.be/mECd-4SE-2U

ReBelle – Original emotional Piano

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Fender Rhodes Electric Piano solo. Fender Electric Bass. Roland Synthesizer Bass. Gibson L5 Electric Guitar Rhythm. Fender Rhodes Electric Piano Rhythm. Drums Full kit set. Percussion Ago go bells. Zildjian 22" ride & Crash Cymbals.

Cannery Row

Flavoreno

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, an Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments.
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Jeneen Terrana and BBright x Somewhere In Time

BBright Official

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