gerne und tut mir leid, das ich gehen musste..

love the sinister undertones.   dark. edgy. like depeche mode.   great work here!

Auch gut, wenn ich auch wieder mehr in Richtung Tanz und EDM...

Mixed for Jayoo

Mandy's voice gave me inspiration for a small contemplation of a possible world that was once the reality of man. Mystery, divination and a belief in the forces of nature. Happy Easter to you all! ;)

Seagull & Mandy Jones - Druids Night

Astra

Abandoned, In Decay Part 1

This Very Moment

[AFRICAN MUSICAL INSTRUMENTS HUGH TRACEY KARIMBA] LAMELÓFONO compuesto por quince láminas de acero elástico fijadas mediante un puente de este mismo metal a una caja de resonancia de madera de árbol africano(mukwa, mubmavaropa, kiaat)con afinación europea u occidental (sistema de Pitágoras, temperamento igual, escala cromática) en TONALIDAD LA MAYOR que mantiene en el tiempo una progresión de acordes con variaciones armónicas, melódicas y rítmicas interpretada por accionamiento manual de forma ACÚSTICA y captando además el sonido y vibración a través de un MICRÓFONO DE CONTACTO interno aderido a la tapa superior que es conectado a un pedal [MXR DUNLOP ELECTRONICS] ECHOPLEX DIGITAL DELAY para ser enviado a unos MONITORES de campo cercano activos y biamplificados ESTÉREO [TASCAM VL-X5] y a su vez recogido todo ello junto al SONIDO AMBIENTE por dos MICRÓFONOS de CONDENSADOR en configuración A-B ESTÉREO AMPLIO en un grabador multipista digital portatil [TASCAM DR-40] con una FRECUENCIA de MUESTREO de 96KHZ y RESOLUCIÓN 24bits.

La karimba echoplexada '

Danse danse la danse des denses
Molles bites et chatonnes
Désengagées
À vos dragées
Question Molière :
« Est-ce que c'est la panse
Qui mène la danse
Je répète est-ce
La France est en trance?

Danse danse la danse des denses
En points de démérite
Triangulation cométaire
Backchiche parlemantaire
Un braquage de perruques
Sodomie et trouducs
Danse danse la danse des denses

Terroristes de clarté
Casanovas déglingués
Molles bites
Et chatonnes désengagées
À vos godes
Question Voltaire :
« La guerre
C'est la routine
Il faut cultiver
Notre jardin
Intérieur
Antérieur
C'est le jardin
Ou la guerre
Qui l'a dans les miches? »

Danse danse la danse des denses
Puais ce sont des questions bitch
Danse danse la danse des denses

I AM THE STORM

Watch the video on YouTube: https://youtu.be/K1lHTL53OKk

For this piece I wanted to create a mix of real orchestral instruments and synthetic granular-based instruments.
The real instruments are the stars of the show with the granular sounds acting in support.
The main melodic elements come from the natural woodwinds, cello, brass and string ensembles.
The granular violins, first appearing between 0:10 and 0:20, and the granular harmonica, first appearing around 0:28, add a very interesting texture to the sound.
I used a Steinway Piano sample as a base for my "Granular Metallic" patch. It plays in the low bass register with an interesting metallic character.
The Bechstein piano plays chords through an ambient Valhalla Supermassive preset that turns it into a lovely pad. It is featured around 2:35 in the track.

Patch information:

Woodwinds: Cinesamples Cinesymphony LITE
Cello: Cinesamples Tina Guo Legato Cello + Valhalla Delay
Strings: Cinesamples Cinesymphony LITE
Brass: Cinesamples Cinesymphony LITE
Percussion: Cinesamples Cinesymphony LITE
Granular Violins: Cinesamples Soundscapes custom patch using internal sample
Granular Harmonica: Cinesamples Soundscapes custom patch using a sample from my Harmonica
Granular Metallic: Cinesamples Soundscapes custom patch using a Steinway D sample (C1 with sustain pedal)
Piano Pad: Pianoteq 6 Bechstein + Valhalla Supermassive "Happy Little Clouds"
Reverb: Valhalla Vintage Verb 1970 Hall on most tracks

Massimo Fasciano

Listen on Spotify

Ursae Majoris

Untitled

Mirage

Big Thanks for <span>Photo by <a href="https://unsplash.com/@infectedluna?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText">Asdrubal luna</a> on <a href="https://unsplash.com/s/photos/hip-hop?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText">Unsplash</a></span>

Buy Cloud Beat

Cloud Beat

Musik: Wolfgang Schwarz (BBright)

Text ist von Diana Scherer.

Liebe mich

Liebe mich, wenn ich's am Nötigsten brauche
Liebe mich, auch wenn ich saufe und rauche
Liebe mich, wenn ich mal nicht funktioniere
Liebe mich, wenn ich wieder gar nichts kapiere

Liebe mich - wegen meiner Fehler und Schwächen
Liebe mich, um nicht mit der Liebe zu brechen
Liebe mich, nicht weil die Perfektion gefällt
Liebe mich - wie sonst niemanden auf der Welt

Liebe mich - nicht für Äußerlichkeiten
Liebe mich - auch wenn wir uns streiten
Liebe mich, wenn ich am Boden liege
Liebe mich, wenn ich mich selbst nicht mehr liebe

Liebe mich, so oft und soviel du willst
Liebe mich, weil du eben so für mich fühlst
Liebe mich - tief und rein und beseelt
Liebe mich - mach mich zum glücklichsten Menschen der Welt


Liebe mich - wegen meiner Fehler und Schwächen
Liebe mich, um nicht mit der Liebe zu brechen
Liebe mich, nicht weil die Perfektion gefällt
Liebe mich - wie sonst niemanden auf der Welt

Liebe mich - nicht für Äußerlichkeiten
Liebe mich - auch wenn wir uns streiten
Liebe mich, wenn ich am Boden liege
Liebe mich, wenn ich mich selbst nicht mehr liebe

Liebe mich, so oft und soviel du willst
Liebe mich, weil du eben so für mich fühlst
Liebe mich - tief und rein und beseelt
Liebe mich - mach mich zum glücklichsten Menschen der Welt

Lyrics by Diana Scherer

Liebe mich

Liebe Mich

"Slow Down"
EMmy W

Picture : Sylvia Ritter

Slow Down

music . Tot. @user-288513022 & @tot-beat
instrumental is here: https://soundcloud.com/user-288513022/sweet-volt
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

WORKIN OVERTIME
sittin’ on a barrel that was hard to find
and i’d been working overtime

sitting on a barrel - i see people holding hands…

hard to find… it was hard to find
- holding holding holding
it was hard to…

oh, hard to find - i miss you

all i want - working - i miss you so
i miss you so

sittin on a barrel that was hard to find
and i’d been working overtime
working working working

tapping tip tap your wheels and barrels
i miss you
working
i miss you
tip tapping your wheels
tip tap tip tapping on your wheels and barrels
on your wheels and barrels


tip tapping tip tapping
hey! hey!
tap in! tap in! i miss you i miss you i miss you

Workin Overtime | Tot. & Myrh

Future Stop

A summer song released in the winter.

Drums - Monkey Blood Lowdown
Lead guitar - Admiral Krank
Rythm guitars, bass and vocals - Nic

Lyrics by Christina Rossetti and Nic

Greatest Hits

Summervault

Unknown album (2/23/2021 6:10:36 PM)

Waxing Moon

Changing Weather

JAY WHERE YOU AT✨
🌍 "It Takes the 🌍 to Reunite the 🌍"

Prolific, intense, compassionate, and resilient, Jayoo is poised to bring a wave of fresh music to the world.

Born Jalon Stephens, Jayoo's passion for music has been a constant throughout his life. Hailing from Shreveport, Louisiana, he first made his mark as a gymnast, earning accolades such as 2-time All-American NCAA Bronze Medalist, Big 10 Silver Medalist, and US National Champion. Music was his sanctuary through the challenges of intense training.

From a young age, Jayoo was immersed in music, singing in church choirs alongside his brother and mother starting at just 10 years old. After retiring from gymnastics, he pivoted to music, releasing his initial singles on SoundCloud in 2020 amidst the pandemic.

Jayoo’s debut EP, "Speak," dropped in September 2020 and quickly made waves, racking up 25,000 streams in its first month. His subsequent releases continued to capture attention, with his breakout single "Suns Out" setting the perfect summer vibe. Stay tuned for his upcoming project—it's set to elevate your listening experience to new heights!

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, an Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments.
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Liebe Mich

BBright Official

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