I love subtle sounds in the background of tracks. Love the quite "wah wah wah" sound at the start here!

Brilliant synths. Love the energy of this one. Harold Faltermeyer would be proud of this!

Do motivate my fav. Bright Official, No worries bro.

I love music producers and their hard work,

I am. talking about emotions.hahhhh what a LoL

I just talked about work, and she blocked me. HaahhhhLolll

Bro.   I have a disease of telling the truth.😅

For Brinda

Magic Sledge Ride

Video;
https://youtu.be/RA0SEUQFPHo

Made in #Ableton (January 2024)

Genres;
#Electronic
#Pop
#Rock

Clear Approach

I never set out to make tracks like this... I even mean NOT to... but they seem to happen anyway!

Anyway, the image came first ... variants here: https://www.instagram.com/p/C2e27ago_j1/?img_index=2

And now there's a video:
https://www.instagram.com/p/C22GRYENoqI/
https://www.tiktok.com/@rollocarpenter/video/7330985779814042913
https://www.youtube.com/watch?v=IaO2LYfiL1Y

Sanguinello

Montage et photographies : 
© 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/61_zvwNCdQc 

Musique :
© 2024, pièce de violoncelle, titre : "Le flot du temps", par Albert, 2:09 min.

Mixage, révision et sonorisation par Albert

Le flot du temps

"Le flot du temps", par Albert; Mixage, révision et sonorisation par Albert [lien vidéo]

I feel privileged yet again to have had a chance to collaborate with such talented and experienced musicians. Thank you all! 

The lyrics are dedicated to my former workplace from a few years ago. I knew I had to one day do something. Little did I know it was with music. 😉


All lead & backing vocals by Heidi K
Words by Heidi K

Alto saxophone solo by joerxworx: https://soundcloud.com/joerxworx
All electric & acoustic guitars by Martin Jansen: https://soundcloud.com/m_ja

Additional instruments and programming by Jeamland
Arrangement & sound design by Jeamland
Mix & mastering by Jeamland
Music by Jeamland

Cover photo: Heidi K

Lunch In The Park -Jeamland & Heidi K feat. Martin Jansen & joerxworx

UnBoxed March 2024
Original recording, lyrics and vocal performance by the elegantly exotic Quinsha @9uinsha
Reimagined and embellished by OUT OF THE BOX
[ d o w n l o a d a b l e ]

Lullaby (Featuring Quinsha)

This is a story about an Irish heroine called Grace O'Malley, Also known as Grainne of Clare. She lived in the late 1500's, she was known as the Pirate Queen of Ireland. She made fortunes, saved her sons from the Queen of England, fought on behalf or Ireland with her armada of ships and was a fierce, beautiful force of nature.. a true example of valour, will power, grace under pressure, fortitude and determination, with a commanding spirit. Here's to you Grace...   Happy St. Patrick's Day..    ☘️ Sláinte!!!  ☘️

Written, produced and performed by: Nat Daniels & Craig Durgy
Nat Daniels: tin whistle, guitar, piano & vocals
Craig Durgy: mandolin & vocals
Copyright 2024 Daniels & Durgy / Gentle Rain Records

Lyrics:  The Tale of Grace O’Malley

Let me tell you the tale
Of Grace O’Malley
Crimson red hair 
And the courage she carried
A nobleman’s daughter
A life full of rules
But fate took her hands 
And gave her sailing shoes
A pirate queen,  deadly  and fair…
In Gaelic her name wasn’t Grace
It’s Grainne of Clare  

Oh Grainne, Grainne of Clare
Who could lead men to battle, lead with a valkyrie stare
And you’d never give in
Though your life was at stake
You’d show us what valour could mean
For you’d rather die freely
Than live on your knees

V2
In a time when a girl 
Had no worth but breeding
You broke all the rules
And pierced every ceiling
You made all your fortunes
Then saved all your sons
And paid the Queens’ ransom
Then called all to arms
For bonnie Ireland needed you so
And your heart would never let go.. could never let go….

Oh Grainne, Grainne of Clare
Who could lead men to battle, 
Lead them with a with a valkyrie stare
And you’d never give in
Though your life was at stake
You’d show us what valour could mean
For you’d rather die freely
Than live on your knees
Oh you’d rather die freely 
Than live on your knees…

So now you know the tale.. of Grace O’Malley
Just a girl with red hair .. who was worth more than marriage
Now look at your daughters..  and tell them you love them
And treat them like equals and never condemn them
They’re all so much more.. they’re  worth so much more…
Like Grainne of Clare.

The Tale of Grace O'Malley

The Tale Of Grace O'Malley

S-The Groove of Dorian Gray

Komposition - 602220240202 (Ambient Night)

Photography, painting and music are inextricably linked for me. My paintings and photographs are created on an equal footing with my songs. Sometimes they are mutually dependent, arising simultaneously in a creative process. This led to an idea for a video to bring you closer to my pictures and my music:
YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Composed after a painting from a current series. Music created in interaction with painting and vice versa.
_____
Fotografie, Malerei und Musik sind für mich untrennbar miteinander verbunden. Meine Gemälde und Fotografien entstehen gleichberechtigt mit meinen Liedern. Manchmal bedingen sie sich gegenseitig und entstehen gleichzeitig in einem kreativen Prozess. Daraus entstand die Idee für ein Video, das euch meine Bilder und meine Musik näher bringen soll.
Zu sehen auf YouTube: https://youtu.be/n13TdtRdiy8?si=RUHeT9A52veBCZoG
Dieser Song ist komponiert nach einem Bild aus einer aktuellen Serie. Die Musik entsteht im Zusammenspiel mit der Malerei und umgekehrt.

Komposition - 602220240202

Dark Ballet 2024

A song about how I came to learn to play the guitar and start to write songs. I am very sorry for the poor sound. But at the moment I can only record with my phone. That's why I have to play the song in one go. The drums are just the built-in drum accompaniment of my amplifier, which I switched on in this song after the first chords. I will buy an audio interface and try to find a DAW (free or not too expensive) - if you know a free one, you can send me a PM.
One day I will manage to get a better sound, I am sure! But for the first songs, only all live-played with the drums from my amp recorded via phone, since I cannot do more at the moment. Perhaps some like it nevertheless? I am a bit excited about pulishing my first track here...
Since someone asked for the lyrics:

Motörhead is dead
A song called Ramones brought me to them
In my girlsroom I learned to play the guitar
I knew that I would not get very far
When my teacher told us, Motörhead is dead
I wanted to find out the music they made
The music was so fast, the sound was so hard
A song called Ramones brought me to them
Another great band
A second hand guitar, amp from my brother, too loud for my mother
In my girlsroom, on my bed, with headphone on, guitar in hand
With every chord I felt more alive
Motörhead and the Ramones became my drive
I plug in my amp and turn on the sound
Playing Motörhead so loud
With Motörhead my journey had begun
Now I write songs one by one
I learn how to rock and run
And Motörhead lives on and on and on and on

Motorhead Is Dead

Collab Track with DasItchen aka Michael D. Walter

Brinda's Dancefloor

Creator

Creator Instr.

Leaving India

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, am Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments, a Roland MC-505,
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Magic Sledge Ride

BBright Official

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