Hell yeah man. this sounds energetic and fun! Love your synth melodies as always!

keep it moving

Sooo, yeah, it's a song that's an apology of sorts to my kid for suggesting she become a ninja killer assassin in 'Revenge of Ceres.' 

Sorry, honey! Just daddy working through his issues. 

Influences: DJ Shadow, Massive Attack, Tricky

Ceres Lament

Fun collaboration with Negative Headphones

Shut The Fuck Up

Shut The Fuck Up (a Negative Headphones Collaboration)

In The Heat Of The Night

kolinje III(demo)

There's something metronomic about the planet, Nod. 

The slide guitar was played on a telecaster whilst the heavier riffs came from a Duesenberg Paloma put through a modern amp.

My cover of my favourite track off of Ween's 1992 album Pure Guava.

Music and Lyrics written by Aaron Freeman and Mickey Melchiondo

Lyrics:
Good morning my love
The skies are clearing up today
Can I kiss you on the boob
Like I did yesterday?
You let me in
You let me sin
You made me cry
You got me high
Can I touch you in the nude?
You lookin' really good in bed
How come you ain't talkin'
Like we was yesterday?
You let me in
You let me sin
You made me cry
You got me high
Wake up little wake up
Got somethin' new to say
Don't move a muscle
I'm gettin' dressed and I can't stay
Oh, you let me in
You let me sin
You made me cry
You got me high
You let me in
You got me high
Got me high

Springtheme (Ween Cover)

Collab track with my friend Manuela Emmert aka 3Me.

Instrumental: Wolfgang Schwarz (BBright)
Lyrics, Vocals: Manuela Emmert (3Me)

Deep Black Earth x More Than A Fairy Tale '24

Pierre Bordetti productions (c) 09/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Rock instrumental

Rock Entracte

Jack Wild as Tom Ornshaw:Melody (1971 film)

Ornshaw

Buy by Apple Music

Parte Del Juego

I want to be and stay myself.
That includes further development.
I was born on January 16, 1976 in Hanau.
I had home organ lessons at the age of 9, then another 2 1/2 years at the piano at the age of 11.
Made his first attempts at composition with his own tracks in 1989.
Started recording more seriously in 1996. During this time I also met Christoph Seipel.
Initially worked with a Quadra 800 and Logic Pro. Then took a few years off for health reasons.
And in 2009 I started the first technoid productions with Reason 5...
Then switched to Ableton; Reaper and Cubase. Later also Fruity Loops. At the moment I mainly use Ableton as my DAW. I mainly only use software synths. As a master keyboard I use a Yamaha P60, a Korg Concert E120, an Arturia Polybrute, an Arturia Keylab 61 MKII, a Maschine Sudio from Native Instruments.
Audio interfaces: a Behringer U-Phoria 204hd, a Phonic Helix Board 12 Plus and a Creative X-Fi Fatility Champion, UAD Apollo Twin USB
I now use an Austrian Audio OC818 Black Studio Set as a microphone. As a monitor I have a JBL LSR-305/aktiv and Yamahas, a Teufel Cinebase and a Logitech Z5500. and a Gameboy Advanced with Nanoloop 2.7. I've also made tracks with the Roland MC-909 and the Gameboy Advanced with Nanoloop 2.7.

Equipment:
Windows 10 Pro on an AMD Ryzen 7 5800X 8-Core Processor 3.80 GHz 32 Gb DDR4
Dual monitor operation possible

Audio interfaces: Behringer U-Phoria 204hd, Phonic Helix Board 12 Plus, Creative Soundblaster X-Fi Fatility Champion, UAD Apollo Twin usb
Controller: Maschinen Studio from Native Instruments
Master keyboard: Yamaha P-60, Korg Concert EC120 and Arturia Keylab MKII
Korg Kaossilator Pro3, Korg Kaospad 3, Gameboy Advanced Nanoloop 2.7.2
Microphones: T-Bone SC-1100, Austrian Audio OC818 Black Studio Set
Monitors: JBL LSR-305/active
                Yamahas on a Logitech Z-5500 sound system with subwoofer.
                Teufel Cinebase

I mostly work with software synths, and at times also integrated hardware like the Roland MC-909, Casio SK-1, Kawai K1/m, Korg Z1, Roland JD-800, Korg Kaossilator, Gameboy Advanced with Nanoloop 2.7.2

Deep Black Earth x More Than A Fairy Tale '24

BBright Official

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