Composer Matt Sircely says: 

“Shortly after the 2004 election, I awoke with the last verse and chorus of "Back of the Line" repeating in my mind: ‘Get in line, stand in line / There's plenty of room at the back of the line’. 

“That day, I began to compose a historical fiction song starting with the last verse, when the lead character is disenfranchised in the 2004 election by long voting lines. The third verse references the harrowing tale told by the late civil rights icon, Rep. John Lewis, when police cracked down on the Selma march in 1965. The first verse takes place in 1929, at the onset of the Great Depression, when the protagonist is an infant and her mother is unjustly sent to the back of a bread line. 

“In essence, this song is an homage to everyone who has been unjustly told to get to the back of the line, and then told again to fall in line — and whose perseverance against indignities has continued across decades and generations. This song honors the vast courage shown by ordinary people in extraordinary times. 

“I heartily thank Brad Friedman at BradBlog.com for his coverage of election integrity and fairness. This song was surely inspired by his reporting back then when, just like today, he channeled our collective outrage about the intentional use of long lines for voter suppression. In Cleveland in 2004, upon reaching the sign-in table, anyone mistakenly in the wrong line was sent to the back of another. ‘Cuyahoga County in November of '04 / Standing in the rain for seven hours or more / When she finally reached the table, rain dripping from her hair / The man said: 'I'm sorry, ma'am. Your precinct's over there. But you can stand in line.’

"Now, in March 2021, I dedicate this recording to passage of the For the People Act. The US Senate must pass this historic voting rights and election integrity legislation, even if it requires eliminating the Jim Crow filibuster.”

Back of the Line

Original song submission to Telephone - International Arts Project Summer 2020.  Release date for entire project April 10, 2021

Anne Phalen - songwriter, vocals, guitar
Alicia Healey - harmony, guitar, bass, recording
Karen Davis - harmony, fiddle

Build Me A Home 16bit 44kHz

Anne Phalen - Songwriter, Lead vocal, Guitar
Larry Johnson - Guitar
Alicia Healey - Harmony, Bass and Recording Engineer at The Winterblue Room Seattle, WA  USA

Somewhere North Of Over There

Modified this song from my first album to honor the cowboys in our lives who we've lost.

Here's a blog post about what drove the change: https://bryandaisley.com/blog/blog/7356325/ride-on-uncle-jon

When the Cowboy Rides Away (Ride On Edition)

When The Cowboy Rides Away - Ride On Edition

Recorded Oct 2014 in Eunice Louisiana at Joel Savoy's studio with Eric Frey on bass and Chris Miller on saxophone. 

Open to the Muse

Original song written by Stephanie Traugutt. Performed by Stephanie Traugutt, Jack Parker, Bryan Daisley, Emily Floberg and Harley Trotland.

The Devil's Song (c)

Greatest Story Never Told

From Dust (2020) features songs that show the vulnerability of the strong: barns that collapse from time, mines that control their miners, men that can’t be cowboys and brothers that break their bond. It’s a landscape where the mightiest of structures fall and change, bending to more powerful, more human forces that save only what’s worth saving.

From Dust

Lighthouse (feat. Stephanie Traugutt)

Bryan is a singer/songwriter out of Shoreline, Washington, who writes and performs original music

When The Cowboy Rides Away - Ride On Edition

Bryan Daisley

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