Smooth@JazZ

Reposting my groove to Miles Davis 'Blue In Green' I did last year, if you've heard before apologies :) If not hope you like :)

A Late Night Groove to 'Blue In Green' - Miles Davis

available now on brownswood bubblers three and also forthcoming on emanative// time which drops on april the 5th 2010

Turn Your Lights On

(FYI: This song is available on my website at: https://ahmedsirour.com/track/2996468/midnight-melanin-manhattan-a-score-for-ivy as well as Bandcamp at: https://ahmedsirour.bandcamp.com/track/midnight-melanin-manhattan-a-score-for-ivy)

I created this based on a scene from the 1968 film, #ForLoveofIvy, which was a story written by the recently departed, late/great #SidneyPoitier and featuring the also late/great #AbbeyLincoln. The music you hear is an original score I created, inspired by this scene (not one of Quincy Jones', who beautifully scored the rest of this movie, although his style was an influence I wanted to partially emulate). I was actually surprised he left so much room open in this bedroom scene you're watching now, because the original scene had no music at all until after Ivy (Abbey) joins Jack (Sidney) in bed for Round 2 of their lovemaking. 

Inspired by the great cinematography and sexiness of this moment, this is an all original arrangement of my own, and even chopping up and editing the royalty-free horns that I used for the trumpet and saxophone solos (which was very difficult to do because it's a combination of many different real horn player samples that I had to edit/pitch/re-arrange/EQ just for it to sound like two players to add to the grand piano, upright/double bass, and horn parts in the hook/chorus that I manually played and myself on keyboard (via Logic Pro instruments) to make it into a Jazz "quartet", then finally mixing and mastering the whole thing for it to come out finally as it did, which you can hear in full from the link at the top of this description.

Like many, I took a trip down memory lane, watching #SidneyPoitier films, since his recent passing at age 94. However, not many people know of/have seen this particular film called  "For Love of Ivy", which is kinda surprising since Sidney was THE biggest movie star in Hollywood at the time this film came out in 1968.

To put it in perspective, he started filming this movie (an original story he wrote, himself) in the Autumn of '67, but just a few months earlier that year, #ToSirWithLove dropped in the Spring, followed by #InTheHeatoftheNight that Summer, and #GuessWhosComingToDinner was up next in December to close out his undefeated year as the King of the Silver Screen. While each film in '67 was a blockbuster hit (and all dealt with #racism in some form), "Ivy" was very different as it was a rare mainstream film showcasing two Black romantic leads–Sidney, and the magnificent Jazz singer/activist Abbey Lincoln (who had a dope afro but they gave her a wig, instead 🙄 )–and it even featured the very first (though not explicit) Black lovemaking scene in a Hollywood movie. Perhaps that's why it didn't get much publicity over time as those others did, because more radical than a 1967 film with an interracial couple is a 1968 one with a Black couple being intimate on the big screen.

Ivy's character looked so serene, looking through the window, out over Manhattan late at night, in the afterglow of their tryst, before taking the throne and looking over her sleeping "conquest" 😉 It's a sexy scene without music, but I wanted to hear what it would sound like with some, and so I take this moment to celebrate the memory and legacy of Sidney Poitier, of Abbey, and this wonderful moment of #BlackLove on film with it!

This song will be included in my upcoming project I'm releasing on my bday, Tuesday, the 22nd of February, 2022 (or 22/02/2022). That's also the title of the project: 22022022 (the only palindrome b'earthday I'll have in my lifetime). I hope you enjoy and Happy #BlackHistoryMonth.

#AhmedSirour

Midnight, Melanin, & Manhattan (a score for Ivy)

"Midnight, Melanin, & Manhattan (a score for Ivy)"

From the album 'Umakhulu' (AFS052)

Ayanda Sikade on Drums
Nduduzo Makhathini on Piano
Simon Manana on Alto Sax
Nhlanhla Radebe on Bass

Produced by Ayanda Sikade
Recorded by Peter Auret at Sumo Sound
Mixed and Mastered by Gavan Eckhart at Soul Fire Studios
Artwork: Michael MacGarry
Cover photo: Vuyo Giba

© Ayanda Sikade 2021/22
℗ Afrosynth Records 2021/22 - www.afrosynth.com

Distributed by Rush Hour, Amsterdam - www.rushhour.nl https://www.rushhour.nl/record/vinyl/umakhulu

Umakhulu

'Imithandazo Yeengelosi' (prayer of angels) - Ayanda Sikade

40 Winks is an instrumental hip hop duo made up of producers Padmo' and Weedy from Antwerp, Belgium. Meticulously chopping and pasting samples together since 2002, 40 Winks create cinematic atmospheres and vibes which we love here at LDBK radio. 

A couple of weeks ago, 40 Winks released their 5th full length album on Project: Mooncircle, a double LP entitled "It’s The Trip". Check the mix they offered to LDBK to celebrate this release: http://i.mixcloud.com/CYXvi  

Make sure to visit: http://40winksmusic.com
This track is produced by Weedy.

This track will be part of the LDBK compilation album.
CD & Digital will be available mid-June on laidback.bandcamp.com
Pre-orders (until the 15th of May) on www.indiegogo.com/Laid-Back-Compilation

40 Winks - Flight of Ideas

Let It Ride

Let It Ride (From "Norah Jones is Playing Along" Podcast)

"Estate"_Chet Baker at Capolinea

The Piano Cloud issued a challenge to use four chords, Gm, Dm, Eb, F, in any style of your choice. I chose a jazz infused number & played my heart out! Enjoy.

Four Chords

I wrote this tune on the piano immediately after a Gospel choir rehearsal in June, 2014.  It flew out of nowhere & I knew I only had minutes to capture it...  I soon ran home excited & spent the evening piecing my words together.  

MUSIC VIDEO:   https://youtu.be/B0_lEGRXJks

Stories & Rhymes

“Ouro Enfim” is an unexpectedly blissful collaboration between Brazilian participant Luisa Puterman and Belgian participant Roman Hiele. On his previous albums and via releases on his Ekster label, Hiele’s productions tend towards alternately fierce and pastoral electronic abstraction, but “Ouro Enfim” reflects his love for bossa nova grooves. His contributions support Puterman’s beautifully understated melodies, which chime easily throughout the sunny arrangement. The result is utterly relaxing and transportive, with luscious Rhodes seeping into corners carved out by a blunt bassline. The lead and background vocals are provided by an unexpected guest: RBMA Paris lecturer and former lead singer of Stereolab, Lætitia Sadier, who turns in a sumptuous performance.

@luise-puterman
@hielehiele
@laetitia-sadier
http://redbullmusicacademy.com

Luisa Puterman & Roman Hiele - Ouro Enfim (with Lætitia Sadier)

04 Light My Fire

11 Take Five

Chassol - Mario, Pt. II

'All Kinds' music video is out! 
https://youtu.be/L0QoQpOlRsw

Staring At The Odds

All Kinds

Fold – Something Gives
Released September 12, 2016
CD & digital download

If you like this track and you're on Spotify please give us a follow:
https://open.spotify.com/artist/3lOmv1v5gfdtBwvRufzjtr

------------------------------------------------------------------------------------------
Having included this track among his favourites of 2016 on the last day of the year Huey Morgan also provided the UK national radio debut on BBC 6 Music followed by a hat trick of spins from Gideon Coe. Kara Manning broadcasted the US radio premiere courtesy of WFUV, New York.

Something Gives is a timely vehicle for the keen eloquence of James Baldwin whose voice, along with that of the wonderful Alice Walker, is the basis of the track.

We've been feeling urgently compelled to respond somehow to the heavy sociopolitical escalations of late on both sides of the pond. This release is our way of bridging the distances & expressing universal solidarity as human beings. Musically the tune bears similarities to A Tribe Called Quest's jazzy hip hop vibes and Arthur Verocai's Brazilian way of joy and despair all at once.

All music written, arranged, performed, engineered, produced & mixed by Seth Mowshowitz apart from tenor saxophone arranged and performed by Emma Johnson.
http://www.johnsonmusic.co.uk/

Mastered by Erik Aldrey
http://www.erikaldrey.com/

LYRICS
----------
[James Baldwin]

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

These people have deluded themselves for so long they really don't think I'm human. I base this on their conduct, not on what they say, and this means that they have become in themselves moral monsters.

It doesn't matter any longer what you do to me: you can put me in jail, you can kill me. By the time I was 17 you'd done everything that you could do to me. The problem now is: how you gonna save yourselves?

How you gonna save yourselves?

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

There are days, one of them, when you wonder what your role is in this country and what your future is in it. How precisely are you going to reconcile yourself to your situation here, and how you're going to communicate that you are here?

The country has arrived at a place where it can no longer contain revolt. Human beings are not by nature non-violent, you know? You can only survive so many beatings, so much humiliation, so much despair, so many broken promises before something gives.

Before something gives.

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
We are being killed by people who don't feel – if we get down to that, that is the problem.

[James Baldwin]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
If you don't feel it you kill it because you think it doesn't feel either…

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

[Alice Walker]
So away with that, we don't want that.

[James Baldwin]
I'm aware that something terrible has happened, which is very hard to describe.

Something Gives

Buy on iTunes

First single from upcoming debut Ep out on Average Negative 02/02.

Read article --> http://www.stereofox.com/premiere-pavlov-beautiful-there/


written, produced and arranged by Matteo Pavesi

Op-1, Nylon String Guitar, Fender Bass, Metallophone, Percussions, Drums Programming by Matteo Pavesi
Saxophones by Louk Cox
Fender Rhodes by Rieko Okuda

mixed by Antonio Pulli at Vox Ton Studios
mastered by Nene Baratto

artwork by Aquiet

<a href="https://theartistunion.com/tracks/099d12" rel="nofollow">Download for free on The Artist Union</a>

Beautiful There

Tempo Dos Mestres

Fabiano Do Nascimento – Brasilerinho

AKMusique -  Sentimentu

Pre-Order Vinyl https://danielcasimirandtesshirst.bandcamp.com/album/these-days

These Days

1st November 2019

07 What Did I Do?

The first EP written, recorded and produced by young multi-instrumentalist Tony Donatelle. Its a new take on old influences with a fresh sound.

Smooth@JazZ

bdlover