Osmose

This is my submission to @Monstercat Remix Contest for @Hellbergmusic's song "The Girl":
https://splice.com/Hellberg/the-girl-contest

I didn't win, but I still love this remix.

Credits:

Hellberg feat. Cozi Zuehlsdorff - original song
Raz Ben Ari - guitar solo
Sasha Swamp - alternative original artwork
Seajeff - keyboards, production, writing, mixing, mastering

Thanks to @jennifer-merkel, @biobot, @vibe-crc, @mmcmstudio and you.

VIEW ON SPLICE

Hellberg feat. Cozi Zuehlsdorff - The Girl (Seajeff Dance Remix)

Preview version of Matt Gray's remake of the Rob Hubbard soundtrack for Phantoms Of The Asteroid released in 1985 on the C64 by Mastertronic.

Pre Order Reformation

Phantoms Of The Asteroid - Matt Gray Remake Preview

Wild music entry for Gerp 2015, somewhat rushed contribution

Malmen - Vic Formation

GET ALBUM

zabutom - Noor

from "The X-Dump Ninjadisko"
https://open.spotify.com/album/65fyWFo37kdsXuriDRQi8J

skummis416 (2007)

I've always been intrigued by how divisible 6/8 time is, and how many distinct grooves you can make. I also felt it was time to really flex my sound design muscles with Harmor, which makes every sound in the track except the drums and the organ. So I made this track, more as a musical sketchpad than anything else.

By the time I'd reached the Irish folk part, I realized there was little point in restraining the style of the track. Instead, I drew inspiration from Frank Zappa, who seemed to approach his music in a very free-flowing way, keeping the listener guessing as to what would come next. In a way, the last slow-shuffle part is a homage to him, who arguably had the largest impact on my musical life.

For the Thirds

Another little track made for backing purposes. Although the title suggest lots of Portal references, I couldn't find a proper title... and the little piece of GlaDOS harmony got stuck in my head. So there you have it, hope you didn't get to disappointed. I might do a proper remake/remix of one of the Portal songs down the road. ;)

Retro Grooves Vol. 2

Portal Love

"Pools of Poison" is the winner of Music Contest #4 (Veteran section), organized by Hornet in 1996.

I tracked and released it under my tracker name "WAVE".

Special thanks to Snowman & GD for taking care of the organization at the time!

The module was tracked in Fasttracker 2.08 and the original XM file is -not accidentally- 700.000 bytes in size. :-)

This is a 1 on 1 render from XMPlay, with no added effects.

I uploaded it to SoundCloud so people can hear the music without having to download the XM module and install a special module player for playing it, as well as to make sure not a -wrong- module player is used, which doesn't play the XM effects and note-data correctly,

If you want to take a peek at the original XM file,
download XMPlay, which is perfect for playing tracker music modules.

The XM module's filename is:
jt_pools.xm
(You can download it on https://modarchive.org)

It's fun to watch what goes on inside the XM module with ASCII art, tracker scene greetings and other fun stuff.

Enjoy and feel free to leave a comment, like, download and share! :-)

Pools of Poison

Jeroen Tel - Pools Of Poison

Little hybrid track I made earlier for The 8-Bit Guy in 2017.

64 Dreams

my track for week 7 of the weeklybeats project!
https://www.youtube.com/watch?v=WP3lUNAVwLo
https://weeklybeats.com/zabutom/music/report-to-heaven

Report to heaven

Made for the Sound of SceneSat 4 compilation.

To date, my nerdiest endeavour into fusion land. I go into length on how the song was made on the BandCamp page, but I basically wanted to see if I could develop a feel for quintuples(subdividing by 5) by just gunning it. I kept making beats and grooves until one stuck. It kinda worked -- I probably couldn't play this song in real life, but the groove is there. It gets kinda old after a while, so I played Pattern Tetris in FL studio until I landed on the downbeat, and switched it up to 6/8, and then on to 4/4 for the second overture and the solo. I really wanted to write a self-respecting Cory Henry-esque solo with "high dynamic range," starting from the absolute bottom and climbing as high as my cheese-o-meter would let me. I really am stuck on letting solos get their very own chord progressions now, by the way. It's very liberating.

And the drum ensemble at the end just broke into the studio, holding my Genelecs as ransom while demanding I keep hitting Record. I didn't have a choice.

Bandcamp link with more info:  http://music.scenesat.com/track/paralateral
Buy the album and keep SceneSat running!

Paralateral

Made for the Sound of Scenesat Volume 4 compilation. 
https://scenesat.com/

Bandcamp

Hit For Kid

wh00p wh00p! After many many hours of fine tuning this one and combining all pre-prepared samples, testing so many options to the point of "the mix is almost perfect", I bring you this special update for the "Tel Me More" project. Absolutely one of my favorite "music children"... When I composed it (age 17) I was so full of inspiration I could hardly breath... And I couldn't sing it either, so I had to program it... Isn't it nice to be a "music programmer", then! =)

Enjoy!

//Jeroen

Osmose

bea9000