Name: "Thin Air" 7" Clip By Tessa Stivar - Fleetwood AOR Disco Rock UK, 1983 - VG 👋 SOLD by BEACH FREAKS RECORDS
Duration: 2 min 50 s
Description: Record is VG, quite noisy (listen to the clip) and without sleeve, but damn this is hell of a build up and a killer vibe that comfortably juggles AOR, Indie Rock, Fleetwood and Disco Funk over a stretch of just about nearly 4 minutes. It wouldn't be here if you were likely to find this elsewhere.

On est super contents d'accueillir LeonxLeon pour ce 10ème opus. Voici quelques mots de sa part au sujet du podcast :

"J'ai essayé de réunir les différentes ambiances que j'aime avec des classiques et d'autres sons plus obscures, d'un peu toutes les époques. J'ai passé les disques que j'avais le plus écouté ces dernières années (d'où certains craquements et 2-3 skips), mais la différence par rapport à une écoute classique est que là je me forçait à changer de morceau à chaque fois, tandis que mes disques d'écoutes sont souvent plutôt laissés toute la face, et par flemme j'écoute bien plus souvent des simples que des doubles LPs, ça m'énerve même un petit peu cette tendance quand on sait qu'on peut graver jusqu'à 20 minutes par face en qualité tout à fait correcte.

La sélection commence par une selection plutôt "early electronics" avec des morceaux moyennement connus de Art Of Noise ou Frankie Goes To Hollywood, puis ça part sur plus rock/reggae avec ma préféré mais pas super connue de Bob Marley et une classique de Michael Franks. Un peu de rock ricain par Cass McCombs, Kurt Viles ensuite puis anglais avec du Pink Floyd de 1994. Duo de divas avec Grace Jones et Sade. Je vais pas tous les faire mais ensuite ça part en slow disco, 80's et modern funk, disco psyché française, new wave, Italo qui craque sérieusement, et enfin pop et slow funk de lover. Écoutez ça tranquillement chez vous seul ou accompagné, au boulot ou dans la voiture !"

Les Vinyles du Dimanche #10 - LeonxLeon / Cracki Records

Part 3 of the mighty Wyndham Earl's 'Dropping Acid in the Library' mix series. Digging deep into a vast collection, it's an impeccably mixed set of tracks, all taken from original vinyl LP's from labels such-as the powerhouses of KPM, Conroy Music, Music De Wolfe as well as some more obscure labels from around the globe.

Tracklist:

1.	Gerhard Trede & His Electronic Instruments - Motion Study 2
2.	Cecil Wary – A Bomb At Bombay 
3.	unknown – Summer Rock
4.	unknown – Mary Go Round
5.	Don Paul – Ironhead
6.	Edward Simon – The Corner Pub
7.	Peter Reno – Beyond The Street
8.	Sammy Burdson – News Fashion
9.	unknown – Pigeon
10.	unknown – McMath & Friend A
11.	unknown – McMath & Friend C
12.	William Farley – Lion Heart
13.	Jack Arel – Bumblebee Dance
14.	Pierr Lavin Pop Band – UFO Invasion
15.	Alan Hawkshaw – Lift Off
16.	Pierre-Alain Dahan – Islam Blues
17.	Paul Dunlap – Disorganisation
18.	Vic Flick – Santaren
19.	unknown – Rockin’ Bongos
20.	I Marc 4 – Berkey
21.	Chris Rae & Frank MacDonald – Power Point
22.	Pierre-Alain Dahan – Phasing Drums
23.	Dave Richmond – Confunktion
24.	Danny Edwardson & Seamus Sell – Electric Blue
25.	L. Paul-Phillips – Ealing Broadway
26.	Janko Nilovic – Pop Revolution
27.	Mad Dog – Bird Of Paradise
28.	Gilles Peram & Herve Roy – Oh No No No
29.	G. Homburg – Mixed Piggles
30.	The Eiffel Tower – Creme Supreme
31.	Alan Hawkshaw & Alan Parker – Overdrive
32.	Alan Hawkshaw & Alan Parker – Where Are We Going (link)
33.	Alan Hawkshaw & Alan Parker – The Morning Sun
34.	Klaus Weiss – Surge
35.	Klaus Weiss – Surge 2
36.	Danny Edwardson & Seamus Sell – Circles
37.	A. Barnel & A. Hutton – Jugganaut

Huge thanks to Wyndham Earl for the mix.

timespunrecords.bandcamp.com

www.instagram.com/timespunrecords

Mr Bongo Record Club Guest Mix - Wyndham Earl "Dropping Acid In The Library" Part 3

Beautiful steel guitar tune on this very rare Private Press LP!

The Island Of Kings

Annabelle McBride "Tropical Magic" - Honey Bee Records LP - US, 1983 - SOLD

Night Fox

Top Notes "Night Fox III" - Fordom Recording Co 7" - US, 1991 - SOLD

The lost Belgian blueprint of Brussels based jazz fusion and how free form Franco-Flemish punk put Zeuhl school in the Classroom via to the conception of COS.

Emerging from behind the same clouds that kept formative Belgian progressive jazz records like Brussels Art Quintet and Kiosk’s Mona Call in tangible obscurity, these impossibly rare early Euro jazz recordings shed a new ray of light on the intricate foundations of the scene that elevated COS, Marc Moulin, Placebo, Marc Hollander and Telex to Zen master status, while also capturing one of Europe’s best female vocal artists in the midst of her wide eyed and uninhibited prime.

Idiosyncratic, intrepid, psychedelic, scholastic? Affirmative. But not once do these recordings resemble pages of a dog-eared sketchbook. Expertly executed and recorded, this semester of progressive proto jazz fusion symposiums capture the group as they unveil the unique strain of experimental ‘Flower Music’ (a title worthy of a lost Don Cherry album?) that would imminently blossom into the trailblazing COS powerhouse. Listen closely and hear the sound of this outernational mutating quintet as they tear up the rule book and still graduate onto the International jazz rock scene with flying psychedelic colours. Fans of COS tracks such as Mein maschine ist schön and L’Idiot Léon will herein identify the foundations of Pascale Son’s early experimental, non-lyrical and onomatopoeic vocalisations which would earn the band favour amongst early Zeuhl aficionados, thus winning the group support slots with Magma and historically leading directly to the Classroom/COS overnight metamorphosis. These recordings capture that precise chink in time and the eureka moment where Daniel Schell’s experiments become a leading life force. Constantly forward-thinking with a don’t look back mantra, these recordings have remained nestled on old acetates and magnetic tape akin to similar lost Low Country albums such as Alain Pierre’s mythical L’enfant grandit synth opus and Placebo’s coveted Three Days In April TV recordings.

Never before released on vinyl, these tracks provide us with a sonic chalkboard of Daniel Schell’s ambitious musical equations, recalculated by precocious polymaths, then conveyed via Pascale Son’s inquisitive child-like vocal explorations. For those keen to learn the Histoire De Melody COS? The classroom door is open - prepare to be schooled!

lnk.to/Cclassroom

Classroom

Sur deux

Classroom - Sur deux

A new release on the label, and the first from the artist.

Check it out on bandcamp -
https://tgoldsmith.bandcamp.com/album/dropouts

Also available everywhere to stream and download in full.

T Goldsmith - Dropouts (sampler)

Stream or Preorder LP/CD/Tape/Digital https://lnk.to/hailumergialive

Pioneer Works Swing (Live)

Hailu Mergia — Belew Beduby (Live)

BIRDS OF STRETFORD

From Idle Worship Cassette and Digital out April 28 2017 on Sounds of the Dawn

Idle Worship

Purchase

Alex Crispin - Idle Worship (Cassette and Digital Out 4/28/17)

For LER 1023, we've put together a collection of recordings taken from the elusive Berlin band I.A.O., spanning their third phase from 1988 to 1995. Phase III commemorates the bands final line-up of three members; Achim Kohlberger, Ralf Östereich and Carsten Zielske. The sounds on this retrospective vary widely, however, link with threads of melancholic sequences, angular jamming and a focus on electronic soundscapes.
 
The tracks are pinned against a backdrop of political and social unrest in Berlin at the time. Two different cities had become one with the fall of the wall, driving a bubbling subculture attempting to reunite the capital. Seemingly irrelevant to what I.A.O. was producing, these territories dance parallel to one another. In the late 1980’s, Achim Kohlberger of the band and partner Dimitri Hegemann, were orchestrating ‘Atonal Festival’, these days known as Berlin Atonal. Soon after, they set-up of one of the first techno clubs in the world - UFO, today known as Tresor.
  
I.A.O. cites the cast of personalities they would come across in the clubs and pubs as influential in their songwriting, artists, outsiders or the ‘general dropouts.’ However, the works of IAO far resemble techno music. Phase III’s opening track Gospel IV introduces the band with their patience and restraint, synthesizers work to reveal folding melodies. The downtempo voyage continues with Marshmallow Girls, an insight into the band’s sensitive observations and hazy imagery. All Is Bliss presents a vocal mantra cooperating with nagging bass lines and euphonic percussion. Meanwhile, two instrumentals Love and Twinkle Twinkle Twinkle Little Star  both typify and defy timeless dancefloor paradigms. The compilation signs off with Ferns, binding the icy yet bright tones found throughout.

Phase 3

All Is Bliss

Record is VG, quite noisy (listen to the clip) and without sleeve, but damn this is hell of a build up and a killer vibe that comfortably juggles AOR, Indie Rock, Fleetwood and Disco Funk over a stretch of just about nearly 4 minutes. It wouldn't be here if you were likely to find this elsewhere.

"Thin Air" 7" Clip By Tessa Stivar - Fleetwood AOR Disco Rock UK, 1983 - VG 👋 SOLD

Clips were recorded from the actual vinyl. To know availability of some titles just message me, post a comment or contact me via IG https://www.instagram.com/beachfreaksrecs.

"Thin Air" 7" Clip By Tessa Stivar - Fleetwood AOR Disco Rock UK, 1983 - VG 👋 SOLD

BEACH FREAKS RECORDS

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