Mixes + Radio

Music for Ears #01 - Prop Joe

"After Ecstasy, the Laundry"

This mix was recorded using digital and vinyl at home in Echo Park, Los Angeles during the height of a lockdown in 2021. It’s very special to me because I challenged myself to explore a downtempo aesthetic in my selections while still applying my usual affinity for solid foundational grooves fused with deep emotional textures. The title of the mix is ‘After Ecstasy, The Laundry’ – originally the title of a book by Western buddhist philosopher Jack Kornfield, the phrase alludes to that feeling after a particularly uplifting and transcendent experience when you are forced to face that all good things must end. With this mix I hoped to encapsulate that feeling but with a light, uplifting, and more positive essence, reflecting my own drive not to focus on the fact that these ecstatic moments have ended, but allowing them to enrich your life and cultivate the future.

Image credit: Center of the Earth by Fay Sciarra, acrylic on canvas

VPN Radio: Surrealchemistry 2/15/22 w/ SAMWISE

This month brings fine number nine at the hands of Sydney based digger Daniel Lupica. An endless collections of jams, Dan's auditory arsenal spans across all continents and countless genres. With guest mixes for almost every reputable series out there, we're thrilled to host him on the series. This one suitable for all times, especially looking after the little one! 
IDs: @daniel-lupica

Music for Ears #09 - Daniel Lupica

This month we were joined by NYC vibesmith, dope DJ and killer producer @gregdroggitis on @worldwide-fm with an exquisite hour of dubby downtempo, chillout business 💆‍♂️

Resident at Good Room and Public Records, 1/2 of Infinity Machine, 1/3 of Earth Beat and with releases on firm favourites Planet Trip and Superior Elevation this man knows a thing or two about weaving together a bit of magic for your mind 🪄

We ease you in with some ice-cold chillers for the first hour with Greg steppin up in the 2nd.

Heels & Souls with Gee Dee (WWFM)

Follow @dj_samwise

Samwise is an LA-based selector / DJ and eternal raver. Known as A&R for Diplo and the force behind his multifaceted house-focused imprint Higher Ground, he is also co-founder and resident at Fast At Work, a forward thinking party series that champions fast – but not necessarily hard – electronic music. While his sets are diverse and unapologetically raw, his sound cohesively elevates strong foundational grooves with deep emotional textures.

Acid Camp Vol. 139 — Samwise

Sam is resident and runs with the awesome Fast at Work party in LA and is known for playing a wide range of genres and tempo's, as we hear in the 10th space•cast. Sam is one of those DJ's who's tunes and sets reflect their personality - pure vibes from start to finish. Enjoy! 

Check more of Sam out here:
https://soundcloud.com/dj_samwise
https://www.instagram.com/salmon247/
https://www.instagram.com/fastatwork/

space•cast 10 - Samwise

Bean Radio Mix 038

The Sensory Signal Show

@salmon247
Location: Los Angeles

Recorded 09.21.23 at Bean HQ

@sensorysignal
sensorysignalla.bandcamp.com/

Bean Radio Mix 038: Samwise

@dj_samwise

For extended Q&A... please visit our website ----> pipipi.life <----

Introduce yourself? Pronouns? Where do you currently reside? 

Hi! My name is Sam aka Samwise. I’m a selector/DJ, A&R, curator, promoter, and eternal raver. My pronouns are He/Him. I’m currently based in Los Angeles, but spend a considerable amount of time in London as well.

Describe your DJ set up in full detail?

My home setup consists of 2x Technics 1200 MKII turntables (internally grounded) as I like to have the freedom to play both vinyl and digital records, an Allen & Heath XONE 92 mixer (sorry to my V10 bbs but team XONE 100p), and 2x Pioneer XDJ-700 cdjs (I prefer having older CDJs for my home setup because they do nothing for you (technically speaking) and force you to play by ear. Ideal for practicing + warm ups.

3 adjectives that start with the same letter to describe your vibe?

Serendipitous
Sanguine
Sassy

Favorite movie and why? 

Darron Aronofsky’s Requiem for a Dream. I love bold, esoteric, analytical films with a dark and preferably psychological tinge. Aronofsky is the best of the best at this in my view, and this film remains his most poignant work. 


Listen to the moment at 45 min mark in your PI mix… describe how it makes you feel? 

This moment makes me feel solid, rooted, and hopeful. For me, recording mixes is a cathartic and therapeutic process that largely reflects an experience that I’ve gone through. This particular mix is really important to me on a personal level because I recorded it shortly after I uncovered a deeply rooted childhood trauma. The progression of the mix echoes the process of integrating this trauma into my life – in other words, realizing the way this has informed my way of living/behaving and how to move forward with the knowledge that it happened. The 45 min mark is the point at which I am able to shift away from being introspective and somber, and towards a newfound ability to be hopeful and rooted again.

What would you like to see in the future for the dance community? 

I’d love to see more musical diversity and openness from DJs, promoters, and attendees alike. I think we made a lot of progress breaking down musical boundaries post-Covid, but we still have a long way towards destroying musical pretentiousness. Dance music is about connection and togetherness in all forms, period!

Samwise - -247˚

Undeniably demanding, occasionally straining, but often rewarding and invariably reassuring. In nuce, this is the existential rollercoaster rode by anyone willing to partake in this world of merry music we all strive to keep in motion and feed with emotion for the sole purpose of creating some magic moments that, if not wholly life changing, can be vastly mind altering and deeply heartwarming. However, as far as descriptions go and as honest and earnest as these are, descriptions rarely do justice to the most precious aspects of what is involved here. And this engulfs quite a lot of efforts carried out through manifold fronts that happen to find an outlet in this special space that serves as much more than a place for the meeting of forces, it is a catalyst for possibilities, allowing for the collision of intentions and the fusion of visions. Each episode aims at presenting the results of these encounters, all of them widely varied in terms of the rhythms they include and wildly vivid in the scenes they introduce. So, when we have a guest whose artistic presence is as multifarious as Samwise's, the potential for greatness is enhanced. As a gifted selector, he can be heard sharing his musical knowledge and taste at some of the finest festive initiatives around the globe, as well as helming his own Fast At Work events. His contribution to the series is a mind-opening and world-revealing trip across eclectic and ecstatic soundscapes.

Gop Tun 130 - Samwise

Got inspired by Dune 2 so I wanted to make a track that captured that vibe.

This is the first official release under my project Late Bloomer. I've been messing around with producing for a few years now and it feels so great to finally have a track that sounds good enough for an official release! It is available now on all platforms: https://hypeddit.com/9cx0s2. 

WAV Download Here: https://www.toneden.io/late-bloomer-7534-5967/post/gom-jabbar.

Thank you so much for the support! I have been passionate about music all of my life, and I was always so hesitant to start making music, so I decided to put off producing my own stuff for years and only stuck to DJing. The music kept calling me though and eventually I couldn't resist. I had been DJing for about 10 years, and I always thought that it was too late to get in the producer game, but amongst so many other things, the EDM community has taught me one value lesson: it is never too late to start something new. Because of this, I came up with the moniker Late Bloomer. It is not only a name, but also a message. It is never too late to begin a new journey, whatever that journey in your life may be.

A big part of why I was hesitant to start was because I never cared about getting big, and starting a project like this always felt like it added the pressure to do so. Music for me was only ever about making cool stuff that I could show to my friends, as well as a chance to give back a tiny little bit to the amazing EDM community that has given me so much in the past ten years. I am so excited to take a big new step on this wonderful journey of music creation, and I appreciate all of your support. 

Here's to exciting new things in the future, and to never forgetting what this is all about! Creating connections, staying present in the moment, and enjoying the wonderful things in life that we are able to share during this amazing time that we are living in. As always, I WILL SEE YOU IN THE PITS!!!

-------------------------------

Links:
Instagram: instagram.com/latebloomerdubs
Twitter: twitter.com/LateBloomerDubs
Twitch: www.twitch.tv/optiima

Stream / Free Download

Late Bloomer - Gom Jabbar

nearing sunset on sunday @gradient-campout 2025

thanks to printshop + @newpalm <3

live @ gradient campout '25

It's a round up of the best compilations from 2017, loads of Balearic, funky and house-y goodness!

Freedom - Get Up_& Dance	(Andy Smith Presents Reach Up!)
Floyd Beck - Party Is the Solution (Bill Brewster Presents Tribal Rites Part 2: Balearic)
Psychemagik - Night of The Wolf (Psychemagik Archive 2009-2017)
J.K. Mandengué - Afrika (Crown Ruler Sound compiled by Jeremy Spellacey)
Bobbie Gentry - Thunder in the Afternoon (Bill Brewster Presents Tribal Rites Part 2: Balearic)
Grady Tate - And I Love Her (LateNightTales - BADBADNOTGOOD)
The Durutti Column - Otis (La Torre Ibiza, Vol. 2)
The Force Dimension - 200 FA (Extended Mix) (Selectors 002 - Young Marco)
Krokakai - Ardu 1009 (Invisible Family Vol. II)
Keita Sano - With The Lights (Sensate Silk)
The Project Club - El Mar Y La Luna (Lovefingers Remix) (The Sound of Mercury Rising Complied with Love by DJ Harvey)
Key Tronics Ensemble - Calypso of House (Paradise Mix) (Welcome to Paradise (Italian Dream House 89-93))
Ron Trent - Prescription (Word, Sound & Power)

WYWRadioshow#119

Just in time for Berlin Pride, we bring you a series of recordings from the last Cocktail d'Amore at Griessmuehle. In this, LA DJ and Spotlight honcho Chris Cruse moves through the gears from head-down steppers to euphoria-inducing rave pianos and strings.

Get the full tracklist at https://crackaud.io

To keep going, we need your help. Become a Crack Magazine Supporter: https://crackm.ag/support

Live from Cocktail d'Amore - Chris Cruse

From the City of Angels it is our friend Bianca Lexis (@biancalexis) representing the 22nd mix. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Bianca, nice to have you on board. How's your day so far?

BL: Thanks for having me! Slow start to my day today, just woke up, worked out, and cooked myself some eggs and chorizo with pears and tahini. I’ve been hand modeling for extra money for a year now... LA is a crazy place.

MFM: ...hand modeling?

BL: Yes hand modeling! Like that episode on Seinfeld hahaha. It kind of fell into my lap at the perfect time.

MFM: Haha, wow. So, you've been doing quite a lot of radio, with regular shows at Dublab (where you've worked) and NTS too. What is it about radio that you like? 

BL: Yes, I volunteered at both stations for a while. It’s really cool to be a part of a larger community and easily find like-minded people all over the world who share a similar passion. A lot of times, being into music that’s not exactly top 40 can feel quite isolating. Because I feel so strongly about the music I love, to feel like I have an outlet to share that. Also, radio is a lot different than performing. I love feeling like I can play whatever I want. Mixes feel more personal. There is no pressure to cater to or pay attention to a live audience, which is a completely different form of DJing and also something I enjoy. 

MFM: Was it through the radio shows that you started playing dance floors too? You had a residency in a bar quite fast after you started, correct?

BL: Yes, I learned to DJ at my college radio station, then my friend Daniel T had enough confidence in me to let me play records with him in bars. Quickly after that, I secured a residency at the rather notorious bar, Tenants of the Trees, where I played records every Saturday night for a year. During this year, my collection grew, and I started playing proper dance floors at after hours parties. When I was let go from my day job at a greeting card design studio, I decided to try DJing full time. 

MFM: How's living in LA as a full time DJ? It is a rather big and spread out city, does that influence its scene(s) somehow? 

BL: I grew up here and never travelled until recently, so I wasn’t able to fully contextualize the city and its place in the global music community. Now that I’ve travelled a bit, I can appreciate how culturally fertile it is. There are so many different scenes, lively subcultures, countless parties. Liquor license restrictions make it so that bars and clubs have to close at 2am, so most of the scene gets pushed to risky illegal warehouse spaces. We don’t have clubs or reliable spaces to settle and nest in, which I think makes the scene feel a bit precarious. Also in order to cultivate a stronger local dance music community, booking local talent is extremely important. There are a lot of talented people here, but LA promoters tend to lean on bringing in bigger acts from other cities. Regardless, I truly love it here. 

MFM: You were supposed to be touring Europe a second time this year. Do you feel the world's lockdown has put your goals and dreams at risk?  

BL: Yeah definitely. I was really looking forward to that. This year has not been easy, especially for music/event workers. It’s comforting to talk to others in the same boat and to know I’m not alone though.

MFM: What are you hoping for once this situation is behind us and things pick up again? 

BL: When clubs start to reopen, it will be gradual and awkward. I think the pandemic will leave behind lingering psychological impressions - I feel uneasy just thinking about stepping in a crowded club right now. But all I can hope for is that a strong community emerges on the other side, with more fervor and hunger than ever to get back. I don’t think it will change my perspective to DJing much. Admittedly, I’m not listening to as much dance music as I was before, but I miss the club so much and I can’t wait to play and hear bangers at the club once again.

MFM Mix 022: Bianca Lexis

A second small collection of music produced by or in association with Aboriginal and Torres Straight Islander peoples. 

A few years ago, Lew and I made a 'change the date' mix for our RRR show. I find it mind boggling that we're still celebrating dispossession with a public holiday in 2021. Not to mention our Anthem, which just stinks - both words and music. 

As a so-called 'Australian DJ', I am always trying to find ways to incorporate more Aboriginal and Torres Strait Islander music into DJ sets, radio, etc. I am hardly in a position to make commentary on the vastly diverse musical cultures that exist across the cities, towns and communities in Australia, but this again seemed like a simple way to provide an alternative soundtrack for a day that otherwise resounds with a dull, universalist rhetoric. 

If you like this stuff, have a dig for it. I've put a few links to music organisations below the tracklist so you can stream, download and support the musicians directly. Go listen to this kind of stuff direct from first nations artists, djs, broadcasters, etc. 

Dispossessed - Guni Yu-Gi
Kevin Birch - The Ghost of Werner Runtz
John ‘Whiskers’ Cox - Lulu’s Tune
Wuj Wuj - Harmony
John Bennet - Emus
Jupurrupu - Yello
Zenaida Gallagher & Kathleen Gibson - Ngurra Nyirripi
Dharma 87 - Sonny Boy
Electric Fields - Vision (cover of Lajamanu Teenage Band)
Bärra + Krazy J - Miyalk Dirramu
Kmace - Wayirribarra (remix 2)
Arnold Moscow ft. KMace - Djongi Raah
Callum Scobie - Karnta
Mambali Band - Yuwani
King Stingray - Get me out
Gondwana - Mook Mook
Ub Ubbo Exchange - Guyang Giiny (Fire Heart)
Bärra + Krazy J - Yolngu (Electronica Mix)
Nyawa Kulila Wangka - Look, Listen, Speak

https://pakam.com.au/
https://kingstingray.bandcamp.com/track/hey-wanhaka
https://www.youtube.com/channel/UCq73rnFy2bUInDsY5Mw1Ppw
http://incitearts.org.au/rsc/
https://www.indigitube.com.au/
https://ububboexchange.com/
https://caama.com.au/caama-music/music

pic: edible acacia seeds

Coloured Stones 2

"Piano music for your sweet wines!" - @yu_su

Yu Su 'Piano Wine' Mix For B.P.T.

🌀🍃🐠🧜‍♂️🍊. !

@FASTATWORK
@LIFEANDDEATH
@THEHIGHERGROUND 

contact / booking / ideas sam@lifeanddeath.us

Bean Radio Mix 038: Samwise

Bean Radio

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