Name: Put It In by Bearded Twin
Duration: 2 min 13 s
Description: Revisiting a collaboration from just about a decade ago. A porny little dance track made in collaboration with my dear friend the amazing fabulous author/poet/essayist Carley Moore. WAP before WAP.

Revisiting a collaboration from just about a decade ago. A porny little dance track made in collaboration with my dear friend the amazing fabulous author/poet/essayist Carley Moore. WAP before WAP.

Put It In

phase transition mix - Robert Lippok



I am very happy about the collaboration with Iranian internet radio Beshknow. I got to know them because they played a number of releases that were put out on raster media, including my last LP, Applied Autonomy.  I asked them if they would be interested in broadcasting a mix of nature, water and glaciers as reference points. And I also asked if there are glaciers in Iran and if it would be possible to get sound from them. I am overjoyed that the members of Beshknow Radio took on the adventure of a five-hour journey to Kholeno Mountain despite the tense pandemic situation in Iran. The photos they sent me illustrate the dramatic situation of the local glaciers. I am also very grateful that an artist I admire very much, Teho Teardo, has contributed an exclusive piece to the mix.  While searching for suitable pieces, I came across an unreleased piece in my archives that my former band to rococo red composed for the exhibition New Ocean by American artist Doug Aitken at the Serpentine Gallery in London. Three pieces of the mix are of course from the book / CD release Glacier Music II, a collaboration of the Goethe Institute Georgia and the label Establishment.Towards the Glacier is from the first Glacier Music CD, it is a collaboration with Kyrgyz master Askat Jetigen. For the first time Beshknow Radio will collaborate with USMARADIO Interdepartmental Research Centre for Radiophonic Studies / San Marino for this broadcast. 

01 field recordings from the Kholeno mountain - Dariush Sardari
02 Glacier - Ryūichi Sakamoto
03 Sea Changes Pt 1 -Teho Teardo 

04 Light Breaking - Anushka Chkheidze, Hayk Karoyi, Robert Lippok
05 Waves for Flutes - R.I.P. Hayman
06 field recordings from the Kholeno mountain - Dariush Sardari
07 In a Landscape -  Gabriele Emde 
08 Air Modulation - Mapstation / Paul Wirkus
09 Winter Into Spring - Robert Lippok
10 Galena - to rococo rot 
11 Infinite - Hayk Karoyi, Robert Lippok
12 Become Ocean - John Luther Adams
13 Numbers Drop - Anushka Chkheidze, Eto Gelashvili, Hayk Karoyi, Robert Lippok
14 Towards the Glacier - Askat Jetigen & Robert Lippok
15 field recordings from the Kholeno mountain - Dariush Sardari / Seascapes - R.I.P. Hayman / Juta loop - Anushka Chkheidze

phase transition refers to the physical process of transition from ice to water, from water to water vapour and vice versa.

Robert Lippok - Phase Transition [Glacier Music]

from "To Live & Die In Space & Time" CS
https://moonglyph.bandcamp.com/album/to-live-die-in-space-time

Lynn Avery & Cole Pulice - "Belt of Venus"

Psychedelic pharmaceutical punk rock paean to everyone's favorite sleep aide.
Copyright 2018 by David Gochfeld

Tyler Tries

Ambien

Tyler

New Car Smell

رودی - تهران
شعر و اجرا : رودی
تنظیم : سهند ام زد
عکاس : تارا 
 توضیح عکس : آجر های آزادی ، روز سیصد و شصت و دوم آرشیو پاره پاره ، تارا ، سال دو هزار و هفده
طراح جلد : سواد
تاریخ انتشار : هشتم اردیبهشت نود و هشت

دریافت از تلگرام : https://t.me/roodyrapkone

متن آهنگ :
"همخوان"
تهران یه چیزی رو تو من کشته
تهران من هنوز دستم مشته
تهران، آسمونت سیه چرده
اینجا کسی آزاد میشه که مرده

بخش اول
این درا که بستس حداقل پنجررو وا کن
یه هوای خاکستری، کاسب میده به مشتری
کنار چراغ برق، یه تنه درخت مستقیم
رفته تا خود بالکن، پنجررو وا کن
من و خودم دشمنیم، چه برسه به مردمی که کل فکرشونه فقط بکنن مفت بری و
جیب من، پر نقل کاف و گاف و قرص معده س
یه ذره نون خواستی بکن
داد میزنه از ته چاه که تو این بدن روحی نیست
تو خیابون بچه و دوچرخه و صدای خنده و آوازه خونی نیست
کبوترا کرن از صدای سکوت شهر ، ماشینا فهمیدن پرنده رو هیچ بومی نیست
تهران یه دایرس..
تهران یه دایرس ! یه قاصدک که پر از خط صافهقلب خاطرش 
خوبه چون
تهران یه دایرس و خیلی بزرگه شعاعش
ولی جلو چشم کورت عمرا بره سوراخش و
من میچرخم رو دایره
از سرو بلند قامت جامعه ندارم ترسی
نه حدی نه مرزی نه هیچی نمیتونه بگیره خطی از دفترم 
بکن یه کاغذ سفید اگه میتونی بپوشونی با سیاهی بال ترست و
گاهی ستاره از تلاش بی حد ماه روشنیشو قایم میکنه نداره چاره
جغد شعر من بیداره، میخورم یه گیلاس واژه میدم یه بطری کامل و
من نفسمه آتیش تو دهنم
جلو منو نمیگیره نه پلیس، نه ارشادش
 هیپ هاپ جنسیت نداره
تو رپ میکنی بگی زنی، از پلیسم بد تری، فقط دنبال مایه
شاخه رو بچین منظره رو ببین
اینه اصل مطلب
 شروع کردم و کلماتم موندگار هستن
قفل زیرزمین به دستم
واسه شما چاقالا این زیر جایی نیست اصلا
باید برگردید از اول
حرفام زیادن گوشاتون خیلی تنبلن
جون بکنین از بدن
جواهر رو ول کن من خود معدنم
این شروعی بی پایان آدمای میرا
هیپ هاپ جاودانه
اینو بنویس رو تنم رو سنگ قبرم
که زنده و مردم زیرزمینه تا ابد
با سر بالا با سر پایین

سر بالا سرت پایین
سر بالا سرت پایین
سر بالا سرت پایین
سر بالا سرت پایین 


همخوان
تهران یه چیزی رو تو من کشته
تهران من هنوز دستم مشته
تهران، آسمونت سیه چرده
اینجا کسی آزاد میشه که مرده

Tehran

While we cannot see small nanoscopic objects like proteins or other molecules that make up virtually all living matter including our cells, tissues, as well as pathogens such as viruses, our computational algorithm allows us to make its material manifestation audible.  This piece is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB [1]). 

MUSICAL DECEIT

A virus’ genome hijacks the host cell’s protein manufacturing machinery, and forces it to replicate the viral genome and produce viral proteins to make new viruses from it.  This musical art teaches us something about the fine line between beauty of life and death as an opposite pole.  As you listen to the protein you will find that the intricate design results in incredibly interesting and actually pleasing, relaxing sounds. This doesn’t really convey the deadly impacts this particularly protein is having on the world. This aspect of the music shows the deceiving nature of the virus, how it hijacks our body to replicate, and hurt us along the way. So, the music is a metaphor for this nature of the virus to deceive the host and exploit it for its own multiplication. 

HOW IT IS DONE: 

What you hear is a multi-layered algorithmic composition featuring both the vibrational spectrum of the entire protein (expressed in sound and rhythmic elements), the sequence and folding of amino acids that compose the virus spike structure, as well as interwoven melodies - forming counterpoint music - reflecting the complex hierarchical intersecting geometry of the protein [2].

Scientific references:

[1] Wrapp et al., "Cryo-EM structure of the 2019-nCoV spike in the prefusion conformation," Science, 2020, DOI: 10.1126/science.abb2507

[2] Buehler et al., "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," ACS Nano, 2019, DOI: pubs.acs.org/doi/10.1021/acsnano.9b02180

Viral counterpoint of the coronavirus spike protein (2019-nCoV)

Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV)

GRACIAS

Gracias por el reto del dolor
gracias por transformación que refuerza con amor
Gracias por librarme de ser más y más y más 
gracias por la compasión para siempre ir en paz, gracias
Gracias por mi sombra en tu luz
gracias por paciencia cuando voy cargando cruz
Gracias por mi canto por mi voz
gracias por silencio que me una en todos

Thank you for the challenge of this pain
thank you for the transformation opening again 
Thank you for the freedom of release
thank you for compassion may it help me go in peace 
Thank you for my shadow for my loss
thank you for the patience when I’m carrying my cross
Thank you for this song and though I sing
thank you for the silence in the heart of everything 

© Carlos Ancalmo 2019
Carlos Ancalmo: guitar, piano and vocals 
Nelia Vishnevsky: guitar, vocals and arrangement 
Alex Nero: charango, ocarina, flutes and ambient fx
Sean Hoots: shaker and sound fx
recorded and mixed at Stonekilll Studios/ upstate New York by Sean Hoots


chords:
first section/ Am C G Em E7 x2  F Am C E7 x2  Dm G Em E7
second section/ Am F G Em A Fmaj7 G Em

Gracias

Brooklyn based producer, performer, multi-instrumentalist, band member. Are you a singer, MC, poet, filmmaker, producer, maker of theater, or art? Looking for someone to collaborate with? Hit me up. 

Put It In

Bearded Twin

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