Name: This Is Serenity - Original File. by Bearnoizestudio
Duration: 6 min 48 s
Description: Found the old file for this song, so enjoy, beats listening to it at 128 kbps huh. This is from 2007, so recording quality is shot.

remind me to remind me to remind life ! :)

reminds me of the first djent bands like fellsilent :)

i got goosebumps all over my body and i would really like to put some vocals on it.

I'm fucking djenting in class this shit is great😊

Into The Dark Valley

"Sun Tower" off Natural Snow Building's "Terror's Horns" out September 1st, 2015 on Ba Da Bing. Pre-order here: http://grapefruitrecordclub.com/products/copy-of-natural-snow-buildings-terror-s-horns-cd-pre-order

Sun Tower

green green red - demo

Here we present SATOR MALUS  of The Netherlands,  with their debut album “Dark Matters”. SATOR MALUS play atmospheric black metal with conviction and ideas deriving behind darkness, space and worlds beyond the eyes of humanity.  (Ex) members of such bands as The Spirit Cabinet, Walpurgisnacht, Grimm, Cirith Gorgor, and Hooded Priest, they are not by any stretch new to black  metal.  Also they’ve brought upon IX of Urfaust as special guest vocalist to one of the tracks for fans who can relate.  Forever Plagued is presenting the CD & LP (coming soon) release of their debut.

Dark Matters

Sator Malus - Endless Cycles Of Life And Death Feat. IX of Urfaust

Cult Of Luna  Julie Christmas - Chevron

Found the old file for this song, so enjoy, beats listening to it at 128 kbps huh. This is from 2007, so recording quality is shot.

Album

This Is Serenity - Original File.

The reference points for Patrick Walker's emotionally searing, purely melodic brand of doom metal are Justin Broadrick's Jesu project, Bob Mould's bleak rock (à la Black Sheets of Rain), and Michael Stipe's singing at his most nakedly confessional -- though he sounds like no one but himself. Walker's former band, Warning, released one of doom metal's classics in 2006's Watching from a Distance, which created high expectations for any subsequent project. The Inside Room doesn't disappoint. A trio fronted by Walker and featuring engineer William Spong on bass and former Warning drummer Christian Leitch, 40 Watt Sun deliver five songs (ranging from just under seven minutes to nearly 11) that draw on all of his strengths. His protagonists are tortured people; they're literally ripped apart by love, desire, the wish for deliverance, loneliness, and regret. He's unafraid to give them a clear voice, allowing their pain and vulnerability to give them dimension. The pace here is slow to very slow and the guitar is as pronounced as anything in the doom or metal genre, without all the jive, "evil for it's own sake" or faux gothic clichés for lyrics. "I can't see my way when shame is covering my eyes" are the opening words in the album's first track, "Restless." As Leitch's drums plod, accenting each sung line, Spong's bassline adds an element of danger to the clarity in Walker's voice. His guitar lines, from one snail-like chord to the next, reveal the coiled power of chaos that lies just under the surface of his character's frailty. The riff in "Open My Eyes" is spun out one layered, distorted string at a time, with well-placed rim shots and a steady thrumming bassline. The protagonist seeks to express his gratitude to his beloved, all the while seeking to pull her from sinking under the same emotional depths she's pulled him from previously. A subtle second melody creates another series of tensions as the singer finds himself powerless to help affect this change. "Between Times" is the most representative doom tune here, with its words "Carry me over between times/In your red room on quilted blankets/Laying awake in this low light." The gorgeous lyrics (printed in the booklet) are murkier on "Carry Me Home," wrapped in a blanket of fuzz and melancholic menace. "This Alone" is seemingly pastoral in contrast to the rest, but its twinned guitars and basslines underscore the funereal pace of Leitch's drums. It rings, on and on, seemingly forever, even as Walker's voice expends itself, professing love even as it expresses terrible loss and projects total loneliness. The Inside Room is almost monstrously great even as it pushes doom metal to its margins and over them. (via allmusic.com) 


40 Watt Sun - Restless

25 years after their first collective effort - the neo-classical ambient recordings that would eventually appear on Urfaust’s ground-breaking release ‘Geist ist Teufel’ - IX and DOLEN are once again re-defining their creative landscape under a new moniker: 
M3†H ΔSSΔSSIN.

Combining their life-long fascination with 80s industrial acts such as GGFH and Skinny Puppy with modern subgenres such as witch house, horrorcore, while remaining deeply rooted in the black metal movement of the last millennium, they are again exploring new sonic extremes. ‘The Reptilian Side of God’ is a relentless and dystopian tour de force, demonstrating a total lack of respect for stylistic boundaries and conventions. It is a musical aberration, a freak project, if you will – cold and bleak – with powerful, pulsating basses, devastating drums and harsh synth leads, supplemented by the intense vocal performance of Urfaust’s IX – ushering the listener into uncharted and hitherto unknown territories.

M3†H ΔSSΔSSIN’s ‘The Reptilian Side of God’ presents a claustrophobic vision of a world about to end; nihilistic in its intent, raw, pure and precise in its execution. It is the final death growl of a disillusioned era – infused with demons, eagerly awaiting the triumphant return of The Eternal Adversary.

To be released November 30th, 2019 by Terratur Possessions exclusively.
GEIST IST TEUFEL!

VIDEO:
youtu.be/m7d0h2ObZIs

methassassin.org/https://youtu.be/s0T21HQgA5E

vimeo.com/367565570

HOMEPAGE:
www.methassassin.org/

This Is Serenity - Original File.

Bearnoizestudio

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