Techno

A journey within ourselves to discover our magic

The Magic Within

Gaia Groove - Genesis (FREE DWL)

01 - Ambler & Kari - Felt

Kobra

An expression of wanting to be and do better despite anything,

A hope to carry our burdens, to trance and dance them away 

Big love ❤️

Mastered by Zeamoon Mastering

Gaia Groove - Transcendence

Subspecies 4

Keep The Change (Original Mix)

Download

https://soundcloud.com/neurolabz returns with their highly anticipated second full-length album, ‘Singularity’!

Experience an audio journey into deep outer space with these ten twisted and futuristic tracks infused with heavy grooves and a sublime sci-fi flavour!

Get it here: https://zenonrecords.bandcamp.com/album/singularity

Neurolabz - Singularity [preview]

Soul - Track 6

A new chapter of the RONU sound.
Dark, hypnotic techno built on global percussion, sub-heavy drive, and cinematic atmosphere. Each track is a journey — pulsing 4/4 kicks, ancestral log drum echoes, metallic stabs, and haunting drones stretching through infinite warehouse space.

This series fuses Amapiano swing, Durban Gqom weight, and relentless techno pressure — layered with whistles, tribal shakers, and whooshing bass that breathes like an air hangar moving air. Minimal melodies rise and dissolve into haze, while percussion locks bodies into trance.

These aren’t just tracks — they’re rituals. Industrial rhythm fused with ancestral memory. A soundscape made for late-night festivals, underground basements, and movement without end.

RONU signature: cinematic depth, global textures, bass pressure, and percussive grit.

METEOR

My dear friends

I am happy to share my live recordings of one of the most magical night of my career so far.
I was invited to play in Oaxaca, Mexico together with Acid Pauli during 'Day of the dead' on 31st of oct 2015.
We played in some kind of old spanish church in the middle of the night. Because it was ‘the day of the death’ everybody was dressed like skelletons. They painted me as my dog Rivaldo, that passed away 3 months ago.
You can imagine playing in Mexico in a temple, on the day of the dead, with Acid Pauli, in front of Skelletons, while I was painted like my Rivaldo (and Martin had some kind of Jezus outfit) was pretty magical.

So I am excited to share with you the live recordings of this night.
I want to thank Mariana, ALKEMY and gem&bolt party w/ guest mezcal Amores and Meteoro to set up this night.
And all the people who came to show: you really made that temple come alive again!!

x Satori

ps its a bit hard to make a tracklist because there is a lot of different things with no names going on. But I will try it anyway. 

Satori- Voices of Toeareg
Satori live set jam of Lucky love and Jin Choi and some baselines and arps
Satori Violleta Para remix
Acid Pauli Violleta Para remix
Satori Greatest Against the world
Satori livejam with Villalobos  Enfants chants
Satori Boardwalk Fire
Satori Mercedes Sosa edit
Acid Pauli Tenhirt (Satori liveset remix)
Satori Zorro
Satori liveset jam of the edit of Acid Arab 
Nu & Castelli - Natur (SATORI Remix)
Satori - Ya Mamaa
Satori Knocking on Door
Satori Bad Looking Trouble 
Satori Sleep little baby
Satori live jam with parts of Aldhechen Manin and some baselines and arps
A violin from the balkan
Satori Imanis Dress
Sample of Dead Combo - Esse Olhar que Era Só Teu 
Satori liveset jam with sample of Axel Krygler - Serpentea el Tren and some baselines and arps
Satori edit of Jon Hopkins Small Memory Thungg edit
with the cute vocal of Diana from Ukraine, check her out here, its amazing!!
https://www.youtube.com/watch?v=idnhApATqlg




Satori LIVE- Día de Muertos, Oaxaca Mexico

6-8 Morgens in unserem Lieblingspuff… Bordel des Arts <3 
Danke an Vom Feisten für dieses Intermezzo! 

Check him out:
https://soundcloud.com/vomfeisten
https://www.facebook.com/flovomfeisten/

Bordel des Arts:
https://soundcloud.com/bordeldesarts

A.D.H.S.:
https://www.facebook.com/ADHS.Official.LassunsTanzen/

Vom Feisten b2b A.D.H.S. | Bordel des Arts | Salon zur Wilden Renate

Marcus Meinhardt-Deep Chilling-LoveLip_B12 (Guy's Bar)

Sonne, Strand und Meer Podcast: John Evexc meets Kai Hillmann b2b

@johnevexc
@kaihillmann
@sonnestrandundmeer
https://www.facebook.com/kai.hillmann.music
https://www.facebook.com/SonneStrandMeerMusic/

Sonne, Strand und Meer Podcast: John Evexc b2b Kai Hillmann

Music and production -  Pranaspheric
Artwork - Placid Child

Pranaspheric - A Life After Drone

HQ DLWD

Lucid adventure

https://www.mixcloud.com/sashabase/
https://www.instagram.com/sashabase/

When the first Beat Bizarre vinyl is released in 1999, it turns the established paradigm of Psychedelic Trance upside down: Powerful and impelling, yet at a moderate tempo. Minimal and repetitive, yet everything but monotonous. Catchy and with a high recognition factor, yet without any prominent melodies or hook lines. Dark and mysterious, yet funky and uplifting. Back then, the sound of the Danish project is the epitome of a movement that has just begun: Progressive Trance.

 The sound of Beat Bizarre is embraced by the scene with such great enthusiasm because it features an entirely new approach towards psychedelic dance music. Instead of using the ecstatic melodies of classic Trance productions, its hypnotic power evolves from booming basses and tight percussions, from subliminal rhythmic buildups, and from a multitude of grinding and jangling sounds that merge into a perfectly sleek groove. When this formula finds expression on the album “Lewd” in 2001 it doesn’t take long before Beat Bizarre are invited to play at all relevant parties and festivals around the world. Among many successful tracks the “Brain Drain RMX” gains probably the biggest popularity, a true milestone of the Progressive Trance genre.

 Originally Beat Bizarre starts as a duo, but in 2005 it becomes the solo project of Martin Spanner Zimmermann. Some might also remember his monumental “Liquid Structure”, the opening track of 2001’s VuuV Experience festival which he produced under the name Martian. His successful albums “MUHKARV” (2012), “Riot” (2013) and "Maunder Minimum" (2015) take the typical sound of Beat Bizarre to a contemporary level without giving away its organic soul. Operating from a studio full of analogue hardware, Martin is eager for action as ever before – so it surely won’t get boring for all the Trippy-Tech heads out there!

Red

Beat Bizarre

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