Antialiasing

Here's the recording from my 160-170bpm jungle set at Shambala this year. Big shouts to Data Mine for having me and to Busta on hosting duties!

Frenetic ft Busta (Jungle set) live @ Shambala 2023, Data Mine stage

I kinda hate Drake tbh

This track clips and I'm ok with it

Contains samples from Footwork Homicide by DJ Nate

GEIKHA - Kendrick Lamar - NOT LIKE US FOOTWORK EDIT

Our debut single.

Sarah - Guitars and Vocals
Ross - Guitars
Matt - Bass
Andy - Drums

Recorded by Andy and Ross @ Loft Space, Sheffield, May 2024. 

Mixed and Mastered by Andy at home and also in his van whilst he was in the Lakes.

© all rights reserved.

Hot Dog Contest

Second track from our upcoming e.p., 'Battles Is Battles'.

More Shoes! More Boots! More Garlic!

Third track taken from our debut e.p., 'Battles Is Battles'.

Sarah - Guitar and Vocals
Ross - Guitar and Vocals
Matt - Bass
Andy - Drums, Guitars and composition on Track 2

Recorded August 2024 @ Loft Space, Sarah's attic after eating lasagne, and Ross' spare room. Mixed and mastered by Andy (not in the van this time).

The band would like to thank our loved ones, Kevin @ Loft Space, Werner Herzog, and Chocolate Yazoo.

I Don't

This track was produced and sequenced entirely using code, more specifically the livecoding language TidalCycles, alongside different effects using SuperCollider.

BUY ... geikha.bandcamp.com/album/turra-workz-coded-00
CODE ... github.com/geikha/turra_workz

title: TURRA_WORKZ.tidal,
artist: GEIKHA,
orig_artist: Cazzu & Alan Gomez,
bpm: 160.014,
scale: F# [2B],
cps: 0.666666666666667,
orbits: 14,
duration: 294.630476190476,
sample_rate: 48000 Hz,
stereo_width: 0.005,
rms: 0.34602466,
zero_cr: 0.0278872510146584,
sp_centroid: 1385.37620061554,
sp_bw: 1966.30428514652,
sp_contrast: 22.3569280871399,
sp_flatness: 0.0031593582,
sp_rolloff: 3046.43150640442

[160BPM] TURRA_WORKZ [CODED] (Cazzu - TURRA Edit)

do
  -- setCycle (0)
  hush
  all $ id
  setbpm $ 160
  let trans = note (2)
  let note' n = note (scale "minor" n+4) |+ trans
  let kb = slow "1 1 1" $ mono $ quant 0 $ foot 0
  let bsp = slow 1 "<0!7 0>" |+ "0 0 0 <0 7> <0 -2>/4"
  d1 $ stack [ silence
      ,kb # "r70sddk" |+ nt 1 # hpf 400 |* g 0.8 # cut 1 # acc 0.2
      -- ,press "47sd:2*1" # sh 0.4 |* g 1 # rel 0.1 |- nt 2
      -- ,mask "ftt" $ foot "<0 9>/4" # "47cp:14" # hpf 400 # atk 0.4 # cut 3 |+ nt 2.5 # pan "[0.4 0.6]*3"
      -- ,"~1(5 5 0,8,<4 3>)" # "47tom:4" |- nt "~ ~ 2 7 7" # pan "0.6@6e 0.35" # sh 0.4 |+ nt 1
      -- ,beat "<2.25 2.5>" 4 "r70perc:12" # cut 2 # fshift 430 # lpfrel 0.4 # lpfcurve (-12) # g 0.86 # eq' 9100 10 0.5 # acc 0.2 # pan 0.7
      -- ,"traphh*16" # n 7 # rel 0.1 # pan 0.55 |* g 0.9
    ]
  -- d2 $ kb # note' "0" # "footbs:1" # cut 1 # sh 0.8 # rel 1 # atk 1
  d2 $ kb # note' bsp # "shabdppsy" # b 0.013 # cut 1 # sh 0.4 # amp 0.5 # rel 2 # eq' 50 4 2 # eq2 300 (-4) # lpf 9000 # atk 1
  d5 $ offcut 0.25 (\x -> panrand' 0.3 $ chop 2 x |* sp (-2) |<| "~1__" |* g 0.99 # bpf 1700 # wider 0.8 # side 0.7 # invst # ar 0.01 0.1 # crush 12 # coarse 2)
        $ chop 1 $ "ambientgtr" # be' 64 2.75 "<50 32 16 32>" # trem' 7.4 0.5 # cut 1 # l 1 |+ trans # room' 0.8 0.7 # hpf 100 # eq' 5000 2 2 -- # phaser' 0.8 0.2
            -- # rel 2 # sp 1
  getnow 8

-{ 
sample: https://freesound.org/people/Destructo20/sounds/752682/
-}

melankoli.juke_250121 [LIVECODING_IMPROV_2]

Rhythmic parts made with Tidal Cycles, editing and the final section finished in Ableton. The track samples Hofa's Santa Claus Is Coming.

Tidal project code available below (illustrative, as source samples will be missing of course):

d4 $  slow 4 $ loopAt "[6,2,8]" $ chop "<4 2>" $ sound "Hofa:6*2" # cut 1 # amp 0.7

d6 $ hurry 0.5 $ slice 8 "<~[4 5 2 6] ~ [[4 ~] 5 6 7]>" $  sound "Hofa:1"
# legato 1.1 # gain 1  # hpf 350 # room 0.6 -- # speed 0.5  -- # attack 0.1

d1 $ slow 4
$ slice 8 "3 5 0 2 3 5 2 7"
$ sound "Hofa:3" # legato 0.8 # amp 0.6

d3 $ hurry "0.5 ~ [< 1 4 3 8>]*3" $ juxBy 0.8 rev
$ slice 8 "3*3 5 0 ~ 3 5 ~ 0"
$ sound "Hofa:7" # legato 0.7 # speed "0.5 2"
-- # amp 0.75 # attack "0.025"

d2 $ every 4 (ply "<[1 5] 1 [1 7]>") $ "kick:5(3,8) [~ [kick:5 kick:10]]"   # lpf 550

d7 $ "perc:2(3,8,2) [< Hofa:10 Hofa:12> ~]"  # amp 0.8
      -- # crush 4.5 # hpf 40 -- # squiz 10  # lpf 10500

d5 $ hurry 2 $ every 4 rev $ squiz "5(3,8) 2 10" # n "2 5 1 10" # s "Hofa:0" # offset 0.2 # legato "0.5 1"
      -- # smear 0.2 -- # speed 2

d8 $ splice 8 "0 2 [2 0 1 4 3] 5" $ sound "break:4" # amp 0.6     --  $ hurry "4 1 0.5"
d8 $ hurry "4 1 0.5" $ splice 8 "0 2 [2 0 1 4] 3 5" $ sound "foley:10 break:4 " # amp 0.6  # attack "0.08"

FOHA

Brink Liff Theme

New piano piece. Small part of something bigger i'm working on.

Untitled June

Dublin-born, Sheffield-based music producer and musician with a Master’s in Music Composition and Computer Music. Ross' work spans from solo piano works to distorted DnB.

Ross also plays with live coding music and visuals through Strudel.cc and hydra.ojack.xyz.

Antialiasing

Ross Prendergast

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