It's very catchy and lively! without realizing it my body dances! It could perfectly well be a Eurovision song, people would go crazy. 12 points! keep it up, you're great

Beautiful melody and positive summer vibes , I love it !!!!

Composed and Performed by @beatbakeryuk & @milenalainovic
Produced @beatbakeryuk

Paradise

Paradise (feat. Milena)

Deep drone with Acoustic violin

Cool down,and chill

Enjoy!

Deep Space 101 :Deep Acoustic and Electric Drone

SUA Sponte

Collaboration Janjòrsteen + Trampelfâd
2022-2023

visit 
https://soundcloud.com/user-526356403

Serial 34  [Collaboration Janjòrsteen + Trampelfâd]

Composed & Performed by @beatbakeryuk & @bellussi
Produced by @beatbakeryuk

Got You

Got You (feat. Bellussi)

My track submission for The Producers Corner challenge #291

Introspection

Introspection - LyricalLisa

Got You - Extended Mix

Got You - Extended Mix (feat. Bellussi)

The Tears In My Track

Flail

Disquiet Junto Project 0614: Alternate Route
The Assignment: Do something you often do, but differently.

Playing acoustic instruments into a system of effects is a thing I’ve been doing a lot. Usually I do this in an improvisational, exploratory way: having only a rough idea of what I want to start off with, and then just seeing (actually: listening) where the music will take me.
Something I’ve been thinking about is using this way of playing in a context where at least some of the material is composed, thought out before hand.
So I used the prompt to do a bit of experimenting in this area.

The piece I made uses Erik Satie’s Gnossienne 2 as its main material. 
My idea was to dissect that piece into its component parts, then play and explore around those separate parts and in the end stitch the recordings together into something that would stay true to the original score. A sort of rearrangement.
In the end I had to abandon that idea. Lack of time mostly. And also, I thought it worked better to give some of the non-melody parts a bit more space.

The instruments used are piano (actually: sampled piano), kalimba, duduk, zither. And I used mainly three effects chains: one centred around saturation (on the duduk), one around using lfo’d panning - and a bit of distortion - as a sort of tremolo effect (on the zither), and one around using reverb with varying room size - giving a sort of tape warble feel - (on the whole mix).

I can see some potential for this way of working with composed material (also using my own compositions), though using composed material while still retaining the notion of the music arising in the moment of playing (that is: without requiring a lot of editing), is a different matter.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

Gnossiennesque - after Satie Gnossienne 2 (disquiet0614)

Ronie Berggren och Björn Norström om det senaste i USA: Islam påverkar väst negativt; Mike Johnsons tro hånas; Hillary Clinton fördömer Hamas och är tydlig i stödet för Israel; Antisemitismen sprids i många amerikanska städer; Dallas demokratiske borgmästare Eric Johnson byter parti till republikanerna; George W. Bush gör First Pitch på World Series; Illegala kineser strömmar in i USA; ”Sound of Freedom” nu på bio I Sverige; Mer än hundra professorer i New York ger stöd till Palestina - men kontras av andra professorer; Biden öppnar för humanitär vapenvila i Gaza; Metamfetamin-kris i Boston; Biden kritiserar New York Times för felaktig Israelrapportering; Anthony Blinkens vittnesmål om Israel-Palestina avbryts av vänsteraktivister; Tusentals muslimer marscherar och skanderar i Toronto.

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STÖD AMERIKANSKA NYHETSANALYSER: http://usapol.blogspot.com/p/stod-oss-support-us.html

Av1982: USA-uppdatering med Björn Norström, 2 november 2023

HOUSE POP @classicmikemusic @hypnotyst
DON'T REALLY KNOW 🔥
Out Now! @hitmusicgroup @warnersweden

Paradise (feat. Milena)

Beat Bakery

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