“Basho” makes sense...   made me think of plucking on strings even.... 👍🏾

Taken from upcoming album "Only Love From Now On", out Feb 25th on Smalltown Supersound. 
Pre-order here: 
https://carmenvillain.bandcamp.com/album/only-love-from-now-on

Produced by Carmen Villain.
Mastered by Rashad Becker.

Gestures w/ Arve Henriksen

From the album "New Environments & Rhythm Studies" - out on June 27th .
andrewpekler.bandcamp.com/album/new-en…ythm-studies

Fabulation For K

We jump in a Chevy convertible at high noon and tune the radio into the storm clouds rolling on the horizon. Then we set off for the border town on the edge of the desert, peyote and dreamcatchers in the trunk, slide guitar and spring tank on the back seat.

But as the highway stretches out to the vanishing point, and the radio relays a steady motorik pulse amid the cosmic noise, the tumbleweeds begin to roll upwards and the cacti at the side of the road bend to the sky. Radio static gives way to an interplanetary narration, all detuned notes and swirling codes. It was then that we realised the receiver was wide open, and the signal was set to solar broadcast on wavelength infinity.

All music written, performed & recorded by Ernestas Kausylas, except bass on A3 by Vainius Indriūnas, bass on B2 by Vilius Lengvinas, drums on B3 by Martynas Stoškus & Saxophone on B3 by Danielius Pancerovas

Mastered by The Cologne Wizard 
Text by Fizzy Veins 
Cover photo by Mija Kembrė
Design by Ryan Dougan & Dominik Rodemann 
Distributed by Rush Hour

Pre-order

SONLP-015 - Brokenchord - Stone Island Tracks (snippets)

Living Room n°78 ~ @olga_udda

q. pls introduce yourself
a. Hey 🌸 I’m Udda, Ukrainian dj based in Berlin, part of Bass Resistance collective.

q. is there a story behind the mix?
a. It took me a while to put this mix together. Sometimes, while selecting tracks, I wanted to make it more grounding, and other times, I leaned toward something more ethereal and far from the earth. In the end, I think it turned out to be some sort of dance between these two states. 

q. what’s the best way to enjoy your mix? 
a. On the train, heading home after insightful trip.

q. describe a favorite object in your living room...
a. A small Chinese clay teapot 🍵

q. are you working on any projects right now (music or not music)?
a. I’m helping friends to build a platform for electronic music artists  and fans. Hopefully soon we’ll share more about it.

Living Room n°78 ~ Udda

Basho

Limited and hand-stamped collaborative publication between Séance Centre, BlackMass Publishing, and The Strangeness of Dub. Includes a published transcription, collaged booklet by Yusuf Hasan, and cassette.

In April 2022, Brandon Hocura huddled in the Séance Centre inventory closet to block out traffic noise and recorded a three hour conversation with Edward George. The exchange was modelled on The Wire magazine’s Invisible Jukebox where artist’s improvise responses to a number of songs, drawing out themes, memories, and theories from their sonic praxis. In this case, the discussion sprung from George’s lauded TheStrangeness of Dub series as well as his longstanding work with Black Audio Film Collective and Hallucinator (Chain Reaction). 

From the introduction: “In the 1996 film The Last Angel of History Edward George plays the Data Thief, a sonic archaeologist who travels back in time in search of fragments of Black musical technologies that hold the keys to the future of mankind. In life, as in fiction, he is a theorist of vibration, reading the melodic codes and subaltern tales embedded in sound for clues about the past, present, and future. In The Strangeness of Dub, he uncovers and elevates the discourses encapsulated within dub music — he reads King Tubby, Burning Spear, Don Drummond, and Lee ‘Scratch’ Perry alongside Foucault, Benjamin, and Derrida. In this capacious methodology of listening, knowledge is non-hierarchical and non-linear — Jah Shaka is as much a metaphysician as Wittgenstein.”

Edward George is a writer and broadcaster. Founder of Black Audio Film Collective, George wrote and presented the ground-breaking science fiction documentary Last Angel of History (1996). George is part of the multimedia duo Flow Motion, and the electronic music group Hallucinator. He hosts Sound of Music (Threads Radio), Kuduro – Electronic Music of Angola (Counterflows). George’s series The Strangeness of Dub (Morley Radio) dives into reggae, dub, versions and versioning, drawing on critical theory, social history, and a deep and wide cross-genre musical selection. Edward George lives and works in London. 

Co-release by Séance Centre, BlackMass Publishing, and The Strangeness of Dub

SIDE A DISCREPANT ECHOES CASSETTE

All Stars Have Names

Time Is Away Theme

Powered Flight

AT LAST

Release date
16 October 2025

AUDIO VISUAL CONCEPT ART.
https://www.youtube.com/@umindcreation

https://ffm.bio/xecho

Basho

Beatrice Dillon

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