Next up on The EDWIN Music channel is Canada-born, Berlin-based DJ @Darwinspec globally celebrated for her distinctive, community-fostering take on all kinds of bass music. Since 2014 she has run her party REEF in Berlin, which today materialised into the city’s most sought-after club night for unmarked Sound System influenced dance music.

To read the full interview visit: https://edwineuro.pe/mix124darwin

N°124 - Darwin

LA’s Carré kicks off the first in a two-part mix series curated by Darwin, marking a decade of the SPE:C label. Known for her subversive sets and a sharp focus on dubstep, leftfield techno, and bass-driven sounds, her contribution to the RC mix series delivers exactly that.

Darwin: "I met Carré a few years ago when she booked me for her party at Fast at Work in LA. I’d already been playing out her dubs quite a bit and had asked her then to sign to SPE:C. It was really inspiring to meet another woman as dedicated to running events and as passionate about dubstep and bass music as I am. Carré’s flair for lush, dreamy atmospheres is unmatched, and I feel honored to have been able to give her a platform to showcase that. She’s also a killer DJ and played one of the sickest after-hours sets at REEF last spring. You can check out her skills on this mix."

@carreo

RC:149 Carré

Pressure Dome w/ Notte Infinita: 15th May '25

Out to @martharadio for having me on the show
Pic by Gabriel Sauvageot

SSSLIP & Beton Brut - Transit Limb (Beatrice M. remix) (Grid)
Beatrice M. & Jan Loup - Shallow (Al Wootton remix) (Garmo) 
Beatrice M. & Sub Basics - untitled (dub)
Beatrice M. & Theorist - Tangent (dub)
Beatrice M. & Theorist - Come w us (dub)
Beatrice M. & Jan Loup - Si, j'adore (dub)
Sepher - Roll The Dice (Beatrice M.’s dubble six remix) (SPE:C) 
Trois-Quarts Taxi System - Coma (Beatrice M. remix) (forthcoming)
Beatrice M. & Sub Basics - Slowly Drifting (forthcoming) 
Beatrice M. - Seek (Soa420 gangsta remix) (dub)
Tim Reaper - Triumphant March (Beatrice M.’s school night remix) (forthcoming)
Beatrice M. - Magic (Slimy Ape remix) (dub)
Beatrice M. & Sir Hiss - Juice (dub)

BBC RADIO 1 - GUESTMIX FOR MARTHA - 100% PRODUCTION MIX (COLLAB SPECIAL) 24.06.25

Two hours from Henry on his own showcasing what he and his friends have been up to lately (and some promos of course) :)

Henry Greenleaf: 8th August '25

Alicia B2B Flatcap: Live from Rebloom, FOLD - 07 August 2025

CAIV deliver rigorous, syncopated machine rhythms on the Lives EP from U.S bi-coastal collaborators Israel Vines and Camile Altay, following on from their formidable debut EP Dwellers on Tresor last year.

Lives is four finely calibrated cuts riding a diverse tempo range, unified by rich harmonics and resonant percussive layering over veiled bass textures, where distortion becomes detail.

https://ooda.bandcamp.com/album/lives-ep
https://clonedistribution.com/release/80596

Observe-Orient-Decide-Act

CAIV - Lives

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Pugilist & Forest Drive West - Polygon [CEEXYZ05]

Upon announcement of the next Bait release, Tighe, Pianeti Sintetici & Yogg have all 3 recorded a 20 mins mix each showcasing their own output.

Bait présente Tighe, Pianeti Sintetici & Yogg (100% production mixes) - 1er Octobre 2025

Anüraa - Mistwarp

Deep waves

@baitlabel

Bookings:
UK/EU/ROW: carl@suomotubookings.com
NA/SA: josh@scaldinghot.xyz
FR: melchior@hellopedro.fr

BBC RADIO 1 - GUESTMIX FOR MARTHA - 100% PRODUCTION MIX (COLLAB SPECIAL) 24.06.25

Beatrice M.

Recent comments

Eclephsia 105

EERIE

Damna

digijaxon

Related tracks