Bonjour Beatriz - j'espère que vous allez bien et que vous êtes en forme. Je cherche la totalité de votre album sur soundcloud ou autre - je n'ai plus de lecteur CD pour écouter ma voix d'enfant - pourriez vous m'aider ? Ce serait un beau cadeau pour mes 50 ans à la fin du mois - avec tendresse - Emmanuelle Vaux

Beatriz Ferreyra

extr : 4’03’’ – 1985 - CD : Chrysopée  Electronique - Bourges LCD 278 1109 - n° ll, 1998- voix : Emanuelle Vaux

Petit Poucet Magazine - extr : 4’03’’ – 1985

extr : 3’32’’ – 2002 – APREM – CD : Motus M 30 2004- Voix : Simone Riste et Roger Cochini

Cantos De Antes - extr : 3’32’’ – 2002

 5’10’’ - 2001 – CD Computer Music Journal,  Sound  Anthology , vol 25, 2001 – CD: Instrumentos solos 09 - CCDBA

Jazz For Miles - 5’10’’ - 2001

extr : 4’14’’- 2001– CD 1 - IMEB –Compendium International – LDC 278 11 22/23 - chien : Timothé

La baballe du chienchien à la mémère - extr : 4’14’’ - 2001

Demeures Aquatiques -  extr : 1’21’’ - 1967

Un Fil Invisible - extr : 3’17’’ – 2009

a new, spectral outdoors
blurred headspace
nervous, metallic pleasure

Mistareez - Universal Floods

Limen

Resurgence

blueberry

~ IIKKI 020 ~

music : Akhira Sano
photography : David Nissen
album : Shadow's Praise
durations : 37.40 mn (LP) / 43.31 mn (CD)
date : April 20th 2023

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All production by Akhira Sano

Mastered by Giuseppe Ielasi
Artwork by David Nissen
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / marble (crystal, silver and white) LP / hand numbered  / pantone
cd: limited to 200 CD / hand numbered / pantone
book: limited to 500 copies hand numbered / embossed / selective UV varnish / hand stamped 

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pre-order : March 03rd, 2023 / official release : April 20th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://linktr.ee/Akhira_Sano
https://www.davidnissenphoto.com/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 2 0

Akhira Sano - Nakazu

PREORDER: https://lisalerkenfeldt.bandcamp.com/album/halos-of-perception

—

Halos of Perception

I want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.

Lisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.

Stemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.

As we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.

We paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a fascination with timbre and acoustic artefacts.

Ideas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.

This work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about the buoyancy of oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.

— Panda Wong, Sept 2023

LISA LERKENFELDT 'Stairway to the interior' (SP148)

29 Speedway announces their second solo release “Hydra” by Japanese experimental electronic musician Yolabmi. A staple of the DIY experimental electronic scene in Tokyo, Yolabmi frequents hubs like FORESTLIMIT, spread, and spazio-rita. “Hydra” diverges from Yolabmi’s earlier body of work that previously explored soft ambient sounds, acoustic textures, and field recordings of wildlife; tracks that feel like they’re straight out of Tsukamoto’s 80s machine-body horror films, heavy with repetition and glitch where sampling creates mechanical conversations.Yolabmi’s grasp on sound design has been central to their creative process and is a through line across their shifting sound. In this 8-track EP, we hear Yolabmi strip away embellishments to focus on using sound design for its percussive and atmospheric capacities. Elements shift, tick, drip, chirp, and groan, building to a dark fugue. “Hydra” is a dizzying ride with an undercurrent of drones and a constellation of sounds that feel like they’re traveling at at the speed of light.

Released October 27, 2023

Mastered by Ben Shirken [Ex Wiish]
Album Art by Marutonkun

Yolabmi - Liquidity

Artist: Giuseppe Ielasi
Title: Rhetorical Islands
Cat#: faitiche 35
Release: Mar 1st 2024
Format: LP/DL

First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris.

The album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evokes physical objects, some of which seem to have been constructed out of paper and cardboard, others based on a mechanics of elastic materials. Of course these objects are hallucinations, and precisely because Ielasi constructs them so masterfully there’s no need for any further information. Here’s to everyone creating their very own sculptures while listening to Rhetorical Islands!

The front and back cover features 0.058, a work on paper by the artists Thomas & Renée Rapedius. They make sculptures whose form and artistic inspiration are defined by their materials. Like Ielasi’s acoustic islands, their impact derives from self-referentiality, resulting in paradoxical objects that embody both a detailed material study and a potential for free association.

Giuseppe Ielasi: 06

crochet disques and notte brigante, transatlantic collaboration :
https://nottebrigante.bandcamp.com/album/nb05t-paloma-flash-bed-songs

the world takes selfies, tweets and spills its guts / a hushed, low-key atmosphere for sunday lovers / lovers of holidays and gentle strolls / gentian bitterness and spring glow / technology manufactures the future in quantity / minimum set-up for maximum vibes :)

a1 - bed intro 00:51
a2 - brigitte blues 02:49
a3 - mode d'emploi 02:34
a4 - interlude 00:39
a5 - bed africa 01:27
a6 - la nuit s'agite 02:45
b1 - bed dub 02:21
b2 - bed exo 02:32
b3 - bed inter cri 00:52
b4 - quelques minutes 02:20
b5 - interlude chelou 00:45
b6 stereophonie 02:31
 
C25 Bed Songs, edition of 50 cassettes

zZz....zZzz....

NB05t - Paloma Flash - Bed Songs

Het Ives Ensemble speelt dit stuk op 15 november aanstaande in Felix Meritis. Meld je aan op Facebook en betaal 15 ipv 25 euro:
<a href="http://www.facebook.com/event.php?eid=175869865828822">http://www.facebook.com/event.php?eid=175869865828822</a>

Morton Feldman (1926-1987)
Piano, Violin, Viola, Cello (1987) *

Cello – Job Ter Haar
Piano – John Snijders
Viola – Ruben Sanderse
Violin – Josje Ter Haar

Opname 3 &amp; 4 februari, 1994 in Sendesaal, HR, Frankfurt, Duitsland by Udo Wüstendörfer, Hessischer Rundfunk
Hat Hut Records - hatART CD 6158

Uitverkocht 

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Morton Feldman / Piano, violin, viola, cello

HG1706 - Hallowground.com
Buy the vinyl or digital album here: http://bit.ly/2xwBugg
Distributed by A-Musik and Cargo Rec.

Petit Poucet Magazine - extr : 4’03’’ – 1985

BEATRIZ FERREYRA

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