Coding Music

From Island Universe Story Two, by Helado Negro

https://heladonegro.bandcamp.com/track/we-will-you

05. We Will You

Nicolas Jaar - Too Many Kids Finding Rain In The Dust

Vetiver - You May Be Blue (Slowed + Reverb)

Carbon Based Lifeforms - Tensor

Colleen, aka Cécile Schott, is really one of those artists where if you know, you know. Her run of albums from 2003-2007, mostly on The Leaf Label presented an exquisite set of dream-worlds, where you could easily drift away on her loops of cellos, bells, flutes and musical boxes. But then a six-year hiatus from the music world made it almost seem like it HAD been a dream. However, she returned with The Weighing of the Heart in 2013, easily up there with her very best work - and now, teamed up with Thrill Jockey, she's showing that she's stronger than ever. This is the first track from her Captain of None album coming on April 7th, and damn, it's beautiful. 

Colleen "Captain of None" - Boiler Room Debuts

Resident Advisor Review

  The promo video made for Sunset of a Clown Volume II is the opening shot to a Godard film soundtracked by Nicolas Jaar's "Marquises." It's either the height of pretension, or pretty brilliant. That I can't work out which probably makes it the latter. Music that actually puts you in a position where you're required to think about how it makes you feel is often among the finest. "Marquises" and the tracks that surround it on this second release from Jaar's imprint aren't necessarily the greatest things in the world, but each of them occupy a space that is hard to quantify—and that's exactly the point.

  Nikita Quasim's "Framboises" is bustling with microsound while a piano plays quickly over top in a superior mood piece, while Jaar's biting of French folkie is a nice twist on the prevailing trend towards South American protest songs. (He overlays it with a lazy breakbeat rather than a pounding house beat too, which seems to fulfill his stated goal of "taking the beats even slower.") Soul Keita, meanwhile, brings the only track that veers close enough to a dance floor. It builds and it builds, as an acoustic guitar and kick drum while away as a hazy sample gradually comes into view. Typically, the climax isn't the sort of thing that will have Amnesia crowds in ecstasy, but when you're dealing with music as intimate as this, you tend to want to have it for yourself anyway.


  Words /
  Terry Fonseca

CS002 ∆ Nikita Quasim - Framboises

Psilonaut-  Third From The Sun

BEFORE TIGERS (GOLD PANDA REMIX)

Solid Steel (6th January) In Hour 1 we welcome Hugh Brunt from the London Contemporary Orchestra, who are one of the UK’s most innovative and respected ensembles – promoting the best new music and cross-arts collaborations to an increasingly wide audience and have worked with artists from Actress to Radiohead, featuring on their album A Moon Shaped Pool. This month, the LCO will embark on a UK tour of Paul Thomas Anderson’s Oscar-winning film There Will Be Blood accompanied by a live orchestral performance of Jonny Greenwood’s score. They had this to say;
"The playlist mainly focuses on muscular rhythm, metric modulations and displacement, and then the lack of these elements towards the end of the mix. Grischa Lichtenberger is making some amazing music, which deserves a wider audience. The mix also features a few of the artists LCO has collaborated with over the years: Anna Meredith; Jed Kurzel; Actress; William Basinski; and Jonny Greenwood, who we’ll be joining forces with later this month for a live screening of ‘There Will Be Blood’ at the Southbank Centre. We’ll then be taking the film to Birmingham, Brighton and Bristol on February 5th, 6th and 7th. ‘Convergence’ features in the oil rig explosion scene, deploying a total of 12 percussionists when performed live.”

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on
fb.me/solidsteelradio
instagram.com/solidsteelradio
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 2 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-612017-hour-2-fourmi-rouz-afromyrma-mix


Hour 1 - London Contemporary Orchestra
https://twitter.com/LCOrchestra
https://twitter.com/HughBrunt
https://www.facebook.com/LondonContemporaryOrchestra/
https://www.instagram.com/lcorchestra/
https://www.instagram.com/hughbrunt/

Anna Meredith	_	Nautilus	_	Moshi Moshi Records
Dawn of Midi	_	Io	_	Erased Tapes Records
Autechre	_	Yulquen	_	Warp Records
Jed Kurzel	_	The End	_	Warp Films
Grischa Lichtenberger	_	003_0415_03_re_0112_re_0811_08_lv_1	_	Raster-Noton
Riz Maslen	_	High Fibre - Neotropic	_	Bip Hop
Jonny Greenwood	_	Convergence	_	Parlophone Records
Four Tet	_	128 Harps	_	Text Records
Actress	_	N.E.W.	_	Honest Jon's Records
Valgeir Sigurdsson	_	The Crumbling	_	Bedroom Community
William Basinski	_	Melancholia II	_	2062

Solid Steel Radio Show

Solid Steel Radio Show 6/1/2017 Hour 1 - London Contemporary Orchestra

NOTES FROM Michael Rother (For Australian Tour 2012) 

Recorded 1971 in Hamburg. Original release 1972 on the first NEU! album

Klaus Dinger and I recorded Hallogallo and the other tracks of the first NEU! album with Conny Plank, the legendary producer, in late 1971. We did not ask a record company to pay the studio rent because we wished to remain completely independent but we had little money and therefore we were forced to finish the recordings in only 4 nights. We didn´t rehearse at home or even discussed our ideas before we entered the studio. Klaus and I started out from scratch and each of us only had visions of the music that we wanted to produce. In the first step we recorded basic tracks together, with Klaus playing drums and myself on guitar or bass. We worked like action painters when in the next step we individually added overdubs. It was thrilling and also frightening because there was absolutely no certainty that we would end up with an album and, if so, would find a record company for it. I guess we were very fortunate. Recording overdubs for Hallogallo I suddenly had a wonderful feedback on my guitar with which I could play thoses long drifting notes that hover like clouds over our basic tracks. Conny Plank contributed a lot of creativity to the recording process, he picked up our intentions with great sensitivity and was a wizzard at the mixing desk. Hallogallo is one of my favourite tracks of all time. The minimalistic drone and the optimistic fast-forward movement of Hallogallo is still close to my heart. In my view it is one of the best examples of my collaboration with Klaus Dinger.




Neu! - Hallogallo

track 7 of Hacknet (game) OST.

I don't own any rights toward this track in any way, form or shape !
Contact me and i will take it down asap

Psilonaut- Third From The Sun

Beatrycze

Related tracks