drone/noiz3

Trap God

Shiesty

Damu Bitch

Fired Up! feat. Nathan T. Duncan and C. Hogan, is the first single from Lance Vantile Whitfield's debut album UNBOSSED.

Produced by DeYon Dobson & Lance Vantile Whitfield.

Executive Producers: Linda M. Whitfield, Ryan A. Whitfield, DeYon Dobson & Lance Vantile Whitfield. Production Director: Nicoli E. Whitfield. Mixed & Mastered by Jimi Randolph.

©2021 DeBaddi

UnBossed

Fired Up!

Episode 4 of My Imaginary Radio Show Is Here!
Selected and mixed by Jakub Mildner.

Tracklist:
01 - Jackie wilson - (Your Love Keeps Lifting Me) Higher and Higher
02 - Tarone Davis -  Let Me Back In
03 - Hesitations - Gotta Find a Way
04 - The Five Stairsteps - Behind Curtains
05 - Leroy Hutson - So in Love with You
06 - The Five Stairsteps - Playgirl's Love
07 - The Millionaires - I'm The One Who Loves You
08 - Marvin Gaye - Got To Give It Up
09 - Benny Gorden - Crying Man
10 - Mighty Lovers - Ain't Gonna Run No More
11 - The Dramatics - And I Panicked
12 - Barbrar Acklin - I Just Call It Trouble
13 - George Mccrae - Rock Your Baby
14 - Charles Wright & The Watts 103rd St. Rhythm Band - Love Land
15 - David Ruffin - Walk Away From Love
16 - Friends Of Distinction - Love Or Let Me Be Lonely
17 - Tyrone Davis - Turn Back The Hands Of Time

Mildner Radio Episode 4

The cool kids use FL Studio. Not for sale.

Punkster

SHUT YA MOUTH

@noertheboy 
From 'Maraschino Mic Drop' by Honnda. 
Orange Milk Records, April 6, 2018. Digital and cassette tape.

Noer The Boy Remix: Dizney Flip

Daniel Ruane is not one for conformity and his upcoming Infinite Machine release, Twitch, is a perfect example of his rule-breaking, anti-establishment approach.

Read more: https://hyponik.com/features/first-listen-daniel-ruane-agiel-infinite-machine/

@infinite-machine
@daniel-ruane-2

Twitch

First Listen: Daniel Ruane - 'Agiel' (Infinite Machine)

Artist: Daniel Ruane
Title: Twitch
Format: Digital
Release Date: March 30th

In 2018, Daniel Ruane has many peers in his penchant for disruptive art – for the past couple of years, everything from external socio-political turmoil to internal industry decrepitude has incensed the most recent incarnations of punks to storm the clubs and subject punters to rawer, colder, faster, harder, more percussive, more nuanced, more expressive, more eclectic and/or insanely more rhythmically complex electronic music. However, in the mastery of his craft, his attention to detail, and his flair for deviceful musicality, Daniel is very nearly peerless. RA seem to agree in the review of his 2017 collaborative EP "DualExercise_I". Indeed, it is very hard to compare Mr. Ruane to most other purveyors of what some have loathsomely baptized as "deconstructed club". However righteous their impetus, however liberating their form, the end result always tends to be a bit on the amateurish side, both from a production and composition standpoint. One can only reject norms so far until all you're left with is an impotent, petulant din. This isn't even remotely Danny's case, however – his production crisp and defined, his arrangements virtuous and infuriatingly clever at times... he rids the listener of every possible obstacle in keeping up with what is already extremely demanding, difficult music. In this (and in many aural nods across this, "Twitch", his Infinite Machine debut EP) he is reminiscent of the breakcore intelligentsia of the early 2000's: Venetian Snares, Xanopticon, Richard Devine, Keith Fullerton Whitman, etc. - countercultural artists who nonetheless rejected the cretinous abandon of their colleagues and endeavored to make extreme electronic music that brimmed with consideration and intentionality, in spite of its micro-edit density and textural abrasiveness.

"Abyzou" opens with a bass-driven, emotional crescendo that primes the listener for the oncoming sonic battery (pun intended). Following a brief cyberized start-stop intermission, he lets loose the drums. "Surface" is a fuzzy flight through a cloudscape of distorted textures and ethereal harmony, which ends with Daniel almost letting loose the drums. "hhllww", conversely, doesn't fuck about, and only momentarily contextualizes itself before, you guessed it, letting loose the drums! "Agiel" takes a detour into more of a real-world soundscape, its dotted pulse suggestive of quad-time dancehall and metallic, grid-quantized musique concrete. Finally, "Lapse Reflection", of course, LETS LOOSE THE FUCKING DRUMS (sounding like a black metal blast beat that has defected from acoustic possibility).

Tracklist:

1. Abyzou
2. Surface
3. hhllww
4. Agiel
5. Lapse Reflection

Artwork by Tomás Urquieta
Mastered by Cyrcular Mastering

Daniel Ruane - Lapse Reflection

Daniel Ruane - hhllww

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Where Are We?

leet & NEWSENSE! - Vibrations (ft. kusmo)

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